Pausanias, Description of Greece, ed. W. H. S. Jones, ed. H. A. Ormerod, ed. Gregory Nagy, 7.18.10

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[10] Others say that the anger [ mēnīma] of Artemis against Oineus, as time went on, weighed more lightly [ elaphroteron] on the Calydonians, and they wishfully-think [ ethelein] that this was the reason [ aitiā] for the surname [ epiklēsis] of the goddess [ theos (feminine)]. The pose [ skhēma] of the statue [ agalma] is a Huntress [ thēreuousa]; it is made [ poieîn] of ivory and gold. Those who worked on it were Menaikhmos and Soidas, both from Naupaktos, and both of these two, it is inferred-from-the-evidence [ tekmairesthai], lived not much later than Kanakhos of Sikyon and Kallon of Aegina.

Description of Greece. Pausanias. ed. W. H. S. Jones, ed. H. A. Ormerod, ed. Gregory Nagy. . .

Current edition Experimental

English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) (English) (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)

Ἑλλάδος Περιηγήσεως Perseus (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.) — 7.18.10 focus

[10] ἐς Οἰνέα ἀνὰ χρόνον τοῖς Καλυδωνίοις ἐλαφρότερον γενέσθαι λέγουσι καὶ αἰτίαν τῇ θεῷ τῆς ἐπικλήσεως ἐθέλουσιν εἶναι ταύτην. τὸ μὲν σχῆμα τοῦ ἀγάλματος θηρεύουσά ἐστιν, ἐλέφαντος δὲ καὶ χρυσοῦ πεποίηται, Ναυπάκτιοι δὲ Μέναιχμος καὶ Σοΐδας εἰργάσαντο· 0 τεκμαίρονται σφᾶς Κανάχου τοῦ Σικυωνίου καὶ τοῦ Αἰγινήτου Κάλλωνος οὐ πολλῷ γενέσθαι τινὶ ἡλικίαν ὑστέρους.

Translations (1)

Description of Greece Perseus (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.) — 7.18.10 focus

[10] Others say that the wrath of Artemis against Oeneus weighed as time went on more lightly ( elaphroteron) on the Calydonians, and they believe that this was why the goddess received her surname. The image represents her in the guise of a huntress; it is made of ivory and gold, and the artists were Menaechmus and Soldas of Naupactus, who, it is inferred, lived not much later than Canachus of Sicyon and Callon of Aegina .

New Alexandria Commentaries

Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]

Scroll I. Attica

The skhēma ‘pose’ of the statue corresponds to the role of the goddess as thēreuousa ‘huntress of wild beasts’.

source

Pausanias Description of Greece 7.18.10

ed. W. H. S. Jones, ed. H. A. Ormerod, ed. Gregory Nagy

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