Pausanias, Description of Greece, ed. W. H. S. Jones, ed. H. A. Ormerod, ed. Gregory Nagy, 2.22

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[1] The temple of Hērā Anthea (Flowery) is on the right of the sanctuary of Leto, and before it is a tomb of women. They were killed in a battle against the Argives under Perseus, having come from the Aegean Islands to help Dionysus in war; for which reason they are surnamed Haliai (Women of the Sea). Facing the tomb of the women is a sanctuary of Demeter, surnamed Pelasgian from Pelasgus, son of Triopas, its founder, and not far from the sanctuary is the tomb of Pelasgus.

[2] Opposite the tomb is a small bronze vessel supporting ancient images [ agalmata] of Artemis, Zeus, and Athena. Now Lykeas in his poem says that the statue [ agalma] is of Zeus Mekhaneus (Contriver), and that here the Argives who set out against Troy swore to persist in the war until they either took Troy or met their end fighting. Others have said that in the bronze vessel lie the bones of Tantalos.

[3] Now that the Tantalos is buried here who was the son of Thyestes or Broteas (both accounts are given) and married Clytaemnestra before Agamemnon did, I will not gainsay; but the tomb of him who is said to be the son of Zeus and Pluto [Ploutō feminine]—it is worthy of viewing [ théā]—is on Mount Sipylos. I know because I saw it. Moreover, no constraint came upon him to flee from Sipylos, such as afterwards forced Pelops to run away when Ilus the Phrygian launched an army against him. But I must pursue the inquiry no further. The ritual performed at the pit hard by they say was instituted by Nikostratos, a native. Even at the present day they throw into the pit burning torches in honor of the Maiden who is daughter of Demeter.

[4] Here is a sanctuary of Poseidon, surnamed Prosklystios (Flooder), for they say that Poseidon inundated the greater part of the country because Inakhos and his assessors decided that the land belonged to Hērā and not to him. Now it was Hērā who induced Poseidon to send the sea back, but the Argives made a sanctuary to Poseidon Prosklystios at the spot where the tide ebbed.

[5] Going on a little further you see the tomb of Argos, reputed to be the son of Zeus and Niobe, daughter of Phoroneus. After these comes a temple of the Dioskouroi. The statues [ agalmata] represent the Dioskouroi themselves and their sons, Anaxis and Mnasinous, and with them are their mothers, Hilaeira and Phoebe. They are of ebony wood, and were made by Dipoinos and Skyllis. The horses, too, are mostly of ebony, but there is a little ivory also in their construction.

[6] Near the Lords is a sanctuary of Eilethyia, dedicated by Helen when, Theseus having gone away with Peirithoös to Thesprotia, Aphidna had been captured by the Dioskouroi and Helen was being brought to Lacedaemon. For it is said that she was with child, was delivered In Argos, and founded there the sanctuary of Eilethyia, giving the daughter she bore to Clytaemnestra, who was already wedded to Agamemnon, while she herself subsequently married Menelaos.

[7] And on this matter the poets Euphorion of Khalkis and Alexander of Pleuron, and even before them, Stesichorus of Himera, agree with the Argives in asserting that Iphigeneia was the daughter of Theseus. Over against the sanctuary of Eilethyia is a temple of Hekate, and the statue [ agalma] is a work of Scopas. This one is of stone, while the bronze statues [ agalmata] opposite, also of Hekate, were made respectively by Polycleitus and his brother Naukydes, son of Mothon.

[8] As you go along a straight road to a gymnasium, called Cylarabis after the son of Sthenelus, you come to the tomb of Licymnius, the son of Electryon, who, Homer says, was killed by Tleptolemos, the son of Hēraklēs for which homicide Tleptolemos was banished from Argos. On turning a little aside from the road to Cylarabis and to the gate there, you come to the tomb of Sacadas, who was the first to play at Delphi the Pythian tune of the aulos [‘double-reed’];

[9] the hostility of Apollo to players of the aulos [‘double-reed’], which had lasted ever since the rivalry of Marsyas the Silenos, is supposed to have stayed because of this Sacadas. In the gymnasium of Cylarabes is an Athena called Pania; they show also the tombs of Sthenelus and of Cylarabes himself. Not far from the gymnasium has been built a common grave of those Argives who sailed with the Athenians to enslave Syracuse and Sicily.

Description of Greece. Pausanias. ed. W. H. S. Jones, ed. H. A. Ormerod, ed. Gregory Nagy. . .

