Description of Greece. Pausanias. ed. W. H. S. Jones, ed. H. A. Ormerod, ed. Gregory Nagy. . .
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[1] As you go from the source of the river, you will reach first a place called Maratha, and after it Gortys, which today is a village, but of old was a city. Here there is a temple of Asklepios, made of Pentelic marble, with the god, as a beardless youth, and an image of Hygieia. Scopas was the artist. The natives also say that Alexander the son of Philip dedicated to Asklepios his breastplate and spear. The breastplate and the head of the spear are still there today.
Current edition Experimental
English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) (English) (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.)
Provisional text from uncorrected OCR; expect errors.
Editions (1)
Ἑλλάδος Περιηγήσεως Perseus (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.) — 8.28.1 focus
[1]
ἰόντι δὲ ἀπὸ τοῦ ποταμοῦ τῶν πηγῶν, πρῶτα μέν σε ἐκδέξεται Μάραθα χωρίον, μετὰ δὲ αὐτὸ Γόρτυς κώμη τὰ ἐπʼ ἐμοῦ, τὰ δὲ ἔτι ἀρχαιότερα πόλις. ἔστι δὲ αὐτόθι ναὸς Ἀσκληπιοῦ λίθου Πεντελησίου, καὶ αὐτός τε οὐκ ἔχων πω γένεια καὶ Ὑγείας ἄγαλμα· Σκόπα δὲ ἦν ἔργα. λέγουσι δὲ οἱ ἐπιχώριοι καὶ τάδε, ὡς Ἀλέξανδρος ὁ Φιλίππου τὸν θώρακα καὶ δόρυ ἀναθείη τῷ Ἀσκληπιῷ· καὶ ἐς ἐμέ γε ἔτι ὁ θώραξ καὶ τοῦ δόρατος ἦν ἡ αἰχμή.
ἰόντι δὲ ἀπὸ τοῦ ποταμοῦ τῶν πηγῶν, πρῶτα μέν σε ἐκδέξεται Μάραθα χωρίον, μετὰ δὲ αὐτὸ Γόρτυς κώμη τὰ ἐπʼ ἐμοῦ, τὰ δὲ ἔτι ἀρχαιότερα πόλις. ἔστι δὲ αὐτόθι ναὸς Ἀσκληπιοῦ λίθου Πεντελησίου, καὶ αὐτός τε οὐκ ἔχων πω γένεια καὶ Ὑγείας ἄγαλμα· Σκόπα δὲ ἦν ἔργα. λέγουσι δὲ οἱ ἐπιχώριοι καὶ τάδε, ὡς Ἀλέξανδρος ὁ Φιλίππου τὸν θώρακα καὶ δόρυ ἀναθείη τῷ Ἀσκληπιῷ· καὶ ἐς ἐμέ γε ἔτι ὁ θώραξ καὶ τοῦ δόρατος ἦν ἡ αἰχμή.
Translations (1)
Description of Greece Perseus (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.) — 8.28.1 focus
[1]
As you go from the source of the river, you will reach first a place called Maratha, and after it Gortys , which to-day is a village, but of old was a city. Here there is a temple of Asclepius, made of Pentelic marble, with the god, as a beardless youth, and an image of Health. Scopas was the artist. The natives also say that Alexander the son of Philip dedicated to Asclepius his breastplate and spear. The breastplate and the head of the spear are still there to-day.
As you go from the source of the river, you will reach first a place called Maratha, and after it Gortys , which to-day is a village, but of old was a city. Here there is a temple of Asclepius, made of Pentelic marble, with the god, as a beardless youth, and an image of Health. Scopas was the artist. The natives also say that Alexander the son of Philip dedicated to Asclepius his breastplate and spear. The breastplate and the head of the spear are still there to-day.
New Alexandria Commentaries
Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]
Scroll I. Attica
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