Pausanias, Description of Greece, ed. Friedrich Spiro, 3.14

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[1]
ἐκ δὲ τῆς ἀγορᾶς πρὸς ἥλιον ἰόντι δυόμενον τάφος κενὸς Βρασίδᾳ τῷ Τέλλιδος πεποίηται· ἀπέχει δὲ οὐ πολὺ τοῦ τάφου τὸ θέατρον, λίθου λευκοῦ, θέας ἄξιον. τοῦ θεάτρου δὲ ἀπαντικρὺ Παυσανίου τοῦ Πλαταιᾶσιν ἡγησαμένου μνῆμά ἐστι, τὸ δὲ ἕτερον Λεωνίδου— καὶ λόγους κατὰ ἔτος ἕκαστον ἐπʼ αὐτοῖς λέγουσι καὶ τιθέασιν ἀγῶνα, ἐν ᾧ πλὴν Σπαρτιατῶν ἄλλῳ γε οὐκ ἔστιν ἀγωνίζεσθαι—, τὰ δὲ ὀστᾶ τοῦ Λεωνίδου τεσσαράκοντα ἔτεσιν ὕστερον ἀνελομένου ἐκ Θερμοπυλῶν τοῦ Παυσανίου. κεῖται δὲ καὶ στήλη πατρόθεν τὰ ὀνόματα ἔχουσα οἳ πρὸς Μήδους τὸν ἐν Θερμοπύλαις ἀγῶνα ὑπέμειναν.

[2] καλεῖται δὲ ἐν τῇ Σπάρτῃ Θεομηλίδα χωρίον· κατὰ τοῦτο τῆς πόλεως τάφοι τῶν
Ἀγιαδῶν βασιλέων εἰσὶ καὶ πλησίον ὀνομαζομένη λέσχη Κροτανῶν· εἰσὶ δὲ οἱ Κροτανοὶ Πιτανατῶν μοῖρα. Ἀσκληπιοῦ δὲ οὐ πόρρω τῆς λέσχης ἐστὶν ἱερὸν, ἐν Ἀγιαδῶν καλούμενον. προελθοῦσι δὲ Ταινάρου μνῆμά ἐστι, καὶ τὴν ἄκραν τὴν ἐς θάλασσαν ἐσέχουσαν ἀπὸ τούτου φασὶν ὀνομασθῆναι· θεῶν δὲ ἱερὰ Ποσειδῶνός ἐστιν Ἱπποκουρίου καὶ Ἀρτέμιδος Αἰγιναίας. ἐπανελθοῦσι δὲ ὀπίσω πρὸς τὴν λέσχην ἐστὶν Ἀρτέμιδος Ἰσσωρίας ἱερόν· ἐπονομάζουσι δὲ αὐτὴν καὶ Λιμναίαν, οὖσαν οὐκ Ἄρτεμιν, Βριτόμαρτιν δὲ τὴν Κρητῶν· τὰ δὲ ἐς αὐτὴν ὁ Αἰγιναῖος ἔχει μοι λόγος.

[3] ἐγγυτάτω δὲ τῶν μνημάτων ἃ τοῖς Ἀγιάδαις πεποίηται στήλην ὄψει, γεγραμμέναι δέ εἰσιν ἃς Χίονις ἀνὴρ Λακεδαιμόνιος δρόμου νίκας ἀνείλετο ἄλλας τε καὶ Ὀλυμπίασιν· ἐνταῦθα δὲ ἑπτὰ ἐγένοντό οἱ νῖκαι, τέσσαρες μὲν σταδίου, διαύλου δὲ αἱ λοιπαί· τὸν δὲ σὺν τῇ ἀσπίδι δρόμον ἐπὶ ἀγῶνι λήγοντι οὐ συνέβαινεν εἶναί πω. Χίονιν δὲ καὶ τοῦ στόλου μετασχεῖν τῷ Θηραίῳ Βάττῳ καὶ Κυρήνην οἰκίσαι σὺν ἐκείνῳ καὶ Λιβύων καταστρέψασθαι τοὺς προσχώρους λέγουσιν.