Current edition Experimental

English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) (English) (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)

Ἑλλάδος Περιηγήσεως Perseus (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.) — 2.22 focus

[1] τῆς δὲ Ἥρας ὁ ναὸς τῆς Ἀνθείας ἐστὶ τοῦ ἱεροῦ τῆς Λητοῦς ἐν δεξιᾷ καὶ πρὸ αὐτοῦ γυναικῶν τάφος. ἀπέθανον δὲ αἱ γυναῖκες ἐν μάχῃ πρὸς Ἀργείους τε καὶ Περσέα, ἀπὸ νήσων τῶν ἐν Αἰγαίῳ Διονύσῳ συνεστρατευμέναι· καὶ διὰ τοῦτο Ἁλίας αὐτὰς ἐπονομάζουσιν. ἀντικρὺ δὲ τοῦ μνήματος τῶν 0 γυναικῶν Δήμητρός ἐστιν ἱερὸν ἐπίκλησιν Πελασγίδος ἀπὸ τοῦ ἱδρυσαμένου Πελασγοῦ τοῦ Τριόπα, καὶ οὐ πόρρω τοῦ ἱεροῦ τάφος Πελασγοῦ.

[2] πέραν δὲ τοῦ τάφου χαλκεῖόν ἐστιν οὐ μέγα, ἀνέχει δὲ αὐτὸ ἀγάλματα ἀρχαῖα Ἀρτέμιδος καὶ Διὸς καὶ Ἀθηνᾶς. Λυκέας μὲν οὖν ἐν τοῖς ἔπεσιν ἐποίησε Μηχανέως τὸ ἄγαλμα εἶναι Διός, καὶ Ἀργείων ἔφη τοὺς ἐπὶ Ἴλιον στρατεύσαντας ἐνταῦθα ὀμόσαι παραμενεῖν πολεμοῦντας, ἔστʼ ἂν ἢ τὸ Ἴλιον ἕλωσιν ἢ μαχομένους τελευτὴ σφᾶς ἐπιλάβῃ· ἑτέροις δέ ἐστιν εἰρημένον ὀστᾶ ἐν τῷ χαλκείῳ κεῖσθαι Ταντάλου.

[3] τὸν μὲν δὴ Θυέστου παῖδα ἢ Βροτέου—λέγεται γὰρ ἀμφότερα—, ὃς Κλυταιμνήστρᾳ πρότερον ἢ Ἀγαμέμνων συνῴκησε, τοῦτον μὲν τὸν Τάνταλον οὐ διοίσομαι ταφῆναι ταύτῃ· τοῦ δὲ λεγομένου Διός τε εἶναι καὶ Πλουτοῦς ἰδὼν οἶδα ἐν Σιπύλῳ τάφον θέας ἄξιον. πρὸς δὲ οὐδὲ ἀνάγκη συνέπεσεν ἐκ τῆς Σιπύλου φυγεῖν αὐτόν, ὡς Πέλοπα ἐπέλαβεν ὕστερον ἐλαύνοντος Ἴλου τοῦ Φρυγὸς ἐπʼ αὐτὸν στρατείᾳ.
τάδε μὲν ἐς τοσοῦτον ἐξητάσθω· τὰ δὲ ἐς τὸν βόθρον τὸν πλησίον δρώμενα Νικόστρατον ἄνδρα ἐπιχώριον καταστήσασθαι λέγουσιν. ἀφιᾶσι δὲ καὶ νῦν ἔτι ἐς τὸν βόθρον καιομένας λαμπάδας Κόρῃ τῇ Δήμητρος.

[4] ἐνταῦθα Ποσειδῶνός ἐστιν ἱερὸν ἐπίκλησιν Προσκλυστίου· τῆς γὰρ χώρας τὸν Ποσειδῶνά φασιν ἐπικλύσαι τὴν πολλήν, ὅτι Ἥρας εἶναι καὶ οὐκ αὐτοῦ τὴν γῆν Ἴναχος καὶ οἱ συνδικάσαντες ἔγνωσαν. Ἥρα 0 μὲν δὴ παρὰ Ποσειδῶνος εὕρετο ἀπελθεῖν ὀπίσω τὴν θάλασσαν· Ἀργεῖοι δέ, ὅθεν τὸ κῦμα ἀνεχώρησεν, ἱερὸν Ποσειδῶνι ἐποίησαν Προσκλυστίῳ.

