Notes on the current edition
Nicomachean Ethics
1.
The word
λαμβάνειν, the antithesis of
give, varies in meaning with the context between
get,
receive and
take.
2.
See note on 2.7.4.
3.
ἄσωτος,
prodigal, means literally
not saved,
in desperate case.
4.
i.e., those who refrain from taking more than their due.
5.
i.e., those who take what is their due.
6.
The ms. text gives
to the wrong people, but cf. 1.12, l.25
ὀρθῶς.
7.
Or (accepting Bywater’s emendation)
and this is relative to his substance.
8.
Several parsimonious aphorisms, sincere or ironical, are ascribed to Simonides, but none exactly fits this allusion.
9.
See 1.2.
10.
These words seem to be interpolated.
11.
Cf. 1.23 above.
12.
κυμινοπρίστης means literally
one who saws cumminseed in half.
13.
See 1.5.
14.
μεγαλοπρέπεια denotes Munificence of a magnificent kind, the spending of money on a grand scale from the motive of public spirit. In discussing it Aristotle is thinking especially of the
λῃτουργίαι or public services discharged at
, and in other Greek cities, by wealthy individuals; such as the refitting of a naval trireme, the equipment of a dramatic chorus, and the defraying of the cost of a
θεωρία or delegation representing the State at one of the great Hellenic festivals. The word literally means
great conspicuousness or splendor, but in eliciting its connotation Aristotle brings in another meaning of the verb
πρέπειν, viz.
to be fitting, and takes the noun to signify
suitability on a great scale; and also he feels that the element
great denotes grandeur as well as mere magnitude.
15.
Hom. Od. 17.420
; said by Odysseus pretending to be a beggar who formerly was well-to-do.
16.
2.20-22.
17.
Cf. 2.1.7 fin., chap. 2.8.
18.
These words are better omitted:
suitable to the occasion seems to be meant.
19.
See note on 2.1.
20.
Sc. than the vulgar man or the shabby man.
21.
In the earlier scenes of the comedies of Aristophanes, the chorus appear in character as charcoal-burners, cavalrymen, wasps, clouds, etc., and take part in the action of the play as such. They seem to have stripped off their outer dress for the Parabasis, or interlude, in which they address the audience on behalf of the author (
Aristoph. Ach. 627
,
Aristoph. Peace 730
). In the later scenes they tend to fall more into the position of spectators, like the chorus of tragedy; and the play usually ends with something in the nature of a triumphal procession, when purple robes (like the scarlet worn by the chorus at the end of the
Eumenides of Aeschylus) would not be inappropriate, as they would be in the opening scenes. Megarian comedy is elsewhere associated with coarse buffoonery.
22.
μεγαλοψυχία,
magnanimitas, means lofty pride and self-esteem rather than magnanimity or high-mindedness (in the modern sense of the word).
23.
The term
χαῦνος does not apply to a man who deserves much but claims even more, nor to one who claims little but deserves even less.
24.
Cf. 2.6.17.
25.
3.12,13 should properly follow 3.8.
26.
That is, the small-souled man claims less than he deserves and less than the great-souled man deserves and claims; the vain man claims more than he deserves, but not more than the great-souled man deserves and claims.
27.
Literally,
fleeing swinging his arms at his side, i.e. deficient in the virtue of Courage. If this be the meaning, the phrase recalls by contrast the leisurely retirement of Socrates from the stricken field of
(Plato,
Plat. Sym. 221a
). But the words have been taken with what follows, as illustrating the lack of Justice or Honesty, and the whole translated either
outstripping an opponent in a race by flinging the arms backward [which was considered unsportsmanlike], nor fouling, or else
being prosecuted on a charge of blackmailing, nor cheating in business. Emendation would give a buried verse-quotation,
To swing his arms in flight, nor in pursuit.
28.
i.e., nothing is of much value in his eyes (cf. 3.30,34), so that gain, which is a motive to dishonesty with others, is no temptation to him.
29.
An echo of a line of Simonides,
ἀνδρ’ ἀγαθὸν μὲν ἀλαθέως γενέσθαι χαλεπόν, cf. 1.10.11 note.
30.
The ms. reading gives
For even honor he does not feel to be of the greatest importance.
31.
An incorrect recollection of
Hom. Il. 1.393 ff.
,
Hom. Il. 1.503 f.
; there Achilles says that his mother has often reminded Zeus how she rescued him when the other gods wished to put him in chains; and Thetis goes to Zeus and reminds him of her services in general terms.
32.
The reference is uncertain.
33.
See note on 2.7.12.
34.
Cf. 2.22.
35.
These words seem to be interpolated. The small-souled man does not claim his deserts, but he may know what they are; he is not charged with ignorance of self, as is the vain man, 3.36.
36.
A variant reading is
talk about themselves.
37.
i.e., honor as well as wealth is the object of both a major and a minor virtue: see 2.7.8.
38.
See 2.7.8.
39.
2.9.7-9, a passage closely repeated here.
40.
At 2.7.13 it was actually termed
φιλία, Friendliness.
41.
Sc. by refusing to participate.
42.
See note on 2.7.12.
43.
This oddly contradicts the preceding words.
44.
Viz. Justice, Book 5.
45.
The true text very probably is
for example “physician or seer sage,” a verse quotation.
46.
Just as boastfulness is chiefly shown in pretending to qualities of value.
47.
Aristotle regards the cheapness and simplicity of the Spartans’ dress as an affectation; or perhaps the reference is to
Laconizers at
who affected Spartan manners.
48.
εὐτράπελοι, lit.
turning well, nimble-witted.
49.
In Bk. 7.