Pausanias, Description of Greece, ed. Friedrich Spiro, 4.31

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[1]
ὀλίγον δὲ ἀπωτέρω Φαρῶν Ἀπόλλωνος ἄλσος ἐστὶ Καρνείου καὶ ὕδατος ἐν αὐτῷ πηγή· θαλάσσης δὲ ἕξ που στάδια ἀπέχουσιν αἱ Φαραί. ἐντεῦθεν πρὸς μεσόγαιαν τῆς Μεσσηνίας σταδίους προελθόντι ὀγδοήκοντα, ἔστιν ἡ Θουριατῶν πόλις, Ἄνθειαν δὲ αὐτὴν ἐν τοῖς ἔπεσιν ὠνομάσθαι τοῖς Ὁμήρου λέγουσι· Λακεδαιμονίοις δὲ ἔχειν τοῖς ἐν Σπάρτῃ τὴν Θουρίαν ἔδωκεν Αὔγουστος. Αὐγούστῳ γὰρ βασιλεύοντι Ῥωμαίων ἐπολέμησεν Ἀντώνιος, γένει καὶ οὗτος Ῥωμαῖος· καί οἱ τῶν ἐν τῇ Ἑλλάδι ἄλλοι τε καὶ οἱ Μεσσήνιοι προσέθεντο, ὅτι ἐφρόνουν Λακεδαιμόνιοι τὰ Αὐγούστου.

[2] καὶ ὁ μὲν τούτων ἕνεκα Μεσσηνίοις καὶ τῶν ἄλλων τῶν ἀντιταξαμένων τοῖς μὲν αὐτῶν ἔλαττον, τοῖς δὲ καὶ ἐς πλέον ἐπεξῆλθε· Θουριᾶται δὲ ἐκ τῆς πόλεως ἐν μετεώρῳ τὸ ἀρχαῖον οἰκουμένης ἐς τὸ πεδίον κατελθόντες οἰκοῦσιν. οὐ μὴν παντάπασί γε οὐδὲ τὴν ἄνω πόλιν ἐκλελοίπασιν, ἀλλὰ καὶ τείχους ἐρείπια καὶ ἱερόν ἐστιν αὐτόθι ὀνομαζόμενον θεοῦ Συρίας· τὴν δὲ ἐν τῷ πεδίῳ πόλιν ποταμὸς καλούμενος Ἄρις παρέξεισιν.

[3]
ἔστι δὲ ἐν τῇ μεσογαίῳ κώμη Καλάμαι καὶ Λίμναι χωρίον· ἐν δὲ αὐτῷ Λιμνάτιδος ἱερόν ἐστιν Ἀρτέμιδος, ἔνθα Τηλέκλῳ βασιλεύοντι ἐν Σπάρτῃ τὴν τελευτὴν συμβῆναι λέγουσιν.

[4] ἰόντι δὲ ἐκ Θουρίας ὡς ἐπὶ Ἀρκαδίας εἰσὶν αἱ πηγαὶ τοῦ Παμίσου· καὶ ἐπʼ αὐταῖς παισὶ μικροῖς ἀκέσματα γίνεται. 0
ἰοῦσι δὲ ἀπὸ τῶν πηγῶν ἐν ἀριστερᾷ καὶ προελθόντι ὡς τεσσαράκοντα στάδια, ἔστι Μεσσηνίοις ἡ ὑπὸ τῇ Ἰθώμῃ πόλις· περιέχεται δὲ οὐ τῇ Ἰθώμῃ μόνον ἀλλὰ καὶ ἐπὶ τὸν Πάμισον τὰ τετραμμένα ὑπὸ τῆς Εὔας· τὸ δὲ ὄνομα γενέσθαι τῷ ὄρει φασὶ Βακχικόν τι ἐπίφθεγμα εὐοῖ Διονύσου πρῶτον ἐνταῦθα αὐτοῦ τε εἰπόντος καὶ τῶν ὁμοῦ τῷ Διονύσῳ γυναικῶν.