[4] τὸ δὲ ἱερὸν τῆς Θέτιδος κατασκευασθῆναί φασιν ἐπʼ αἰτίᾳ τοιαύτῃ· πολεμεῖν μὲν πρὸς Μεσσηνίους ἀφεστηκότας, τὸν δὲ βασιλέα σφῶν Ἀνάξανδρον ἐσβαλόντα ἐς τὴν Μεσσηνίαν λαβεῖν αἰχμαλώτους γυναῖκας, ἐν δὲ αὐταῖς εἶναι Κλεώ, Θέτιδος δὲ αὐτὴν ἱέρειαν εἶναι. ταύτην ἡ τοῦ Ἀναξάνδρου γυνὴ τὴν Κλεὼ παρὰ τοῦ Ἀναξάνδρου αἰτεῖ, καὶ τό τε ξόανον τῆς Θέτιδος ἀνεῦρεν ἔχουσαν 0 καὶ ναὸν μετʼ αὐτῆς ἱδρύσατο τῇ θεῷ· ἐποίει δὲ ταῦτα ἡ Λεανδρὶς κατὰ ὄψιν ὀνείρατος.

[5] τὸ μὲν δὴ ξόανον τῆς Θέτιδος ἐν ἀπορρήτῳ φυλάσσουσι· Δήμητρα δὲ Χθονίαν Λακεδαιμόνιοι μὲν σέβειν φασὶ παραδόντος σφίσιν Ὀρφέως, δόξῃ δὲ ἐμῇ διὰ τὸ ἱερὸν τὸ ἐν Ἑρμιόνῃ κατέστη καὶ τούτοις Χθονίαν νομίζειν Δήμητρα. ἔστι δὲ καὶ Σαράπιδος νεώτατον τοῦτο Σπαρτιάταις ἱερὸν καὶ Διὸς ἐπίκλησιν Ὀλυμπίου.

[6]
καλοῦσι δὲ Λακεδαιμόνιοι Δρόμον, ἔνθα τοῖς νέοις καὶ ἐφʼ ἡμῶν ἔτι δρόμου μελέτη καθέστηκεν. ἐς τοῦτον τὸν Δρόμον ἰόντι ἀπὸ τοῦ τάφου τῶν Ἀγιαδῶν ἔστιν ἐν ἀριστερᾷ μνῆμα Εὐμήδους, Ἱπποκόωντος δὲ καὶ οὗτος ἦν ὁ Εὐμήδης· ἔστι δὲ ἄγαλμα ἀρχαῖον Ἡρακλέους, ᾧ θύουσιν οἱ Σφαιρεῖς· οἱ δέ εἰσιν οἱ ἐκ τῶν ἐφήβων ἐς ἄνδρας ἀρχόμενοι συντελεῖν. πεποίηται δὲ καὶ γυμνάσια ἐν τῷ Δρόμῳ, τὸ ἕτερον Εὐρυκλέους ἀνάθημα ἀνδρὸς Σπαρτιάτου· τοῦ Δρόμου δὲ ἐκτὸς κατὰ τοῦ Ἡρακλέους τὸ ἄγαλμα ἔστιν οἰκία τὰ ἐφʼ ἡμῶν ἰδιώτου, Μενελάου τὸ ἀρχαῖον. προελθόντι δὲ ἀπὸ τοῦ Δρόμου Διοσκούρων ἱερὸν καὶ Χαρίτων, τὸ δὲ Εἰλειθυίας ἐστὶν Ἀπόλλωνός τε Καρνείου καὶ Ἀρτέμιδος Ἡγεμόνης·

