Eumenides. N. Wecklein. . 2026-09-07.
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Wecklein’s commentary on Eumenides (1888; German; OCR draft) (German) (Explanatory commentary, pp. 251–322; HW42J8 and HXJHA8 OCR collated, with missing comparison pages 294–295 explicitly marked. Unresolved OCR and provisional reference mappings are explicitly marked.)
Provisional text from uncorrected OCR; expect errors.
Editions (12)
Εὐμενίδες First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 143-177 focus
Χορός
ἰοὺ ἰοὺ πόπαξ. ἐπάθομεν, φίλαι,—
ἦ πολλὰ δὴ παθοῦσα καὶ μάτην ἐγώ,—
ἐπάθομεν πάθος δυσαχές, ὦ πόποι,
145
ἄφερτον κακόν.
ἐξ ἀρκύων πέπτωκεν οἴχεταί θ᾽
1
ὁ θήρ—
ὕπνῳ κρατηθεῖσ᾽ ἄγραν ὤλεσα.
149
Χορός
ἰὼ παῖ Διός, ἐπίκλοπος πέλει,—
νέος δὲ γραίας δαίμονας καθιππάσω,—
150
τὸν ἱκέταν σέβων, ἄθεον ἄνδρα καὶ
τοκεῦσιν πικρόν,
τὸν μητραλοίαν δ᾽ ἐξέκλεψας ὢν θεός.—
τί τῶνδ᾽ ἐρεῖ τις δικαίως ἔχειν;
155
Χορός
ἐμοὶ δ᾽ ὄνειδος ἐξ ὀνειράτων μολὸν
155
ἔτυψεν δίκαν διφρηλάτου
μεσολαβεῖ κέντρῳ
ὑπὸ φρένας, ὑπὸ λοβόν.—
πάρεστι μαστίκτορος δαΐου δαμίου
160
βαρὺ τὸ περίβαρυ κρύος ἔχειν.
162
Χορός
τοιαῦτα δρῶσιν οἱ νεώτεροι θεοί,
κρατοῦντες τὸ πᾶν δίκας πλέον
2
φονολιβῆ
3
θρόνον
περὶ πόδα, περὶ κάρα.—
165
πάρεστι γᾶς ὀμφαλὸν προσδρακεῖν αἱμάτων
βλοσυρὸν ἀρόμενον
4
ἄγος ἔχειν.
169
Χορός
ἐφεστίῳ δὲ μάντις ὢν
5
μιάσματι
παρὰ νόμον
8
θεῶν βρότεα μὲν τίων,
παλαιγενεῖς δὲ Μοίρας φθίσας.
174
Εὐμενίδες Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1926.) — 143-177 focus
Χορός
ἰοὺ ἰοὺ πύπαξ. ἐπάθομεν, φίλαι,—
ἦ πολλὰ δὴ παθοῦσα καὶ μάτην ἐγώ,—
ἐπάθομεν πάθος δυσαχές, ὦ πόποι,
145
ἄφερτον κακόν·
ἐξ ἀρκύων πέπτωκεν οἴχεταί θʼ ὁ θήρ.—
ὕπνῳ κρατηθεῖσʼ ἄγραν ὤλεσα.
Χορός
ἰὼ παῖ Διός, ἐπίκλοπος πέλῃ,—
νέος δὲ γραίας δαίμονας καθιππάσω,—
150
τὸν ἱκέταν σέβων, ἄθεον ἄνδρα καὶ
τοκεῦσιν πικρόν·
τὸν μητραλοίαν δʼ ἐξέκλεψας ὢν θεός.—
τί τῶνδʼ ἐρεῖ τις δικαίως ἔχειν;
Χορός
ἐμοὶ δʼ ὄνειδος ἐξ ὀνειράτων μολὸν
155
ἔτυψεν δίκαν διφρηλάτου
μεσολαβεῖ κέντρῳ
ὑπὸ φρένας, ὑπὸ λοβόν.—
πάρεστι μαστίκτορος δαΐου δαμίου
160
βαρὺ τὸ περίβαρυ κρύος ἔχειν.
Χορός
τοιαῦτα δρῶσιν οἱ νεώτεροι θεοί,
κρατοῦντες τὸ πᾶν δίκας πλέον
φονολιβῆ θρόνον
περὶ πόδα, περὶ κάρα.—
165
πάρεστι γᾶς ὀμφαλὸν προσδρακεῖν αἱμάτων
βλοσυρὸν ἀρόμενον ἄγος ἔχειν.
