Description of Greece. Pausanias. ed. W. H. S. Jones, ed. H. A. Ormerod, ed. Gregory Nagy. . .
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English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) (English) (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.)
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Editions (1)
Ἑλλάδος Περιηγήσεως Perseus (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.) — 9.10 focus
ἔστι δὲ λόφος ἐν δεξιᾷ τῶν πυλῶν ἱερὸς Ἀπόλλωνος· καλεῖται δὲ ὅ τε λόφος καὶ ὁ θεὸς Ἰσμήνιος, παραρρέοντος τοῦ ποταμοῦ ταύτῃ τοῦ Ἰσμηνοῦ. πρῶτα μὲν δὴ λίθου κατὰ τὴν ἔσοδόν ἐστιν Ἀθηνᾶ καὶ Ἑρμῆς, ὀνομαζόμενοι Πρόναοι· ποιῆσαι δὲ αὐτὸν Φειδίας, τὴν δὲ Ἀθηνᾶν λέγεται Σκόπας· μετὰ δὲ ὁ 0 ναὸς ᾠκοδόμηται. τὸ δὲ ἄγαλμα μεγέθει τε ἴσον τῷ ἐν Βραγχίδαις ἐστὶ καὶ τὸ εἶδος οὐδὲν διαφόρως ἔχον· ὅστις δὲ τῶν ἀγαλμάτων τούτων τὸ ἕτερον εἶδε καὶ τὸν εἰργασμένον ἐπύθετο, οὐ μεγάλη οἱ σοφία καὶ τὸ ἕτερον θεασαμένῳ Κανάχου ποίημα ὂν ἐπίστασθαι. διαφέρουσι δὲ τοσόνδε· ὁ μὲν γὰρ ἐν Βραγχίδαις χαλκοῦ, ὁ δὲ Ἰσμήνιός ἐστι κέδρου.
ἀνωτέρω δὲ τοῦ Ἰσμηνίου τὴν κρήνην ἴδοις ἄν, ἥντινα Ἄρεώς φασιν ἱερὰν εἶναι καὶ δράκοντα ὑπὸ τοῦ 0 Ἄρεως ἐπιτετάχθαι φύλακα τῇ πηγῇ. πρὸς ταύτῃ τῇ κρήνῃ τάφος ἐστὶ Καάνθου· Μελίας δὲ ἀδελφὸν καὶ Ὠκεανοῦ παῖδα εἶναι Κάανθον λέγουσι, σταλῆναι δὲ ὑπὸ τοῦ πατρὸς ζητήσοντα ἡρπασμένην τὴν ἀδελφήν. ὡς δὲ Ἀπόλλωνα εὑρὼν ἔχοντα τὴν Μελίαν οὐκ ἐδύνατο ἀφελέσθαι, πῦρ ἐτόλμησεν ἐς τὸ τέμενος ἐνεῖναι τοῦ Ἀπόλλωνος τοῦτο ὃ νῦν καλοῦσιν Ἰσμήνιον· καὶ αὐτὸν ὁ θεός, καθά φασιν οἱ Θηβαῖοι, τοξεύει.
Translations (1)
Description of Greece Perseus (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.) — 9.10 focus
Not far from the gate is a common tomb, where lie all those who met their death when fighting against Alexander and the Macedonians. Hard by they show a place where, it is said, Cadmus (he may believe the story who likes) sowed the teeth of the dragon, which he slew at the fountain, from which teeth men came up out of the earth.
On the right of the gate is a hill sacred to Apollo. Both the hill and the god are called Ismenian, as the river Ismenus Rows by the place. First at the entrance are Athena and Hermes, stone figures and named Pronai (Of the fore-temple). The Hermes is said to have been made by Pheidias, the Athena by Scopas. The temple is built behind. The image is in size equal to that at Branchidae ; and does not differ from it at all in shape. Whoever has seen one of these two images, and learnt who was the artist, does not need much skill to discern, when he looks at the other, that it is a work of Canachus. The only difference is that the image at Branchidae is of bronze, while the Ismenian is of cedar-wood.
Higher up than the Ismenian sanctuary you may see the fountain which they say is sacred to Ares, and they add that a dragon was posted by Ares as a sentry over the spring. By this fountain is the grave of Caanthus. They say that he was brother to Melia and son to Ocean, and that he was commissioned by his father to seek his sister, who had been carried away. Finding that Apollo had Melia, and being unable to get her from him, he dared to set fire to the precinct of Apollo that is now called the Ismenian sanctuary. The god, according to the Thebans, shot him.
New Alexandria Commentaries
Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]
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