[5] προελθόντι δὲ οὐ πολὺ τάφος ἐστὶν Ἄργου Διὸς εἶναι δοκοῦντος καὶ τῆς Φορωνέως Νιόβης· μετὰ δὲ ταῦτα Διοσκούρων ναός. ἀγάλματα δὲ αὐτοί τε καὶ οἱ παῖδές εἰσιν Ἄναξις καὶ Μνασίνους, σὺν δέ σφισιν αἱ μητέρες Ἱλάειρα καὶ Φοίβη, τέχνη μὲν Διποίνου καὶ Σκύλλιδος, ξύλου δὲ ἐβένου· τοῖς δʼ ἵπποις τὰ μὲν πολλὰ ἐβένου καὶ τούτοις, ὀλίγα δὲ καὶ ἐλέφαντος πεποίηται.

[6] πλησίον δὲ τῶν Ἀνάκτων Εἰληθυίας ἐστὶν ἱερὸν ἀνάθημα Ἑλένης, ὅτε σὺν Πειρίθῳ Θησέως ἀπελθόντος ἐς Θεσπρωτοὺς Ἄφιδνά τε ὑπὸ Διοσκούρων ἑάλω καὶ ἤγετο ἐς Λακεδαίμονα Ἑλένη. ἔχειν μὲν γὰρ αὐτὴν λέγουσιν ἐν γαστρί, τεκοῦσαν δὲ ἐν Ἄργει καὶ τῆς Εἰληθυίας ἱδρυσαμένην τὸ ἱερὸν τὴν μὲν παῖδα ἣν ἔτεκε Κλυταιμνήστρᾳ δοῦναι—συνοικεῖν γὰρ ἤδη Κλυταιμνήστραν Ἀγαμέμνονι—, αὐτὴν δὲ ὕστερον τούτων Μενελάῳ γήμασθαι.

[7] καὶ ἐπὶ τῷδε Εὐφορίων Χαλκιδεὺς καὶ Πλευρώνιος Ἀλέξανδρος ἔπη ποιήσαντες, πρότερον δὲ ἔτι Στησίχορος ὁ Ἱμεραῖος, κατὰ ταὐτά φασιν Ἀργείοις Θησέως εἶναι θυγατέρα Ἰφιγένειαν. τοῦ δὲ ἱεροῦ τῆς Εἰληθυίας πέραν ἐστὶν Ἑκάτης ναός, Σκόπα δὲ τὸ ἄγαλμα ἔργον. τοῦτο μὲν λίθου· τὰ δʼ ἀπαντικρὺ χαλκᾶ, Ἑκάτης καὶ ταῦτα ἀγάλματα, τὸ μὲν Πολύκλειτος ἐποίησε, τὸ δὲ ἀδελφὸς Πολυκλείτου Ναυκύδης†Μόθωνος.

[8] ἐρχομένῳ δὲ ὁδὸν εὐθεῖαν ἐς 0 γυμνάσιον Κυλάραβιν, ἀπὸ τοῦ παιδὸς ὀνομαζόμενον τοῦ Σθενέλου, τέθαπται δὴ Λικύμνιος ὁ Ἠλεκτρύωνος· ἀποθανεῖν δʼ αὐτὸν Ὅμηρος ὑπὸ Τληπτολέμου φησὶ τοῦ Ἡρακλέους, καὶ διὰ τὸν φόνον τοῦτον ἔφυγεν ἐξ Ἄργους Τληπτόλεμος. ὀλίγον δὲ τῆς ἐπὶ Κυλάραβιν καὶ τὴν ταύτῃ πύλην ἀποτραπεῖσι Σακάδα μνῆμά ἐστιν, ὃς τὸ αὔλημα τὸ Πυθικὸν πρῶτος ηὔλησεν ἐν Δελφοῖς·

[9] καὶ τὸ ἔχθος τὸ Ἀπόλλωνι διαμένον ἐς τοὺς αὐλητὰς ἔτι ἀπὸ Μαρσύου καὶ τῆς ἁμίλλης τοῦ Σιληνοῦ παυθῆναι διὰ τοῦτον δοκεῖ τὸν Σακάδαν. ἐν δὲ τῷ γυμνασίῳ τῷ Κυλαράβου καὶ Πανία ἐστὶν Ἀθηνᾶ καλουμένη καὶ τάφον Σθενέλου δεικνύουσι, τὸν δὲ αὐτοῦ Κυλαράβου. πεποίηται δὲ οὐ πόρρω τοῦ γυμνασίου πολυάνδριον τοῖς μετὰ Ἀθηναίων πλεύσασιν Ἀργείοις ἐπὶ καταδουλώσει Συρακουσῶν τε καὶ Σικελίας.

