Pausanias, Description of Greece, W.H.S. Jones (Translator), H.A. Ormerod (Translator), 1.24.5

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[5]
Their ritual, then, is such as I have described. As you enter the temple that they name the Parthenon, all the sculptures you see on what is called the pediment refer to the birth of Athena, those on the rear pediment represent the contest for the land between Athena and Poseidon. The statue itself is made of ivory and gold. On the middle of her helmet is placed a likeness of the Sphinx—the tale of the Sphinx I will give when I come to my description of Boeotia—and on either side of the helmet are griffins in relief.

Description of Greece. Pausanias. W.H.S. Jones (Translator), H.A. Ormerod (Translator). Cambridge, MA. 1918-1935.

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Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Description of Greece (English) (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.)

Editions (1)

Ἑλλάδος Περιηγήσεως Perseus (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.) — 1.24.5 focus

[5] ὁπόσα ἐν τοῖς καλουμένοις ἀετοῖς κεῖται, πάντα ἐς τὴν Ἀθηνᾶς ἔχει γένεσιν, τὰ δὲ ὄπισθεν ἡ Ποσειδῶνος πρὸς Ἀθηνᾶν ἐστιν ἔρις ὑπὲρ τῆς γῆς· αὐτὸ δὲ ἔκ τε ἐλέφαντος τὸ ἄγαλμα καὶ χρυσοῦ πεποίηται. μέσῳ μὲν οὖν ἐπίκειταί οἱ τῷ κράνει Σφιγγὸς εἰκών—ἃ δὲ ἐς τὴν Σφίγγα λέγεται, γράψω προελθόντος ἐς τὰ Βοιώτιά μοι τοῦ λόγου—, καθʼ ἑκάτερον δὲ τοῦ κράνους γρῦπές εἰσιν ἐπειργασμένοι.

Translations (1)

English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) Experimental (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.) — 1.24.5 focus

[5] They do [ drân] these things as I have just said they do them. And now, as one enters the temple [ nāos] that they name the Parthenon, all the details that have been put into what is called the [east] pediment [ aetos] show the birth [ genesis] of Athena, but on the rear [= west] pediment there is the strife [ eris] between Athena and Poseidon over the ownership of the land [of Athens]. As for the statue [ agalma] [of the goddess] itself, it is made [ poieîsthai] of ivory and gold. On the middle of her helmet [ kranos] is placed a likeness [ eikōn] of the Sphinx—the things that are said of the Sphinx I will write down [ graphein] when my discourse [ logos] moves ahead to things having to do with Boeotia—and on either side of the helmet [ kranos] are griffins [ grupes] in relief.

New Alexandria Commentaries

Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]

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Pausanias Description of Greece 1.24.5

W.H.S. Jones (Translator), H.A. Ormerod (Translator)

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