Description of Greece. Pausanias. ed. W. H. S. Jones, ed. H. A. Ormerod, ed. Gregory Nagy. . .
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[1] As one goes to the portico [
stoā] that they call painted [
poikilē], because of its paintings [
graphai], there is a bronze statue of Hermes of-the-Marketplace [
agoraios], and near it a gate [
pulē]. Placed over it [= the gate] is a trophy [
tropaion] erected by the Athenians, who in a cavalry action overcame Pleistarkhos, to whose command his brother Kassandros had entrusted his cavalry and mercenaries. This portico [
stoā] contains [wall paintings that represent], first, the Athenians arrayed against the Lacedaemonians at Oinoe in the Argive territory. What has been painted [
graphesthai] is not the critical-point [
akmē] of the struggle [
agōn] nor when the action [
ergon] had advanced as far as the display [
epideixis] of deeds of valor, but the beginning of the fight when the combatants were about to close in on each other.
Current edition Experimental
English (Jones and Ormerod; retranslated Gregory Nagy, CHS, 2018) (OCR draft) (English) (CHS Pausanias Reader retranslation by Gregory Nagy, based on Jones and Ormerod, with marked Greek terms, notes, quotations, and bibliographic attributions preserved.)
Provisional text from uncorrected OCR; expect errors.
Editions (1)
Ἑλλάδος Περιηγήσεως Perseus (Pausanias. Pausaniae Graeciae descriptio, Volumes 1-3. Spiro, Friedrich, editor. Leipzig: Teubner, 1903.) — 1.15.1 focus
[1]
ἰοῦσι δὲ πρὸς τὴν στοάν, ἣν Ποικίλην ὀνομάζουσιν ἀπὸ τῶν γραφῶν, ἔστιν Ἑρμῆς χαλκοῦς καλούμενος Ἀγοραῖος καὶ πύλη πλησίον· ἔπεστι δέ οἱ τρόπαιον Ἀθηναίων ἱππομαχίᾳ κρατησάντων Πλείσταρχον, ὃς τῆς ἵππου Κασσάνδρου καὶ τοῦ ξενικοῦ τὴν ἀρχὴν ἀδελφὸς ὢν ἐπετέτραπτο. αὕτη δὲ ἡ στοὰ πρῶτα μὲν Ἀθηναίους ἔχει τεταγμένους ἐν Οἰνόῃ τῆς Ἀργεία; ἐναντία Λακεδαιμονίων· γέγραπται δὲ οὐκ ἐς ἀκμὴν ἀγῶνος οὐδὲ τολμημάτων ἐς ἐπίδειξιν τὸ ἔργον ἤδη προῆκον, ἀλλὰ ἀρχομένη τε ἡ μάχη καὶ ἐς χεῖρας ἔτι συνιόντες.
ἰοῦσι δὲ πρὸς τὴν στοάν, ἣν Ποικίλην ὀνομάζουσιν ἀπὸ τῶν γραφῶν, ἔστιν Ἑρμῆς χαλκοῦς καλούμενος Ἀγοραῖος καὶ πύλη πλησίον· ἔπεστι δέ οἱ τρόπαιον Ἀθηναίων ἱππομαχίᾳ κρατησάντων Πλείσταρχον, ὃς τῆς ἵππου Κασσάνδρου καὶ τοῦ ξενικοῦ τὴν ἀρχὴν ἀδελφὸς ὢν ἐπετέτραπτο. αὕτη δὲ ἡ στοὰ πρῶτα μὲν Ἀθηναίους ἔχει τεταγμένους ἐν Οἰνόῃ τῆς Ἀργεία; ἐναντία Λακεδαιμονίων· γέγραπται δὲ οὐκ ἐς ἀκμὴν ἀγῶνος οὐδὲ τολμημάτων ἐς ἐπίδειξιν τὸ ἔργον ἤδη προῆκον, ἀλλὰ ἀρχομένη τε ἡ μάχη καὶ ἐς χεῖρας ἔτι συνιόντες.
Translations (1)
Description of Greece Perseus (Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.) — 1.15.1 focus
[1]
As you go to the portico which they call painted, because of its pictures, there is a bronze statue of Hermes of the Market-place, and near it a gate. On it is a trophy erected by the Athenians, who in a cavalry action overcame Pleistarchus, to whose command his brother Cassander had entrusted his cavalry and mercenaries. This portico contains, first, the Athenians arrayed against the Lacedaemonians at Oenoe in the Argive territory. 1 What is depicted is not the crisis of the battle nor when the action had advanced as far as the display of deeds of valor, but the beginning of the fight when the combatants were about to close.
As you go to the portico which they call painted, because of its pictures, there is a bronze statue of Hermes of the Market-place, and near it a gate. On it is a trophy erected by the Athenians, who in a cavalry action overcame Pleistarchus, to whose command his brother Cassander had entrusted his cavalry and mercenaries. This portico contains, first, the Athenians arrayed against the Lacedaemonians at Oenoe in the Argive territory. 1 What is depicted is not the crisis of the battle nor when the action had advanced as far as the display of deeds of valor, but the beginning of the fight when the combatants were about to close.
New Alexandria Commentaries
Gregory Nagy, Editors: Angelia Hanhardt and Keith DeStone, Web producer: Noel Spencer, Consultant for images: Jill Curry Robbins, \[\[Noel gives this a separate URN\]\]
Scroll I. Attica
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