Translations (1)

Description of Greece Perseus (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.) — 2.22 focus

[1]
The temple of Hera Anthea (Flowery) is on the right of the sanctuary of Leto, and before it is a grave of women. They were killed in a battle against the Argives under Perseus, having come from the Aegean Islands to help Dionysus in war; for which reason they are surnamed Haliae (Women of the Sea). Facing the tomb of the women is a sanctuary of Demeter, surnamed Pelasgian from Pelasgus, son of Triopas, its founder, and not far from the sanctuary is the grave of Pelasgus.

[2] Opposite the grave is a small bronze vessel supporting ancient images of Artemis, Zeus, and Athena. Now Lyceas in his poem says that the image is of Zeus Mechaneus (Contriver), and that here the Argives who set out against Troy swore to hold out in the war until they either took Troy or met their end fighting. Others have said that in the bronze vessel lie the bones of Tantalus.

[3] Now that the Tantalus is buried here who was the son of Thyestes or Broteas (both accounts are given) and married Clytaemnestra before Agamemnon did, I will not gainsay; but the grave of him who legend says was son of Zeus and Pluto—it is worth seeing—is on Mount Sipylus. I know because I saw it. Moreover, no constraint came upon him to flee from Sipylus, such as afterwards forced Pelops to run away when Ilus the Phrygian launched an army against him.
But I must pursue the inquiry no further. The ritual performed at the pit hard by they say was instituted by Nicostratus, a native. Even at the present day they throw into the pit burning torches in honor of the Maid who is daughter of Demeter.

[4] Here is a sanctuary of Poseidon, surnamed Prosclystius (Flooder), for they say that Poseidon inundated the greater part of the country because Inachus and his assessors decided that the land belonged to Hera and not to him. Now it was Hera who induced Poseidon to send the sea back, but the Argives made a sanctuary to Poseidon Prosclystius at the spot where the tide ebbed.

[5] Going on a little further you see the grave of Argus, reputed to be the son of Zeus and Niobe, daughter of Phoroneus. After these comes a temple of the Dioscuri. The images represent the Dioscuri themselves and their sons, Anaxis and Mnasinous, and with them are their mothers, Hilaeira and Phoebe. They are of ebony wood, and were made by Dipoenus and Scyllis.¹ The horses, too, are mostly of ebony, but there is a little ivory also in their construction.

[6] Near the Lords is a sanctuary of Eilethyia, dedicated by Helen when, Theseus having gone away with Peirithous to Thesprotia , Aphidna had been captured by the Dioscuri and Helen was being brought to Lacedaemon . For it is said that she was with child, was delivered In Argos, and founded there the sanctuary of Eilethyia, giving the daughter she bore to Clytaemnestra, who was already wedded to Agamemnon, while she herself subsequently married Menelaus.

[7] And on this matter the poets Euphorion of Chalcis and Alexander of Pleuron , and even before them, Stesichorus of Himera, agree with the Argives in asserting that Iphigenia was the daughter of Theseus.² Over against the sanctuary of Eilethyia is a temple of Hecate, and the image is a work of Scopas. This one is of stone, while the bronze images opposite, also of Hecate, were made respectively by Polycleitus³ and his brother Naucydes, son of Mothon.

[8] As you go along a straight road to a gymnasium, called Cylarabis after the son of Sthenelus, you come to the grave of Licymnius, the son of Electryon, who, Homer says, was killed by Tleptolemus, the son of Heracles for which homicide Tleptolemus was banished from Argos . On turning a little aside from the road to Cylarabis and to the gate there, you come to the tomb of Sacadas, who was the first to play at Delphi the Pythian flute-tune;

[9] the hostility of Apollo to flute-players, which had lasted ever since the rivalry of Marsyas the Silenus, is supposed to have stayed because of this Sacadas. In the gymnasium of Cylarabes is an Athena called Pania; they show also the graves of Sthenelus and of Cylarabes himself. Not far from the gymnasium has been built a common grave of those Argives who sailed with the Athenians to enslave Syracuse and Sicily .

New Alexandria Commentaries

Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]

Pausanias Description of Greece 2.22

ed. W. H. S. Jones, ed. H. A. Ormerod, ed. Gregory Nagy

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