Pausanias, Description of Greece, ed. Friedrich Spiro, 2.4

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[1]
τάδε μὲν οὕτως ἔχοντα ἐπελεξάμην, τοῦ μνήματος δέ ἐστιν οὐ πόρρω Χαλινίτιδος Ἀθηνᾶς ἱερόν· Ἀθηνᾶν γὰρ θεῶν μάλιστα συγκατεργάσασθαι τά τε ἄλλα Βελλεροφόντῃ φασὶ καὶ ὡς τὸν Πήγασόν οἱ παραδοίη χειρωσαμένη τε καὶ ἐνθεῖσα αὐτὴ τῷ ἵππῳ χαλινόν. τὸ δὲ ἄγαλμα τοῦτο ξόανόν ἐστι, πρόσωπον δὲ καὶ χεῖρες καὶ ἀκρόποδες εἰσὶ λευκοῦ λίθου.

[2] Βελλεροφόντην δὲ οὐκ αὐτοκράτορα ὄντα βασιλεύειν, εἶναι δὲ ἐπὶ Προίτῳ καὶ Ἀργείοις ἐγώ τε πείθομαι καὶ ὅστις τὰ Ὁμήρου μὴ πάρεργον ἐπελέξατο. φαίνονται δὲ καὶ
Βελλεροφόντου μετοικήσαντος ἐς Λυκίαν οὐδὲν ἧσσον οἱ Κορίνθιοι τῶν ἐν Ἄργει δυναστῶν ἢ Μυκήναις ὑπακούοντες· ἰδίᾳ τε οὐδένα παρέσχοντο ἄρχοντα τῆς ἐπὶ Τροίαν στρατιᾶς, συντεταγμένοι δὲ Μυκηναίοις καὶ ὅσων ἄλλων Ἀγαμέμνων ἡγεῖτο μετέσχον τοῦ στόλου.

[3] Σισύφῳ δὲ οὔτι Γλαῦκος μόνον ὁ Βελλεροφόντου πατὴρ ἀλλὰ καὶ ἕτερος υἱὸς ἐγένετο Ὀρνυτίων, ἐπὶ δὲ αὐτῷ Θέρσανδρός τε καὶ Ἄλμος. Ὀρνυτίωνος δὲ ἦν Φῶκος, Ποσειδῶνος δὲ ἐπίκλησιν. καὶ ὁ μὲν ἀπῴκησεν ἐς Τιθορέαν τῆς νῦν καλουμένης Φωκίδος, Θόας δὲ Ὀρνυτίωνος υἱὸς νεώτερος κατέμεινεν ἐν τῇ Κορίνθῳ. Θόαντος δὲ Δαμοφῶν, Δαμοφῶντος δὲ ἦν Προπόδας, Προπόδα δὲ Δωρίδας καὶ Ὑανθίδας. τούτων βασιλευόντων Δωριεῖς στρατεύουσιν ἐπὶ Κόρινθον· ἡγεῖτο δὲ Ἀλήτης Ἱππότου τοῦ Φύλαντος τοῦ Ἀντιόχου τοῦ Ἡρακλέους. Δωρίδας μὲν οὖν καὶ Ὑανθίδας παραδόντες τὴν βασιλείαν Ἀλήτῃ καταμένουσιν αὐτοῦ, τῶν δὲ Κορινθίων ὁ δῆμος ἐξέπεσεν ὑπὸ Δωριέων κρατηθεὶς μάχῃ.