[7] τὸ δὲ τοῦ Ἀγνίτα πεποίηται μὲν ἐν δεξιᾷ τοῦ Δρόμου, Ἀσκληπιοῦ δέ ἐστιν ἐπίκλησις ὁ Ἀγνίτας, ὅτι ἦν ἄγνου τῷ θεῷ ξόανον· ἡ δὲ ἄγνος λύγος καὶ αὐτὴ κατὰ ταὐτά ἐστι τῇ ῥάμνῳ. τοῦ Ἀσκληπιοῦ δὲ οὐ πόρρω τρόπαιον ἕστηκε, Πολυδεύκην δὲ ἀναστῆσαί φασιν ἐπὶ Λυγκεῖ· καί μοι κἀμοὶ καὶ 0 τοῦτο ἀποφαίνει τὸν λόγον εἰκότα, οὐ ταφῆναι τοὺς Ἀφαρέως παῖδας ἐν Σπάρτῃ. πρὸς δὲ τοῦ Δρόμου τῇ ἀρχῇ Διόσκουροί τέ εἰσιν Ἀφετήριοι καὶ ὀλίγον προελθόντι ἡρῷον Ἄλκωνος· τὸν δὲ Ἄλκωνα λέγουσιν Ἱπποκόωντας παῖδα εἶναι.
παρὰ δὲ τοῦ Ἄλκωνος τὸ ἡρῷον Ποσειδῶνός ἐστιν ἱερόν, Δωματίτην δὲ ἐπονομάζουσιν.

[8] καὶ χωρίον Πλατανιστᾶς ἐστιν ἀπὸ τῶν δένδρων, αἳ δὴ ὑψηλαὶ καὶ συνεχεῖς περὶ αὐτὸ αἱ πλάτανοι πεφύκασιν. αὐτὸ δὲ τὸ χωρίον, ἔνθα τοῖς ἐφήβοις μάχεσθαι καθέστηκε, κύκλῳ μὲν εὔριπος περιέχει κατὰ ταὐτὰ καὶ εἰ νῆσον θάλασσα, ἔφοδοι δὲ ἐπὶ γεφυρῶν εἰσι. γεφυρῶν δὲ ἐφʼ ἑκατέρᾳ τῇ μέν ἐστιν ἄγαλμα Ἡρακλέους, τῇ δὲ εἰκὼν Λυκούργου· νόμους δὲ ἔς τε τὴν ἄλλην πολιτείαν καὶ ἐς τὴν μάχην τῶν ἐφήβων ἔθηκεν ὁ Λυκοῦργος.

[9] καὶ τάδε ἄλλα τοῖς ἐφήβοις δρώμενά ἐστι· θύουσι πρὸ τῆς μάχης ἐν τῷ Φοιβαίῳ· τὸ δὲ Φοιβαῖόν ἐστιν ἐκτὸς τῆς πόλεως, Θεράπνης οὐ πολὺ ἀφεστηκός. ἐνταῦθα ἑκατέρα μοῖρα τῶν ἐφήβων σκύλακα κυνὸς τῷ Ἐνυαλίῳ θύουσι, θεῶν τῷ ἀλκιμωτάτῳ κρίνοντες ἱερεῖον κατὰ γνώμην εἶναι τὸ ἀλκιμώτατον ζῷον τῶν ἡμέρων. κυνὸς δὲ σκύλακας οὐδένας ἄλλους οἶδα Ἑλλήνων νομίζοντας θύειν ὅτι μὴ Κολοφωνίους· θύουσι γὰρ καὶ Κολοφώνιοι μέλαιναν τῇ Ἐνοδίῳ σκύλακα. νυκτεριναὶ δὲ ἥ τε Κολοφωνίων θυσία καὶ τῶν ἐν Λακεδαίμονι ἐφήβων καθεστήκασιν.

