Description of Greece. Pausanias. ed. W. H. S. Jones, ed. H. A. Ormerod, ed. Gregory Nagy. . .
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English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) (English) (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.)
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Editions (1)
Ἑλλάδος Περιηγήσεως Perseus (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.) — 9.16 focus
Ἀφροδίτης δὲ Θηβαίοις ξόανά ἐστιν οὕτω δὴ ἀρχαῖα ὥστε καὶ ἀναθήματα Ἁρμονίας εἶναί φασιν αὐτά, ἐργασθῆναι δὲ αὐτὰ ἀπὸ τῶν ἀκροστολίων, ἃ ταῖς Κάδμου ναυσὶν ἦν ξύλου πεποιημένα. καλοῦσι δὲ Οὐρανίαν, τὴν δὲ αὐτῶν Πάνδημον καὶ Ἀποστροφίαν τὴν τρίτην· ἔθετο δὲ τῇ Ἀφροδίτῃ τὰς ἐπωνυμίας ἡ Ἁρμονία, τὴν μὲν Οὐρανίαν ἐπὶ ἔρωτι καθαρῷ καὶ
τὸ δὲ τῆς Δήμητρος ἱερὸν τῆς Θεσμοφόρου Κάδμου καὶ τῶν ἀπογόνων οἰκίαν ποτὲ εἶναι λέγουσι· Δήμητρος δὲ ἄγαλμα ὅσον ἐς στέρνα ἐστὶν ἐν τῷ φανερῷ. καὶ ἀσπίδες ἐνταῦθα ἀνάκεινται χαλκαῖ· Λακεδαιμονίων δέ, ὁπόσοι τῶν ἐν τέλει περὶ Λεῦκτρα ἐτελεύτησαν, φασὶν εἶναι.
πρὸς δὲ ταῖς καλουμέναις πύλαις Προιτίσι θέατρον ᾠκοδόμηται, καὶ ἐγγυτάτω τοῦ θεάτρου Διονύσου ναός ἐστιν ἐπίκλησιν Λυσίου· Θηβαίων γὰρ αἰχμαλώτους ἄνδρας ἐχομένους ὑπὸ Θρᾳκῶν, ὡς ἀγόμενοι κατὰ τὴν Ἁλιαρτίαν ἐγίνοντο, ἔλυσεν ὁ θεὸς καὶ ἀποκτεῖναί σφισι τοὺς Θρᾷκας παρέδωκεν ὑπνωμένους. ἐνταῦθα οἱ Θηβαῖοι τὸ ἕτερον τῶν ἀγαλμάτων φασὶν εἶναι Σεμέλης· ἐνιαυτοῦ δὲ ἅπαξ ἑκάστου τὸ ἱερὸν ἀνοιγνύναι φασὶν ἐν ἡμέραις τακταῖς.
Translations (1)
Description of Greece Perseus (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.) — 9.16 focus
Such were the claims to fame of Epaminondas. Not far away is a temple of Ammon; the image, a work of Calamis, was dedicated by Pindar, who also sent to the Ammonians of Libya a hymn to Ammon. This hymn I found still carved on a triangular slab by the side of the altar dedicated to Ammon by Ptolemy the son of Lagus. After the sanctuary of Ammon at Thebes comes what is called the bird-observatory of Teiresias, and near it is a sanctuary of Fortune, who carries the child Wealth.
At Thebes are three wooden images of Aphrodite, so very ancient that they are actually said to be votive offerings of Harmonia, and the story is that they were made out of the wooden figure-heads on the ships of Cadmus . They call the first Heavenly, the second Common, and the third Rejecter. Harmoina gave to Aphrodite the surname of Heavenly
The sanctuary of Demeter Lawgiver is said to have been at one time the house of Cadmus and his descendants. The image of Demeter is visible down to the chest. Here have been dedicated bronze shields, said to be those of Lacedaemonian officers who fell at Leuctra.
Near the Proetidian gate is built a theater, and quite close to the theater is a temple of Dionysus surnamed Deliverer. For when some Theban prisoners in the hands of Thracians had reached Haliartia on their march, they were delivered by the god, who gave up the sleeping Thracians to be put to death. One of the two images here the Thebans say is Semele. Once in each year, they say, they open the sanctuary on stated days.
New Alexandria Commentaries
Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]
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