Χορός
ἐφεστίῳ δὲ μάντις ὢν μιάσματι
μυχὸν ἐχράνατʼ αὐτόσσυτος, αὐτόκλητος,
170
παρὰ νόμον θεῶν βρότεα μὲν τίων,
παλαιγενεῖς δὲ μοίρας φθίσας.
Χορός
κἀμοί γε λυπρός, καὶ τὸν οὐκ ἐκλύσεται,
ὑπό τε γᾶν φυγὼν οὔ ποτʼ ἐλευθεροῦται.
175
ποτιτρόπαιος ὢν δʼ ἕτερον ἐν κάρᾳ
μιάστορʼ ἐκ γένους πάσεται.
Εὐμενίδες (1518 edition; OCR draft) Experimental (Aeschylus, Eumenides, 1518 edition. VLM-assisted OCR with native lineation and automated correspondence to the Smyth edition.) — 143 focus
Χορὸς Εὐμενίδων
ἰὺ ἰὺ, πόπαξ ἐπάθομεν φίλαι,
ἦ πολλὰ δὴ παθοῦσα καὶ μάτην ἐγὼ,
ἐπάθομεν πάθος δυσαχθὲς, ὦ πόποι
ἄφρακτον κακὸν, ἐξ ἀρκύων πέπτωκεν, οἴχεται
ὁ θὴρ,
145
l iii
ΑΙΣΧΥΛΟΥ
Χορὸς Εὐμενίδων
Ὕπνῳ κρατηθεῖσα ἄγραν ὤλεσα,
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Guilielmus Dindorfius, 1882.) — 143 focus
ἰοὺ ἰοὺ πόπαξ. ἐπάθομεν, φίλαι,
ἢ πολλὰ δὴ παθοῦσα καὶ μάτην ἐγὼ,
ἐπάθομεν πάθος δυσαχὲς, ὦ πόποι, ἄφερτον
145
κακόν.
ἐξ ἀρκύων πέπτωκεν οἴχεταί θ᾽ ὁ θήρ.
ὕπνῳ κρατηθεῖσ᾽ ἄγραν ὤλεσα.
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Gottfried Hermann, 1852.) — 143 focus
ἰοὺ ἰοὺ, πόπαξ. ἐπάθομεν, φίλαι.
Χοροῦ Γ
ἦ πολλὰ δὴ παθοῦσα καὶ μάτην ἐγώ.
Χοροῦ Β
ἐπάθομεν πάθος δυςαχές, ὦ πόποι,
ἄφερτον κακόν.
Χοροῦ Δ
ἐξ ἀρκύων πέπτωκεν οἴχεταί θ' ὁ θήρ.
150
Χοροῦ Ε
ὕπνῳ κρατηθεῖσ᾽ ἄγραν ὤλεσα.
Χοροῦ ς
ἀντ. α'.
ΕΥΜΕΝΙΔΕΣ (OCR draft) Experimental (ΕΥΜΕΝΙΔΕΣ. Paul Mazon, 1920-1925.) — 143 focus
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Arthur Sidgwick, 1887.) — 143 focus
ΧΟ.
ἰού, ἰού, πόπαξ. ἐπάθομεν, φίλαι—
στρ. α΄.
ἦ πολλὰ δὴ παθοῦσα καὶ μάταν ἐγώ, –
ἐπάθομεν πάθος δυσαχές, ἐς, ὦ πόποι,
145
ἄφερτον κακόν.
ἐξ ἀρκύων πέπτωκεν οἴχεται
θ᾽ ὁ θήρ.-
ὕπνῳ κρατηθεῖσ᾽ ἄγραν ὤλεσα.
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. N. Wecklein, 1885.) — 143 focus
Ἰοὺ ἰού, πύπαξ. ἐπάθομεν, φίλαι,
ἦ πολλὰ δὴ παθοῦσα καὶ μάτην ἐγώ,
ΧΟΡΟΣ
Ἐπάθομεν πάθος δυσαχές, ὦ πόποι,
145
ἄφερτον κακόν·
ἐξ ἀκρύων πέπτωκεν οἴχεταί θ᾽ ὁ θήρ.
Ὕπνῳ κρατηθεῖσ᾽ ἄγραν ὤλεσα.
