Description of Greece. Pausanias. ed. W. H. S. Jones, ed. H. A. Ormerod, ed. Gregory Nagy. . .
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English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) (English) (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.)
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Editions (1)
Ἑλλάδος Περιηγήσεως Perseus (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.) — 4.32 focus
τὸ δὲ ὀνομαζόμενον παρὰ Μεσσηνίων ἱεροθέσιον ἔχει μὲν θεῶν ἀγάλματα ὁπόσους νομίζουσιν Ἕλληνες, ἔχει δὲ χαλκῆν εἰκόνα Ἐπαμινώνδου. κεῖνται δὲ καὶ ἀρχαῖοι τρίποδες· ἀπύρους αὐτοὺς καλεῖ Ὅμηρος. τὰ δὲ ἀγάλματα τὰ ἐν τῷ γυμνασίῳ ποιήματά ἐστιν
ἀνδρῶν Αἰγυπτίων, Ἑρμῆς καὶ Ἡρακλῆς τε καὶ Θησεύς. τούτους μὲν δὴ τοῖς πᾶσιν Ἕλλησι καὶ ἤδη τῶν βαρβάρων πολλοῖς περί τε γυμνάσια καὶ ἐν παλαίστραις καθέστηκεν ἔχειν ἐν τιμῇ·
καὶ Ἀριστομένους δὲ μνῆμά ἐστιν ἐνταῦθα· οὐ κενὸν δὲ εἶναι τὸ μνῆμα λέγουσιν, ἀλλʼ ἐρομένου μου τρόπον τε ὅντινα καὶ ὁπόθεν Ἀριστομένους κομίσαιντο τὰ ὀστᾶ, μεταπέμψασθαι μὲν ἐκ Ῥόδου φασί, τὸν δὲ ἐν Δελφοῖς θεὸν τὸν κελεύσαντα εἶναι. πρός τε δὴ τούτοις ἐδίδασκόν με ὁποῖα ἐπὶ τῷ τάφῳ δρῶσι. ταῦρον ὅντινα ἐναγίζειν μέλλουσιν, ἀγαγόντες ἐπὶ τὸ μνῆμα ἔδησαν πρὸς τὸν ἑστηκότα ἐπὶ τῷ τάφῳ κίονα· ὁ δὲ ἅτε ἄγριος καὶ ἀήθης δεσμῶν οὐκ ἐθέλει μένειν· θορυβουμένῳ δέ οἱ καὶ σκιρτῶντι ἢν ὁ κίων κινηθῇ, Μεσσηνίοις ἐστὶν αἴσιον, οὐ κινηθέντος δὲ ἀσύμφορα ἐπαγγέλλει τὸ σημεῖον.
Translations (1)
Description of Greece Perseus (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.) — 4.32 focus
The place called Hierothesion by the Messenians contains statues of all the gods whom the Greeks worship, and also a bronze image of Epaminondas. Ancient tripods are dedicated there, which “have felt not the fire,” as Homer says. 1 The statues in the gymnasium are the work of Egyptian artists. They represent Hermes, Heracles and Theseus, who are honored in the gymnasium and wrestling-ground according to a practice universal among Greeks, and now common among barbarians...
There is also the tomb of Aristomenes here. They say that it is not a cenotaph, but when I asked whence and in what manner they recovered the bones of Aristomenes, they said that they sent to Rhodes for them, and that it was the god of Delphi who ordered it. They also instructed me in the nature of the rites carried out at the tomb. The bull which is to be offered to the dead man is brought to the tomb and bound to the pillar which stands upon the grave. Being fierce and unused to bonds he will not stand; and if the pillar is moved by his struggles and bounds, it is a good omen to the Messenians, but if the pillar is not moved the sign portends misfortune.
New Alexandria Commentaries
Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]
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