Pausanias Description of Greece 1.21.3

ed. W. H. S. Jones, ed. H. A. Ormerod, ed. Gregory Nagy

Table of Contents

Search the Perseus Catalog for:

View: By Chapter
← Previous Next →

Description of Greece. Pausanias. ed. W. H. S. Jones, ed. H. A. Ormerod, ed. Gregory Nagy. . .

Current edition Experimental

English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) (English) (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἑλλάδος Περιηγήσεως Perseus (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.) — 1.21.3 focus
Translations (1)
Description of Greece Perseus (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.) — 1.21.3 focus

New Alexandria Commentaries

Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]

Scroll I. Attica

subject heading(s): Niobe; Mount Sipylos; pentheîn ‘lament’; katēphēs ‘with sunken eyes’

The picturing of Niobe as a rock exuding the tears of a fresh-water mountain stream is attested in the Homeric Iliad 24.614–617:

νῦν δέ που ἐν πέτρῃσιν ἐν οὔρεσιν οἰοπόλοισιν
ἐν Σιπύλῳ, ὅθι φασὶ θεάων ἔμμεναι εὐνὰς
νυμφάων, αἵ τ’ ἀμφ’ Ἀχελώϊον ἐρρώσαντο,
ἔνθα λίθος περ ἐοῦσα θεῶν ἐκ κήδεα πέσσει.
And now, somewhere amidst the rocks, on the desolate heights,
in Sipylos, where they say goddesses have places to sleep,
the goddess nymphs, the ones who dance on the banks of the Akhelōios,
there does she \[= Niobe\], though she has been turned into stone, digest her sorrows inflicted by the gods.

I offer some detailed comments on this passage in HC 1§34. Relevant is the use of the word tēkesthai ‘dissolve’ in Sophocles’ Antigone (828) picturing a weeping Niobe in a state of petrifaction. This word, as I analyze it in HC 2§§254–255 and 2§§346–348, comparing parallel wording elsewhere in Greek poetry, conjures the image of a cold mountain stream that flows without interruption from the heights where Niobe turned into stone; her tears are the uninterrupted source of that eternal stream.

Here is an epitome from my interpretation of other passages referring to the ‘dissolving’ of Niobe in Greek poetry (HC 1§34):

The sorrows of Niobe are so overwhelming that she continues to weep eternally even after the gods turn her into stone. A petrified figure should be drained of emotion, as we read in the framing narrative of Iliad 24.601–620: when the population in the land of Niobe is petrified, there can be no weeping, no mourning, and therefore no funeral, so that the gods themselves must conduct a funeral and bury the children of Niobe. But Niobe, even after she is petrified, is like a human figure in that she continues to dissolve into tears. So overwhelming are her sorrows. Unlike the dissolving of a human in mourning, however, this petrified figure takes forever to dissolve because the tears that pour out of her sunken eyes flow out of an inexhaustible source of sorrows.

source