[4] Ἀλήτης δὲ αὐτός τε καὶ οἱ ἀπόγονοι βασιλεύουσιν ἐς μὲν Βάκχιν τὸν Προύμνιδος ἐπὶ γενεὰς πέντε, ἀπὸ τούτου δὲ οἱ Βακχίδαι καλούμενοι πέντε ἄλλας γενεὰς ἐς Τελέστην τὸν Ἀριστοδήμου. καὶ Τελέστην μὲν κατὰ ἔχθος Ἀριεὺς καὶ Περάντας κτείνουσι, βασιλεὺς δὲ οὐδεὶς ἔτι ἐγένετο, πρυτάνεις δὲ ἐκ Βακχιδῶν ἐνιαυτὸν ἄρχοντες, ἐς ὃ Κύψελος τυραννήσας ὁ Ἠετίωνος ἐξέβαλε τοὺς Βακχίδας· ἀπόγονος δὲ ἦν ὁ Κύψελος Μέλανος τοῦ Ἀντάσου. Μέλανα δὲ ἐκ 0 Γονούσσης τῆς ὑπὲρ Σικυῶνος στρατεύοντα σὺν Δωριεῦσιν ἐπὶ Κόρινθον Ἀλήτης τὸ μὲν παραυτίκα ἀπειπόντος τοῦ θεοῦ παρʼ ἄλλους τῶν Ἑλλήνων ἐκέλευσεν ἀποχωρεῖν, ὕστερον δὲ ἁμαρτὼν τοῦ χρησμοῦ δέχεται σύνοικον.
τοιαῦτα μὲν ἐς τοὺς Κορινθίων βασιλέας συμβάντα εὕρισκον·

[5] τὸ δὲ ἱερὸν τῆς Ἀθηνᾶς τῆς Χαλινίτιδος πρὸς τῷ θεάτρῳ σφίσιν ἐστὶν καὶ πλησίον ξόανον γυμνὸν Ἡρακλέους, Δαιδάλου δὲ αὐτό φασιν εἶναι τέχνην. Δαίδαλος δὲ ὁπόσα εἰργάσατο, ἀτοπώτερα μέν ἐστιν ἐς τὴν ὄψιν, ἐπιπρέπει δὲ ὅμως τι καὶ ἔνθεον τούτοις. ὑπὲρ δὲ τὸ θέατρόν ἐστιν ἱερὸν Διὸς Καπετωλίου φωνῇ τῇ Ῥωμαίων· κατὰ Ἑλλάδα δὲ γλῶσσαν Κορυφαῖος ὀνομάζοιτο ἄν. τοῦ θεάτρου δέ ἐστι τοῦδε οὐ πόρρω γυμνάσιον τὸ ἀρχαῖον καὶ πηγὴ καλουμένη Λέρνα· κίονες δὲ ἑστήκασι περὶ αὐτὴν καὶ καθέδραι πεποίηνται τοὺς ἐσελθόντας ἀναψύχειν ὥρᾳ θέρους. πρὸς τούτῳ τῷ γυμνασίῳ ναοὶ θεῶν εἰσιν ὁ μὲν Διός, ὁ δὲ Ἀσκληπιοῦ· τὰ δὲ ἀγάλματα Ἀσκληπιὸς μὲν καὶ Ὑγεία λευκοῦ λίθου, τὸ δὲ τοῦ Διὸς χαλκοῦν ἐστιν.

[6]
ἀνιοῦσι δὲ ἐς τὸν Ἀκροκόρινθον—ἡ δέ ἐστιν ὄρους ὑπὲρ τὴν πόλιν κορυφή, Βριάρεω μὲν Ἡλίῳ δόντος αὐτὴν ὅτε ἐδίκαζεν, Ἡλίου δὲ ὡς οἱ Κορίνθιοί φασιν Ἀφροδίτῃ παρέντος—ἐς δὴ τὸν Ἀκροκόρινθον τοῦτον ἀνιοῦσίν ἐστιν Ἴσιδος τεμένη, ὧν τὴν μὲν Πελαγίαν, τὴν δὲ Αἰγυπτίαν αὐτῶν ἐπονομάζουσιν, καὶ δύο Σαράπιδος, ἐν Κανώβῳ καλουμένου τὸ ἕτερον. μετὰ δὲ αὐτὰ Ἡλίῳ πεποίηνται βωμοί, καὶ Ἀνάγκης 0 καὶ Βίας ἐστὶν ἱερόν· ἐσιέναι δὲ ἐς αὐτὸ οὐ νομίζουσιν.