[5] περὶ δὲ τὴν Μεσσήνην τεῖχος, κύκλος μὲν πᾶς λίθου πεποίηται, πύργοι δὲ καὶ ἐπάλξεις εἰσὶν ἐνῳκοδομημένοι. τὰ μὲν οὖν Βαβυλωνίων ἢ τὰ Μεμνόνεια τὰ ἐν Σούσοις τείχη τοῖς Περσικοῖς οὔτε εἶδον οὔτε ἄλλων περὶ αὐτῶν ἤκουσα αὐτοπτούντων· τὰ δὲ ἐν Ἀμβρός ςῳ τῇ Φωκικῇ ἔν τε Βυζαντίῳ καὶ Ῥόδῳ—ταῦτα γὰρ δὴ τετείχισται τὰ χωρία ἄριστα—τούτων Μεσσηνίοις ἐστὶν ἐχυρώτερον.

[6] Μεσσηνίοις δὲ ἐν τῇ ἀγορᾷ Διός ἐστιν ἄγαλμα Σωτῆρος καὶ Ἀρσινόη κρήνη· τὸ μὲν δὴ ὄνομα ἀπὸ τῆς Λευκίππου θυγατρὸς εἴληφεν, ὑπορρεῖ δὲ ἐς αὐτὴν ὕδωρ ἐκ πηγῆς καλουμένης Κλεψύδρας. θεῶν δὲ ἱερὰ Ποσειδῶνος, τὸ δὲ Ἀφροδίτης ἐστί· καὶ οὗ μάλιστα ἄξιον ποιήσασθαι μνήμην, ἄγαλμα Μητρὸς θεῶν λίθου Παρίου, Δαμοφῶντος δὲ ἔργον, ὃς καὶ τὸν Δία ἐν Ὀλυμπίᾳ διεστηκότος ἤδη τοῦ ἐλέφαντος συνήρμοσεν ἐς τὸ ἀκριβέστατον· καί οἱ δεδομέναι τιμαὶ παρὰ Ἠλείων εἰσί.

[7] Δαμοφῶντος δέ ἐστι τούτου καὶ ἡ Λαφρία καλουμένη παρὰ Μεσσηνίοις· σέβεσθαι δέ σφισιν ἀπὸ τοιοῦδε αὐτὴν καθέστηκε. Καλυδωνίοις ἡ Ἄρτεμις—ταύτην γὰρ θεῶν μάλιστα ἔσεβον—
ἐπίκλησιν εἶχε Λαφρία· Μεσσηνίων δὲ οἱ λαβόντες Ναύπακτον παρὰ Ἀθηναίων—τηνικαῦτα γὰρ Αἰτωλίας ἐγγύτατα ᾤκουν—παρὰ Καλυδωνίων ἔλαβον. τὸ σχῆμα ἑτέρωθι δηλώσω. τὸ μὲν δὴ τῆς Λαφρίας ἀφίκετο ὄνομα ἔς τε Μεσσηνίους καὶ ἐς Πατρεῖς Ἀχαιῶν μόνους, Ἐφεσίαν δὲ Ἄρτεμιν πόλεις τε νομίζουσιν αἱ

[8] πᾶσαι καὶ ἄνδρες ἰδίᾳ θεῶν μάλιστα ἄγουσιν ἐν τιμῇ· τὰ δὲ αἴτια ἐμοὶ δοκεῖν ἐστὶν Ἀμαζόνων τε κλέος, αἳ φήμην τὸ ἄγαλμα ἔχουσιν ἱδρύσασθαι, καὶ ὅτι ἐκ παλαιοτάτου τὸ ἱερὸν τοῦτο ἐποιήθη. τρία δὲ ἄλλα ἐπὶ τούτοις συνετέλεσεν ἐς δόξαν, μέγεθός τε τοῦ ναοῦ τὰ παρὰ πᾶσιν ἀνθρώποις κατασκευάσματα ὑπερηρκότος καὶ Ἐφεσίων τῆς πόλεως ἡ ἀκμὴ καὶ ἐν αὐτῇ τὸ ἐπιφανὲς τῆς θεοῦ.

[9]
πεποίηται δὲ καὶ Εἰλειθυίας Μεσσηνίοις ναὸς καὶ ἄγαλμα λίθου, πλησίον δὲ Κουρήτων μέγαρον, ἔνθα ζῷα τὰ πάντα ὁμοίως καθαγίζουσιν· ἀρξάμενοι γὰρ ἀπὸ βοῶν τε καὶ αἰγῶν καταβαίνουσιν ἐς τοὺς ὄρνιθας ἀφιέντες ἐς τὴν φλόγα. καὶ Δήμητρος ἱερὸν Μεσσηνίοις ἐστὶν ἅγιον καὶ Διοσκούρων ἀγάλματα φέροντες τὰς Λευκίππου· καί μοι καὶ ταῦτα ἐν τοῖς προτέροις ἐστὶν ἤδη δεδηλωμένα, ὡς οἱ Μεσσήνιοι τοὺς Τυνδάρεω παῖδας ἀμφισβητοῦσιν αὑτοῖς καὶ οὐ Λακεδαιμονίοις προσήκειν.