[10] ἐπὶ δὲ τῇ θυσίᾳ κάπρους ἠθάδας οἱ ἔφηβοι συμβάλλουσι μαχουμένους· 0 ὁποτέρων δʼ ἂν ὁ κάπρος τύχῃ νικῶν, ἐστιν ἐν τῷ Πλατανιστᾷ κρατῆσαι τούτους ὡς τὰ πλείω συμβαίνει. τοσάδε μὲν δρῶσιν ἐν τῷ Φοιβαίῳ· ἐς δὲ τὴν ἐπιοῦσαν ὀλίγον πρὸ μεσούσης ἡμέρας ἐσίασι κατὰ τὰς γεφύρας ἐς τὸ εἰρημένον χωρίον. τὴν μὲν δὴ ἔσοδον, καθʼ ἣν ἐσελθεῖν δεῦρο ἔστιν ἑκατέραν τάξιν, προεδήλωσε κλῆρός σφισιν ἐν τῇ νυκτί· μάχονται δὲ καὶ ἐν χερσὶ καὶ ἐμπηδῶντες λάξ, δάκνουσί τε καὶ τοὺς ὀφθαλμοὺς ἀντορύσσουσιν. ἀνὴρ μὲν δὴ πρὸς ἄνδρα τὸν εἰρημένον τρόπον μάχεται· ἀθρόοι δέ ἐμπίπτουσι βιαίως καὶ ἐς τὸ ὕδωρ ὠθοῦσιν ἀλλήλους.

Description of Greece. Pausanias. ed. Friedrich Spiro. Leipzig. 1903.

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Ἑλλάδος Περιηγήσεως (Greek) (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.)

Translations (2)

Description of Greece Perseus (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.) — 3.14 focus

[1]
On going westwards from the market-place is a cenotaph of Brasidas the son of Tellis.¹ Not far from it is the theater, made of white marble and worth seeing. Opposite the theater are two tombs; the first is that of Pausanias, the general at Plataea , the second is that of Leonidas. Every year they deliver speeches over them, and hold a contest in which none may compete except Spartans. The bones of Leonidas were taken by Pausanias from Thermopylae forty years after the battle. There is set up a slab with the names, and their fathers' names, of those who endured the fight at Thermopylae against the Persians.

[2] There is a place in Sparta called Theomelida. In this part of the city are the graves of the Agiad kings, and near is what is called the lounge of the Crotani, who form a part of the Pitanatans. Not far from the lounge is a sanctuary of Asclepius, called “in the place of the Agiadae.” Farther on is the tomb of Taenarus, after whom they say the headland was named that juts out into the sea. Here are sanctuaries of Poseidon Hippocurius (Horse-tending) and of Artemis Aiginaea (Goat-goddess?). On returning to the lounge you see a sanctuary of Artemis Issoria. They surname her also Lady of the Lake, though she is not really Artemis hut Britomartis of Crete . I deal with her in my account of Aegina .

[3] Very near to the tombs which have been built for the Agiadae you will see a slab, on which are written the victories in the foot-race won, at Olympia and elsewhere, by Chionis, a Lacedaemonian.² The Olympian victories were seven, four in the single-stade race and three in the double-stade race³. The race with the shield, that takes place at the end of the contest, was not at that time one of the events. It is said that Chionis also took part in the expedition of Battus of Thera , helped him to found Cyrene and to reduce the neighboring Libyans.

[4] The sanctuary of Thetis was set up, they say, for the following reason. The Lacedaemonians were making war against the Messenians, who had revolted, and their king Anaxander, having invaded Messenia , took prisoners certain women, and among them Cleo, priestess of Thetis. This Cleo the wife of Anaxander asked for from her husband, and discovering that she had the wooden image of Thetis, she set up with her a temple for the goddess. This Leandris did because of a vision in a dream,

[5] but the wooden image of Thetis is guarded in secret. The cult of Demeter Chthonia (of the Lower World) the Lacedaemonians say was handed on to them by Orpheus, but in my opinion it was because of the sanctuary in Hermione ⁴ that the Lacedaemonians also began to worship Demeter Chthonia. The Spartans have also a sanctuary of Serapis, the newest sanctuary in the city, and one of Zeus surnamed Olympian.

