Description of Greece. Pausanias. ed. W. H. S. Jones, ed. H. A. Ormerod, ed. Gregory Nagy. . .
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English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) (English) (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.)
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Editions (1)
Ἑλλάδος Περιηγήσεως Perseus (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.) — 9.25 focus
Θηβαίοις δὲ τῶν πυλῶν ἐστιν ἐγγύτατα τῶν Νηιστῶν Μενοικέως μνῆμα τοῦ Κρέοντος· ἀπέκτεινε δὲ ἑκουσίως αὑτὸν κατὰ τὸ μάντευμα τὸ ἐκ Δελφῶν, ἡνίκα Πολυνείκης καὶ ὁ σὺν αὐτῷ στρατὸς ἀφίκοντο ἐξ Ἄργους. τοῦ δὲ Μενοικέως ἐπιπέφυκε ῥοιὰ τῷ μνήματι· τοῦ καρποῦ δὲ ὄντος πεπείρου διαρρήξαντί σοι τὸ ἐκτὸς λοιπόν ἐστιν εὑρεῖν τὸ ἔνδον αἵματι ἐμφερές. αὕτη μὲν δὴ τεθηλὸς δένδρον ἐστὶν ἡ ῥοιά· ἄμπελον δὲ φῦναι μὲν οἱ Θηβαῖοι παρὰ σφίσι πρώτοις φασὶν ἀνθρώπων, ἀποφῆναι δὲ οὐδὲν ἔτι ἐς αὐτὴν ὑπόμνημα εἶχον.
διαβάντων δὲ ποταμὸν καλούμενον ἀπὸ γυναικὸς τῆς Λύκου Δίρκην—ὑπὸ ταύτης δὲ ἔχει λόγος Ἀντιόπην κακοῦσθαι καὶ διʼ αὐτὸ ὑπὸ τῶν Ἀντιόπης 0 παίδων συμβῆναι τῇ Δίρκῃ τὴν τελευτήν—, διαβᾶσιν οὖν τὴν Δίρκην οἰκίας τε ἐρείπια τῆς Πινδάρου καὶ μητρὸς Δινδυμήνης ἱερόν, Πινδάρου μὲν ἀνάθημα, τέχνη δὲ τὸ ἄγαλμα Ἀριστομήδους τε καὶ Σωκράτους Θηβαίων. μιᾷ δὲ ἐφʼ ἑκάστων ἐτῶν ἡμέρᾳ καὶ οὐ πέρα τὸ ἱερὸν ἀνοίγειν νομίζουσιν· ἐμοὶ δὲ ἀφικέσθαι τε ἐξεγεγόνει τὴν ἡμέραν ταύτην καὶ τὸ ἄγαλμα εἶδον λίθου τοῦ Πεντελῆσι καὶ αὐτὸ καὶ τὸν θρόνον.
κατὰ δὲ τὴν ὁδὸν τὴν ἀπὸ τῶν πυλῶν τῶν Νηιστῶν τὸ μὲν Θέμιδός ἐστιν ἱερὸν καὶ ἄγαλμα λευκοῦ λίθου, τὸ δὲ ἐφεξῆς Μοιρῶν, τὸ δὲ Ἀγοραίου Διός· οὗτος μὲν δὴ λίθου πεποίηται, ταῖς Μοίραις δὲ οὐκ ἔστιν ἀγάλματα. καὶ ἀπωτέρω μικρὸν Ἡρακλῆς ἕστηκεν ἐν ὑπαίθρῳ Ῥινοκολούστης ἐπωνυμίαν ἔχων, ὅτι τῶν κηρύκων, ὡς οἱ Θηβαῖοι λέγουσιν, ἀπέτεμεν ἐπὶ λώβῃ τὰς ῥῖνας, οἳ παρὰ Ὀρχομενίων ἀφίκοντο ἐπὶ τοῦ δασμοῦ τὴν ἀπαίτησιν.
σταδίους δὲ αὐτόθεν πέντε προελθόντι καὶ εἴκοσι Δήμητρος Καβειραίας καὶ Κόρης ἐστὶν ἄλσος· ἐσελθεῖν δὲ τοῖς τελεσθεῖσιν ἔστι. τούτου δὲ τοῦ ἄλσους ἑπτά που σταδίους τῶν Καβείρων τὸ ἱερὸν ἀφέστηκεν. οἵτινες δέ εἰσιν οἱ Κάβειροι καὶ ὁποῖά ἐστιν αὐτοῖς καὶ τῇ Μητρὶ τὰ δρώμενα, σιωπὴν ἄγοντι ὑπὲρ αὐτῶν συγγνώμη παρὰ ἀνδρῶν φιληκόων ἔστω μοι.
Translations (1)
Description of Greece Perseus (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.) — 9.25 focus
Very near to the Neistan gate at Thebes is the tomb of Menoeceus, the son of Creon. He committed suicide in obedience to the oracle from Delphi , at the time when Polyneices and the host with him arrived from Argos . On the tomb of Menoeceus grows a pomegranate-tree. If you break through the outer part of the ripe fruit, you will then find the inside like blood. This pomegranate-tree is still flourishing. The Thebans assert that they were the first men among whom the vine grew, but they have now no memorial of it to show.
There is a river called Dirce after the wife of Lycus. The story goes that Antiope was ill-treated by this Dirce, and therefore the children of Antiope put Dirce to death. Crossing the river you reach the ruins of the house of Pindar, and a sanctuary of the Mother Dindymene. Pindar dedicated the image, and Aristomedes and Socrates, sculptors of Thebes , made it. Their custom is to open the sanctuary on one day in each year, and no more. It was my fortune to arrive on that day, and I saw the image, which, like the throne, is of Pentelic marble.
Along the road from the Neistan gate are three sanctuaries. There is a sanctuary of Themis, with an image of white marble; adjoining it is a sanctuary of the Fates, while the third is of Zeus of the Market. Zeus is made of stone; the Fates have no images. A little farther off in the open stands Heracles, surnamed Nose-docker; the reason for the name is, as the Thebans say, that Heracles cut off the noses, as an insult, of the heralds who came from Orchomenus to demand the tribute.
Advancing from here twenty-five stades you come to a grove of Cabeirean Demeter and the Maid. The initiated are permitted to enter it. The sanctuary of the Cabeiri is some seven stades distant from this grove. I must ask the curious to forgive me if I keep silence as to who the Cabeiri are, and what is the nature of the ritual performed in honor of them and of the Mother.
New Alexandria Commentaries
Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]
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