[10] πλεῖστα δέ σφισι καὶ θέας μάλιστα ἀγάλματα ἄξια τοῦ Ἀσκληπιοῦ παρέχεται τὸ ἱερόν· χωρὶς μὲν γὰρ τοῦ θεοῦ καὶ τῶν παίδων ἐστὶν ἀγάλματα, χωρὶς δὲ Ἀπόλλωνος καὶ Μουσῶν καὶ Ἡρακλέους· πόλις 0 τε ἡ Θηβαίων καὶ Ἐπαμινώνδας ὁ Κλεόμμιδος Τύχη τε καὶ Ἄρτεμις Φωσφόρος, τὰ μὲν δὴ τοῦ λίθου Δαμοφῶν αὐτοῖς εἰργάσατο—Μεσσήνιον δὲ ὅτι μὴ τοῦτον ἄλλον γε οὐδένα λόγου ποιήσαντα ἀξίως οἶδα ἀγάλματα—, ἡ δὲ εἰκὼν τοῦ Ἐπαμινώνδου ἐκ σιδήρου τέ ἐστι καὶ ἔργον ἄλλου, οὐ τούτου.

[11] ἔστι δὲ καὶ Μεσσήνης τῆς Τριόπα ναὸς καὶ ἄγαλμα χρυσοῦ καὶ λίθου Παρίου· γραφαὶ δὲ κατὰ τοῦ ναοῦ τὸ ὄπισθεν αἱ βασιλεύσαντές εἰσι Μεσσήνης, πρὶν μὲν ἢ στόλον ἀφικέσθαι τὸν Δωριέων ἐς Πελοπόννησον Ἀφαρεὺς καὶ οἱ παῖδες, κατελθόντων δὲ Ἡρακλειδῶν Κρεσφόντης ἐστίν, ἡγεμὼν καὶ οὗτος τοῦ Δωρικοῦ, τῶν δὲ οἰκησάντων ἐν Πύλῳ Νέστωρ καὶ Θρασυμήδης καὶ Ἀντίλοχος, προτετιμημένοι παίδων τῶν Νέστορος ἡλικίᾳ καὶ ἐπὶ Τροίαν μετεσχηκότες τῆς στρατείας.

[12] Λεύκιππός τε Ἀφαρέως ἀδελφὸς καὶ Ἱλάειρά ἐστι καὶ Φοίβη, σὺν δέ σφισιν Ἀρσινόη. γέγραπται δὲ καὶ Ἀσκληπιός, Ἀρσινόης ὢν λόγῳ τῷ Μεσσηνίων, καὶ Μαχάων καὶ Ποδαλείριος, ὅτι ἔργου τοῦ πρὸς Ἰλίῳ καὶ τούτοις μέτεστι. ταύτας τὰς γραφὰς ἔγραψεν Ὀμφαλίων, Νικίου τοῦ Νικομήδους μαθητής· οἱ δὲ αὐτὸν καὶ δουλεῦσαι παρὰ τῷ Νικίᾳ καὶ παιδικὰ γενέσθαι φασὶν αὐτοῦ.

Description of Greece. Pausanias. ed. Friedrich Spiro. Leipzig. 1903.

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Current edition Perseus

Ἑλλάδος Περιηγήσεως (Greek) (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.)

Translations (2)

Description of Greece Perseus (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.) — 4.31 focus

[1]
Not far from Pharae is a grove of Apollo Carneius and a spring of water in it. Pharae is about six stades from the sea. Eighty stades on the road which leads thence into the interior of Messenia is the city of the Thuriatae, which they say had the name Antheia in Homer's poems.¹ Augustus gave Thuria into the possession of the Lacedaemonians of Sparta . For when Augustus was emperor of the Romans, Antony, himself a Roman, made war upon him and was joined by the Messenians and the rest of the Greeks, because the Lacedaemonians were on the side of Augustus.

[2] For this reason Augustus punished the Messenians and the rest of his adversaries, some more, some less. The people of Thuria left their town, which lay originally on high ground, and came down to live in the plain. Nevertheless the upper town is not entirely deserted, but there are remains of the wall and a temple there, called the temple of the Syrian Goddess. A river called Aris flows past the town in the plain.