[6]
The Lacedaemonians give the name Running Course to the place where it is the custom for the young men even down to the present day to practise running. As you go to this Course from the grave of the Agiadae, you see on the left the tomb of Eumedes—this Eumedes was one of the children of Hippocoon—and also an old image of Heracles, to whom sacrifice is paid by the Sphaereis. These are those who are just passing from youth to manhood. In the Course are two gymnastic schools, one being a votive gift of Eurycles, a Spartan. Outside the Course, over against the image of Heracles, there is a house belonging now to a private individual, but in olden times to Menelaus. Farther away from the Course are sanctuaries of the Dioscuri, of the Graces, of Eileithyia, of Apollo Carneus, and of Artemis Leader.

[7] The sanctuary of Agnitas has been made on the right of the Course; Agnitas is a surname of Asclepius, because the god had a wooden image of agnus castus. The agnus is a willow like the thorn. Not far from Asclepius stands a trophy, raised, they say, by Polydeuces to celebrate his victory over Lynceus. This is one of the pieces of evidence that confirm my statement that the sons of Aphareus were not buried in Sparta . At the beginning of the Course are the Dioscuri Starters, and a little farther on a hero-shrine of Alcon, who they say was a son of Hippocoon.
Beside the shrine of Alcon is a sanctuary of Poseidon, whom they surname “of the House.”

[8] And there is a place called Platanistas (Plane-tree Grove) from the unbroken ring of tall plane trees growing round it. The place itself, where it is customary for the youths to fight, is surrounded by a moat just like an island in the sea; you enter it by bridges. On each of the two bridges stand images; on one side an image of Heracles, on the other a likeness of Lycurgus. Among the laws Lycurgus laid down for the constitution are those regulating the fighting of the youths.

[9] There are other acts performed by the youths, which I will now describe. Before the fighting they sacrifice in the Phoebaeum, which is outside the city, not far distant from Therapne. Here each company of youths sacrifices a puppy to Enyalius, holding that the most valiant of tame animals is an acceptable victim to the most valiant of the gods. I know of no other Greeks who are accustomed to sacrifice puppies except the people of Colophon ; these too sacrifice a puppy, a black bitch, to the Wayside Goddess. Both the sacrifice of the Colophonians and that of the youths at Sparta are appointed to take place at night.

[10] At the sacrifice the youths set trained boars to fight; the company whose boar happens to win generally gains the victory in Plane-tree Grove. Such are the performances in the Phoebaeum. A little before the middle of the next day they enter by the bridges into the place I have mentioned. They cast lots during the night to decide by which entrance each band is to go in. In fighting they use their hands, kick with their feet, bite, and gouge out the eyes of their opponents. Man to man they fight in the way I have described, but in the melee they charge violently and push one another into the water.

English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) Experimental (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.) — 3.14 focus

[1] On going westwards from the marketplace is a cenotaph of Brasidas the son of Tellis. Not far from it is the theater, made of white marble and worth seeing. Opposite the theater are two tombs; the first is that of Pausanias, the general at Plataea, the second is that of Leonidas. Every year they deliver speeches over them, and hold a contest in which none may compete except Spartans. The bones of Leonidas were taken by Pausanias from Thermopylae forty years after the battle. There is set up a slab with the names, and their fathers’ names, of those who endured the fight at Thermopylae against the Persians.

[2] There is a place in Sparta called Theomelida. In this part of the city are the tombs of the Agiad kings, and near is what is called the lounge of the Crotani, who form a part of the Pitanatans. Not far from the lounge is a sanctuary of Asklepios, called “in the place of the Agiadae.” Farther on is the tomb of Taenarus, after whom they say the headland was named that juts out into the sea. Here are sanctuaries of Poseidon Hippocurius (Horse-tending) and of Artemis Aiginaia (Goat-goddess?). On returning to the lounge you see a sanctuary of Artemis Issoria. They surname her also Lady of the Lake, though she is not really Artemis hut Britomartis of Crete. I deal with her in my account of Aegina.

[3] Very near to the tombs which have been built for the Agiadaiyou will see a slab, on which are written the victories in the foot-race won, at Olympia and elsewhere, by Khionis, a Lacedaemonian. The Olympian victories were seven, four in the single-stadium-length race and three in the double-stadium-length race. The race with the shield, that takes place at the end of the contest, was not at that time one of the events. It is said that Khionis also took part in the expedition of Battos of Thera, helped him to found Cyrene and to reduce the neighboring Libyans.