[7] ὑπὲρ τοῦτο Μητρὸς θεῶν ναός ἐστι καὶ στήλη καὶ θρόνος· λίθων καὶ αὐτὴ καὶ ὁ θρόνος. ὁ δὲ τῶν Μοιρῶν καὶ ὁ Δήμητρος καὶ Κόρης οὐ φανερὰ ἔχουσι τὰ ἀγάλματα. ταύτῃ καὶ τὸ τῆς Βουναίας ἐστὶν Ἥρας ἱερὸν ἱδρυσαμένου Βούνου τοῦ Ἑρμοῦ· καὶ διʼ αὐτὸ ἡ θεὸς καλεῖται Βουναία.

Description of Greece. Pausanias. ed. Friedrich Spiro. Leipzig. 1903.

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Current edition Perseus

Ἑλλάδος Περιηγήσεως (Greek) (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.)

Translations (2)

Description of Greece Perseus (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.) — 2.4 focus

[1]
This is the account that I read, and not far from the tomb is the temple of Athena Chalinitis (Bridler). For Athena, they say, was the divinity who gave most help to Bellerophontes, and she delivered to him Pegasus, having herself broken in and bridled him. The image of her is of wood, but face, hands and feet are of white marble.

[2] That Bellerophontes was not an absolute king, but was subject to Proetus and the Argives is the belief of myself and of all who have read carefully the Homeric poems.¹ When Bellerophontes migrated to Lycia it is clear that the Corinthians none the less were subject to the despots at Argos or Mycenae . By themselves they provided no leader for the campaign against Troy , but shared in the expedition as part of the forces, Mycenaean and other, led by Agamemnon.

[3] Sisyphus had other sons besides Glaucus, the father of Bellerophontes a second was Ornytion, and besides him there were Thersander and Almus . Ornytion had a son Phocus, reputed to have been begotten by Poseidon. He migrated to Tithorea in what is now called Phocis, but Thoas, the younger son of Ornytion, remained behind at Corinth . Thoas begat Damophon, Damophon begat Propodas, and Propodas begat Doridas and Hyanthidas. While these were kings the Dorians took the field against Corinth , their leader being Aletes, the son of Hippotas, the son of Phylas, the son of Antiochus, the son of Heracles. So Doridas and Hyanthidas gave up the kingship to Aletes and remained at Corinth , but the Corinthian people were conquered in battle and expelled by the Dorians.

[4] Aletes himself and his descendants reigned for five generations to Bacchis, the son of Prumnis, and, named after him, the Bacchidae reigned for five more generations to Telestes, the son of Aristodemus. Telestes was killed in hate by Arieus and Perantas, and there were no more kings, but Prytanes (Presidents) taken from the Bacchidae and ruling for one year, until Cypselus, the son of Eetion, became tyrant and expelled the Bacchidae.² Cypselus was a descendant of Melas , the son of Antasus. Melas from Gonussa above Sicyon joined the Dorians in the expedition against Corinth . When the god expressed disapproval Aletes at first ordered Melas to withdraw to other Greeks, but afterwards, mistaking the oracle, he received him as a settler.
Such I found to be the history of the Corinthian kings.

[5] Now the sanctuary of Athena Chalinitis is by their theater, and near is a naked wooden image of Heracles, said to be a work of Daedalus. All the works of this artist, although rather uncouth to look at, are nevertheless distinguished by a kind of inspiration. Above the theater is a sanctuary of Zeus surnamed in the Latin tongue Capitolinus, which might be rendered into Greek “Coryphaeos”. Not far from this theater is the ancient gymnasium, and a spring called Lerna . Pillars stand around it, and seats have been made to refresh in summer time those who have entered it. By this gymnasium are temples of Zeus and Asclepius. The images of Asclepius and of Health are of white marble, that of Zeus is of bronze.

[6] The Acrocorinthus is a mountain peak above the city, assigned to Helius by Briareos when he acted as adjudicator, and handed over, the Corinthians say, by Helius to Aphrodite. As you go up this Acrocorinthus you see two precincts of Isis, one if Isis surnamed Pelagian (Marine) and the other of Egyptian Isis, and two of Serapis, one of them being of Serapis called “in Canopus .” After these are altars to Helius, and a sanctuary of Necessity and Force, into which it is not customary to enter.

