Description of Greece. Pausanias. ed. W. H. S. Jones, ed. H. A. Ormerod, ed. Gregory Nagy. . .
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English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) (English) (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.)
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Editions (1)
Ἑλλάδος Περιηγήσεως Perseus (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.) — 9.2 focus
γῆς δὲ τῆς Πλαταιίδος ἐν τῷ Κιθαιρῶνι ὀλίγον τῆς εὐθείας ἐκτραπεῖσιν ἐς δεξιὰ Ὑσιῶν καὶ Ἐρυθρῶν ἐρείπιά ἐστι. πόλεις δέ ποτε τῶν Βοιωτῶν ἦσαν, καὶ νῦν ἔτι ἐν τοῖς ἐρειπίοις τῶν Ὑσιῶν ναός ἐστιν Ἀπόλλωνος ἡμίεργος καὶ φρέαρ ἱερόν· πάλαι δὲ ἐκ τοῦ φρέατος κατὰ τὸν Βοιωτῶν λόγον ἐμαντεύοντο πίνοντες.
αὕτη μὲν ἀπʼ Ἐλευθερῶν ἐς Πλάταιαν ἄγει, τοῖς δὲ ἐκ Μεγάρων ἰοῦσι πηγή τέ ἐστιν ἐν δεξιᾷ καὶ προελθοῦσιν ὀλίγον πέτρα· καλοῦσι δὲ τὴν μὲν Ἀκταίωνος κοίτην, ἐπὶ ταύτῃ καθεύδειν φάμενοι τῇ πέτρᾳ τὸν Ἀκταίωνα ὁπότε κάμοι θηρεύων, ἐς δὲ τὴν πηγὴν ἐνιδεῖν λέγουσιν αὐτὸν λουμένης Ἀρτέμιδος ἐν τῇ πηγῇ. Στησίχορος δὲ ὁ Ἱμεραῖος ἔγραψεν ἐλάφου περιβαλεῖν δέρμα Ἀκταίωνι τὴν θεόν, παρασκευάζουσάν οἱ τὸν ἐκ τῶν κυνῶν θάνατον, ἵνα δὴ μὴ γυναῖκα Σεμέλην λάβοι.
κατὰ δὲ τὴν ἔσοδον μάλιστα τὴν ἐς Πλάταιαν τάφοι τῶν πρὸς Μήδους μαχεσαμένων εἰσί. τοῖς μὲν οὖν λοιποῖς ἐστιν Ἕλλησι μνῆμα κοινόν· Λακεδαιμονίων δὲ καὶ Ἀθηναίων τοῖς πεσοῦσιν ἰδίᾳ τέ εἰσιν οἱ τάφοι καὶ ἐλεγεῖά ἐστι Σιμωνίδου γεγραμμένα ἐπʼ αὐτοῖς. οὐ πόρρω δὲ ἀπὸ τοῦ κοινοῦ τῶν Ἑλλήνων Διός ἐστιν Ἐλευθερίου βωμὸς τοῦτον μὲν δὴ χαλκοῦ, τοῦ Διὸς δὲ τόν τε βωμὸν καὶ τὸ ἄγαλμα ἐποίησεν λευκοῦ λίθου.
ἐν αὐτῇ δὲ τῇ πόλει προϊοῦσιν ἀπὸ τοῦ βωμοῦ καὶ τοῦ ἀγάλματος ἃ τῷ Διὶ πεποίηται τῷ Ἐλευθερίῳ, Πλαταίας ἐστὶν ἡρῷον· καί μοι τὰ ἐς αὐτὴν ἤδη, τὰ λεγόμενα καὶ ὁποῖα αὐτὸς εἴκαζον, ἔστιν εἰρημένα. Πλαταιεῦσι δὲ ναός ἐστιν Ἥρας, θέας ἄξιος μεγέθει τε καὶ ἐς τῶν ἀγαλμάτων τὸν κόσμον. ἐσελθοῦσι μὲν 0 Ῥέα τὸν πέτρον κατειλημένον σπαργάνοις, οἷα δὴ τὸν παῖδα ὃν ἔτεκε, Κρόνῳ κομίζουσά ἐστι· τὴν δὲ Ἥραν Τελείαν καλοῦσι, πεποίηται δὲ ὀρθὸν μεγέθει ἄγαλμα μέγα· λίθου δὲ ἀμφότερα τοῦ Πεντελησίου, Πραξιτέλους δέ ἐστιν ἔργα.
ἐνταῦθα καὶ ἄλλο Ἥρας ἄγαλμα καθήμενον Καλλίμαχος ἐποίησε· Νυμφευομένην δὲ τὴν θεὸν ἐπὶ λόγῳ τοιῷδε ὀνομάζουσιν.
Translations (1)
Description of Greece Perseus (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.) — 9.2 focus
On Mount Cithaeron, within the territory of Plataea , if you turn off to the right for a little way from the straight road, you reach the ruins of Hysiae and Erythrae. Once they were cities of Boeotia , and even at the present day among the ruins of Hysiae are a half-finished temple of Apollo and a sacred well. According to the Boeotian story oracles were obtained of old from the well by drinking of it.
This road leads to Plataea from Eleutherae. On the road from Megara there is a spring on the right, and a little farther on a rock. It is called the bed of Actaeon, for it is said that he slept thereon when weary with hunting, and that into this spring he looked while Artemis was bathing in it. Stesichorus of Himera says that the goddess cast a deer-skin round Actaeon to make sure that his hounds would kill him, so as to prevent his taking Semele to wife.
Roughly at the entrance into Plataea are the graves of those who fought against the Persians. Of the Greeks generally there is a common tomb, but the Lacedaemonians and Athenians who fell have separate graves, on which are written elegiac verses by Simonides. Not far from the common tomb of the Greeks is an altar of Zeus, God of Freedom.
This then is of bronze, but the altar and the image he made of white marble.
Advancing in the city itself from the altar and the image which have been made to Zeus of Freedom, you come to a hero-shrine of Plataea . The legends about her, and my own conjectures, I have already 2 stated. There is at Plataea a temple of Hera, worth seeing for its size and for the beauty of its images. On entering you see Rhea carrying to Cronus the stone wrapped in swaddling clothes, as though it were the babe to which she had given birth. The Hera they call Full-grown; it is an upright image of huge size. Both figures are of Pentelic marble, and the artist was Praxiteles.
Here too is another image of Hera; it is seated, and was made by Callimachus. The goddess they call the Bride for the following reason.
New Alexandria Commentaries
Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]
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