[4] The sanctuary of Thetis was set up, they say, for the following reason. The Lacedaemonians were making war against the Messenians, who had revolted, and their king Anaxander, having invaded Messenia, took prisoners certain women, and among them Kleo, priestess of Thetis. This Kleo the wife of Anaxandros asked for from her husband, and discovering that she had the wooden image of Thetis, she set up with her a temple for the goddess. This Leandris did because of a vision in a dream,

[5] but the wooden image of Thetis is guarded in secret. The cult of Demeter Chthonia (of the Lower World) the Lacedaemonians say was handed on to them by Orpheus, but in my opinion it was because of the sanctuary in Hermione that the Lacedaemonians also began to worship Demeter Chthonia. The Spartans have also a sanctuary of Serapis, the newest sanctuary in the city, and one of Zeus surnamed Olympian.

[6] The Lacedaemonians give the name Running Course to the place where it is the custom for the young men even down to the present day to practice running. As you go to this Course from the tomb of the Agiadae, you see on the left the tomb of Eumedes—this Eumedes was one of the children of Hippokoön—and also an old image of Hēraklēs, to whom sacrifice is paid by the Sphaereis. These are those who are just passing from youth to manhood. In the Course are two gymnastic schools, one being a votive gift of Eurykles, a Spartan. Outside the Course, over against the image of Hēraklēs, there is a house belonging now to a private individual, but in olden times to Menelaos. Farther away from the Course are sanctuaries of the Dioskouroi, of the Graces, of Eileithuia, of Apollo Carneus, and of Artemis Leader.

[7] The sanctuary of Agnitas has been made on the right of the Course; Agnitas is a surname of Asklepios, because the god had a wooden image of agnus castus. The agnus is a willow like the thorn. Not far from Asklepios stands a trophy, raised, they say, by Polydeukes to celebrate his victory over Lynkeus. This is one of the pieces of evidence that confirm my statement that the sons of Aphareus were not buried in Sparta. At the beginning of the Course are the Dioskouroi Starters, and a little farther on a hero-shrine of Alcon, who they say was a son of Hippokoön.

Beside the shrine of Alcon is a sanctuary of Poseidon, whom they surname “of the House.”

[8] And there is a place called Platanistas (Plane tree Grove) from the unbroken ring of tall plane trees growing round it. The place itself, where it is customary for the youths to fight, is surrounded by a moat just like an island in the sea; you enter it by bridges. On each of the two bridges stand images; on one side an image of Hēraklēs, on the other a likeness of Lycurgus (Lykourgos). Among the laws Lycurgus (Lykourgos) laid down for the constitution are those regulating the fighting of the youths.

[9] There are other acts performed by the youths, which I will now describe. Before the fighting they sacrifice in the Phoebaeum, which is outside the city, not far distant from Therapne. Here each company of youths sacrifices a puppy to Enyalios, holding that the most valiant of tame animals is an acceptable victim to the most valiant of the gods. I know of no other Greeks who are accustomed to sacrifice puppies except the people of Kolophon; these too sacrifice a puppy, a black bitch, to the Wayside Goddess. Both the sacrifice of the Kolophonians and that of the youths at Sparta are appointed to take place at night.

[10] At the sacrifice the youths set trained boars to fight; the company whose boar happens to win generally gains the victory in Plane tree Grove. Such are the performances in the Phoebaeum. A little before the middle of the next day they enter by the bridges into the place I have mentioned. They cast lots during the night to decide by which entrance each band is to go in. In fighting they use their hands, kick with their feet, bite, and gouge out the eyes of their opponents. Man to man they fight in the way I have described, but in the melee they charge violently and push one another into the water.

New Alexandria Commentaries

Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]

Pausanias Description of Greece 3.14

ed. Friedrich Spiro

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