[3]
In the interior is a village Calamae and a place Limnae, where is a sanctuary of Artemis Limnatis (Of the lake). They say that Teleclus king of Sparta met his end here.

[4] On the road from Thuria towards Arcadia are the springs of the Pamisus, at which little children find cures.
A road turns to the left from the springs, and after some forty stades is the city of the Messenians under Ithome . It is enclosed not only by Mount Ithome, but on the side towards the Pamisos by Mount Eva. The mountain is said to have obtained its name from the fact that the Bacchic cry of “Evoe” was first uttered here by Dionysus and his attendant women.

[5] Round Messene is a wall, the whole circuit of which is built of stone, with towers and battlements upon it. I have not seen the walls at Babylon or the walls of Memnon at Susa in Persia , nor have I heard the account of any eye-witness; but the walls at Ambrossos in Phocis, at Byzantium and at Rhodes , all of them the most strongly fortified places, are not so strong as the Messenian wall.

[6] The Messenians possess a statue of Zeus the Saviour in the market-place and a fountain Arsinoe . It received its name from the daughter of Leucippus and is fed from a source called Clepsydra. There are sanctuaries of the gods Poseidon and Aphrodite, and, what is most deserving of mention, a statue of the Mother of the Gods, of Parian marble, the work of Damophon,² the artist who repaired the Zeus at Olympia with extreme accuracy when the ivory parted. Honors have been granted to him by the people of Elis .

[7] By Damophon too is the so-called Laphria at Messene . The cult came to be established among them in the following way: Among the people of Calydon, Artemis, who was worshipped by them above all the gods, had the title Laphria, and the Messenians who received Naupactus from the Athenians, being at that time close neighbors of the Aetolians, adopted her from the people of Calydon. I will describe her appearance in another place.³ The name Laphria spread only to the Messenians and to the Achaeans of Patrae .

[8] But all cities worship Artemis of Ephesus , and individuals hold her in honor above all the gods. The reason, in my view, is the renown of the Amazons, who traditionally dedicated the image, also the extreme antiquity of this sanctuary. Three other points as well have contributed to her renown, the size of the temple, surpassing all buildings among men, the eminence of the city of the Ephesians and the renown of the goddess who dwells there.

[9]
The Messenians have a temple erected to Eileithyia with a stone statue, and near by a hall of the Curetes, where they make burnt offerings of every kind of living creature, thrusting into the flames not only cattle and goats, but finally birds as well. There is a holy shrine of Demeter at Messene and statues of the Dioscuri, carrying the daughters of Leucippus. I have already explained in an earlier passage⁴ that the Messenians argue that the sons of Tyndareus belong to them rather than to the Lacedaemonians.

[10] The most numerous statues and the most worth seeing are to be found in the sanctuary of Asclepius. For besides statues of the god and his sons, and besides statues of Apollo, the Muses and Heracles, the city of Thebes is represented and Epaminondas the son of Cleommis, Fortune, and Artemis Bringer of Light. The stone statues are the work of Damophon (I know of no other Messenian sculptor of merit apart from him); the statue of Epaminondas is of iron and the work of some other artist.

[11] There is also a temple of Messene the daughter of Triopas with a statue of gold and Parian marble. At the back of the temple are paintings of the kings of Messene : before the coming of the Dorian host to Peloponnese , Aphareus and his sons, after the return of the Heracleidae, Cresphontes the Dorian leader, of the inhabitants of Pylos , Nestor, Thrasymedes and Antilochus, singled out from among the sons of Nestor on the score of age and because they took part in the expedition to Troy .

[12] There is Leucippus brother of Aphareus, Hilaeira and Phoebe, and with them Arsinoe . Asclepius too is represented, being according to the Messenian account a son of Arsinoe , also Machaon and Podaleirius, as they also took part in the affair at Troy . These pictures were painted by Omphalion, pupil of Nicias⁵ the son of Nicomedes. Some say that he was also a slave in the house of Nicias and his favorite.