[7]
Above it are a temple of the Mother of the gods and a throne; the image and the throne are made of stone. The temple of the Fates and that of Demeter and the Maid have images that are not exposed to view. Here, too, is the temple of Hera Bunaea set up by Bunus the son of Hermes. It is for this reason that the goddess is called Bunaea.

English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) Experimental (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.) — 2.4 focus

[1] This is the account that I read, and not far from the tomb is the temple of Athena Khalinitis (Bridler). For Athena, they say, was the divinity who gave most help to Bellerophontes, and she delivered to him Pegasus [Pegasos], having herself broken in and bridled him. The statue [ agalma] of hers is of wood [ xoanon], but face, hands and feet are of white marble.

[2] That Bellerophontes was not an absolute king, but was subject to Proitos and the Argives is the belief of myself and of all who have read carefully the Homeric poems. When Bellerophontes migrated to Lycia it is clear that the Corinthians none the less were subject to the despots at Argos or Mycenae. By themselves they provided no leader for the campaign against Troy, but shared in the expedition as part of the forces, Mycenaean and other, led by Agamemnon.

[3] Sisyphus had other sons besides Glaukos, the father of Bellerophontes a second was Ornytion, and besides him there were Thersandros and Almus. Ornytion had a son Phokos, reputed to have been begotten by Poseidon. He migrated to Tithorea in what is now called Phokis, but Thoas, the younger son of Ornytion, remained behind in Corinth. Thoas begat Damophon, Damophon begat Propodas, and Propodas begat Doridas and Hyanthidas. While these were kings the Dorians took the field against Corinth, their leader being Aletes, the son of Hippotas, the son of Phylas, the son of Antiokhos, the son of Hēraklēs. So Doridas and Hyanthidas gave up the kingship to Aletes and remained in Corinth, but the Corinthian people were conquered in battle and expelled by the Dorians.

[4] Aletes himself and his descendants reigned for five generations to Bacchis, the son of Prumnis, and, named after him, the Bakkhidai reigned for five more generations to Telestes, the son of Aristodemos. Telestes was killed in hate by Arieus and Perantas, and there were no more kings, but Prytaneis (‘Presidents’) taken from the Bakkhidai and ruling for one year, until Kypselos, the son of Eetion, became tyrant and expelled the Bakkhidai. Kypselos was a descendant of Melas, the son of Antasus. Melas from Gonoussa above Sikyon joined the Dorians in the expedition against Corinth. When the god expressed disapproval Aletes at first ordered Melas to withdraw to other Greeks, but afterwards, mistaking the oracle, he received him as a settler. Such I found to be the history of the Corinthian kings.

[5] Now the sanctuary of Athena Khalinitis is by their theater, and near is a naked wooden image of Hēraklēs, said to be a work of Daidalos. All the works of this artist, although rather uncouth to look at, are nevertheless distinguished by a kind of inspiration. Above the theater is a sanctuary of Zeus surnamed in the Latin tongue Capitolinus, which might be rendered into Greek, ‘Koruphaios’. Not far from this theater is the ancient gymnasium, and a spring called Lerna. Pillars stand around it, and seats have been made to refresh in summer time those who have entered it. By this gymnasium are temples of Zeus and Asklepios. The statues [ agalmata] of Asklepios and of Hygieia are of white marble, that of Zeus is of bronze.

[6] The Acrocorinth is a mountain peak above the city, assigned to Hēlios by Briareos when he acted as adjudicator, and handed over, the Corinthians say, by Hēlios to Aphrodite. As you go up this Acrocorinth you see two precincts of Isis, one if Isis surnamed Pelagian (Marine) and the other of Egyptian Isis, and two of Serapis, one of them being of Serapis called ‘Canopus’. After these are altars to Hēlios, and a sanctuary of Necessity and Force, into which it is not customary to enter.

[7] Above it are a temple of the Mother of the gods and a throne; the image and the throne are made of stone. The temple of the Fates and that of Demeter and the Maiden have statues [ agalmata] that are not exposed to view. Here, too, is the temple of Hērā Bounaia set up by Bounos the son of Hermes. It is for this reason that the goddess is called Bounaia.

New Alexandria Commentaries

Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]

Pausanias Description of Greece 2.4

ed. Friedrich Spiro

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