English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) Experimental (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.) — 4.31 focus

[1] Not far from Pharai is a grove of Apollo Karneios and a spring of water in it. Pharai is about six stadium-lengths from the sea. Eighty stadium-lengths on the road which leads thence into the interior of Messenia is the city of the Thuriatae, which they say had the name Antheia in Homer’s poems. Augustus gave Thuria into the possession of the Lacedaemonians of Sparta. For when Augustus was emperor of the Romans, Antony, himself a Roman, made war upon him and was joined by the Messenians and the rest of the Greeks, because the Lacedaemonians were on the side of Augustus.

[3] In the interior is a village Calamae and a place Limnae, where is a sanctuary of Artemis Limnatis (Of the lake). They say that Teleklos king of Sparta met his end here.

[4] On the road from Thuria towards Arcadia are the springs of the Pamisus, at which little children find cures.

A road turns to the left from the springs, and after some forty stadium-lengths is the city of the Messenians under Ithome. It is enclosed not only by Mount Ithome, but on the side towards the Pamisos by Mount Eva. The mountain is said to have obtained its name from the fact that the Bacchic cry of “Evoe” was first uttered here by Dionysus and his attendant women.

[5] Round Messene is a wall, the whole circuit of which is built of stone, with towers and battlements upon it. I have not seen the walls at Babylon or the walls of Memnon at Susa of-the-Persians [ Persika], nor have I heard the account of any eyewitness; but the walls at Ambrossos in Phokis, at Byzantium and at Rhodes, all of them the most strongly fortified places, are not so strong as the Messenian wall.

[6] The Messenians possess a statue of Zeus the Savior in the marketplace and a fountain Arsinoe. It received its name from the daughter of Leukippos and is fed from a source called Clepsydra. There are sanctuaries of the gods Poseidon and Aphrodite, and, what is most deserving of mention, a statue of the Mother of the Gods, of Parian marble, the work of Damophon, the artist who repaired the Zeus at Olympia with extreme accuracy when the ivory parted. Honors have been granted to him by the people of Elis.

[7] By Damophon too is the so-called Laphria at Messene. The cult came to be established among them in the following way: Among the people of Calydon, Artemis, who was worshipped by them above all the gods, had the title Laphria, and the Messenians who received Naupaktos from the Athenians, being at that time close neighbors of the Aetolians, adopted her from the people of Calydon. I will describe her appearance in another place [= 7.18.8]. The name Laphria spread only to the Messenians and to the Achaeans of Patrai.

[8] But all cities worship Artemis of Ephesos, and individuals hold her in honor above all the gods. The reason, in my view, is the renown of the Amazons, who traditionally dedicated the image, also the extreme antiquity of this sanctuary. Three other points as well have contributed to her renown, the size of the temple, surpassing all buildings among men, the eminence of the city of the Ephesians and the renown of the goddess who dwells there.

[9] The Messenians have a temple erected to Eileithuia with a stone statue, and near by a hall of the Kouretes, where they make burned offerings of every kind of living creature, thrusting into the flames not only cattle and goats, but finally birds as well. There is a holy shrine of Demeter at Messene and statues of the Dioskouroi, carrying the daughters of Leukippos. I have already explained in an earlier passage that the Messenians argue that the sons of Tyndareus belong to them rather than to the Lacedaemonians.

[10] The most numerous statues and the most worth seeing are to be found in the sanctuary of Asklepios. For besides statues of the god and his sons, and besides statues of Apollo, the Muses and Hēraklēs, the city of Thebes is represented and Epameinondas the son of Kleommis, Fortune, and Artemis Bringer of Light. The stone statues are the work of Damophon (I know of no other Messenian sculptor of merit apart from him); the statue of Epameinondas is of iron and the work of some other artist.

[11] There is also a temple of Messene the daughter of Triopas with a statue of gold and Parian marble. At the back of the temple are paintings of the kings of Messene: before the coming of the Dorian host to Peloponnese, Aphareus and his sons, after the return of the Herakleidai, Kresphontes the Dorian leader, of the inhabitants of Pylos, Nestor, Thrasymedes and Antilokhos, singled out from among the sons of Nestor on the score of age and because they took part in the expedition to Troy.

[12] There is Leukippos brother of Aphareus, Hilaeira and Phoebe, and with them Arsinoe. Asklepios too is represented, being according to the Messenian account a son of Arsinoe, also Makhaon and Podaleirios, as they also took part in the affair at Troy. These pictures were painted by Omphalion, pupil of Nikias the son of Nikomedes. Some say that he was also a slave in the house of Nikias and his favorite.

New Alexandria Commentaries

Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]

Pausanias Description of Greece 4.31

ed. Friedrich Spiro

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