1
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Martin L. West, 1990.) — 143 focus
Aeschyli Eumenides (OCR draft) Experimental (Aeschyli Eumenides. Ulrich von Wilamowitz-Moellendorff, 1914.) — 143 focus
Testim.:
Actio:
Numeri:
Apparatus Criticus
ὠιγμός μωγμός οὐκ κούκ πέπρωται πέπρακται ὠιγμός ὠγμός κλαγγαίνεις κλαγγάνεις 1 θ’ δ’ 2 ἐκλείπων ἐκλιπών μηδ᾽ οὐδ᾽ ὀνείδεσιν ὀνείδεσσιν ἀντίκεντρα γίγνεται αὐτίκεντρα γίγνεται ἐπουρίσασα ἐπουρήσασα κατισχναίνουσα κατισχαίνουσα ἰδώμεθ᾽ εἰδώμεθ᾽ πύπαξ πυπάξ δυσαχές δυσαχθὲς θ’ δ’
ΧΟ.
ὕπνωι κρατηθεῖσ᾽ ἄγραν ὤλεσα.
Εὐμενίδες (OCR draft) Experimental (Greek text of Aeschylus' Eumenides, edited by F. A. Paley, 1885.) — 143 focus
ἰοὺ, ἰοὺ, πόπαξ. ἐπάθομεν, φίλαι
ἢ πολλὰ δὴ παθοῦσα καὶ μάταν ἐγώ, –
ἐπάθομεν πάθος δυσαχὲς, ὦ πόποι,
140
ἄφερτον κακόν.
ἐξ ἀρκύων πέπτωκεν, οἴχεται δ᾽ ὁ θήρ.
ὕπνῳ κρατηθεῖσ᾽ ἄγραν ὤλεσα.
Εὐμενίδες (OCR draft) Experimental (Greek text of Aeschylus' Eumenides, edited by Friedrich Blass, 1907.) — 143 focus
ἰοὺ ἰοὺ πύπαξ. ἐπάθομεν, φίλαι
στρ. α
ἦ πολλὰ δὴ παθοῦσα καὶ μάτην ἐγώ –
ἐπάθομεν πάθος δυσαχές, ὦ πόποι, ἄφερτον
145
κακόν.
ἐξ ἀρκύων πέπτωκεν οἴχεταί θ᾽ ὁ θήρ.
ὕπνωι κρατηθεῖσ᾽ ἄγραν ὤλεσα.
Translations (11)
Eumenides Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1926. (Modernized by Perseus.)) — 143-175 focus
Chorus
Oh, oh! Alas! We have suffered, friends.
Indeed I have suffered much and all in vain.
We have suffered very painfully, oh! an unbearable evil. The beast has escaped from our nets and is gone.
Overcome by sleep, I have lost my prey.
145
Indeed I have suffered much and all in vain.
Overcome by sleep, I have lost my prey.
Chorus
Oh! Child of Zeus, you have become a thief—
you, a youth, have ridden down old divinities—by showing respect to your suppliant, a godless man and cruel to a parent; although you are a god, you have stolen away a man that killed his mother.
What is there here that anyone shall call just?
150
What is there here that anyone shall call just?
Chorus
Reproach, coming to me in a dream, struck me like a charioteer with goad held tight, under my heart, under my vitals.
155
I can feel the cruel, the very cruel chill of the executioner’s destroying scourge.
160
Chorus
They do such things, the younger gods, who rule, wholly beyond justice, a throne dripping blood,
about its foot, about its head.
I can see the center-stone of the earth defiled with a terrible pollution of blood.
165
I can see the center-stone of the earth defiled with a terrible pollution of blood.
Chorus
Although he is a prophet, he has stained his sanctuary
with pollution at its hearth, at his own urging, at his own bidding; against the law of the gods, he has honored mortal things and caused the ancient allotments to decay.
170
Chorus
And he brings distress to me too, but he shall not win his release;
even if he escapes beneath the earth, he is never set free. A suppliant, he will acquire another avenger from his family.
1
175
The Eumenides (OCR draft) Experimental (The Eumenides. Theodore Alois Buckley, 1849.) — 143 focus
LES EUMÉNIDES (OCR draft) Experimental (LES EUMÉNIDES. Paul Mazon, 1920-1925.) — 143 focus
LE CHOEUR.
Ah! malheur! malheur! quelle souffrance, amies! J'ai déjà pourtant assez souffert pour rien. Ah! la douloureuse souffrance! Las! l'intolérable peine! La bête hors des rets a sauté et disparu. A céder au sommeil j'ai perdu ma proie
Ah! malheur! malheur! quelle souffrance, amies! J'ai déjà pourtant assez souffert pour rien. Ah! la douloureuse souffrance! Las! l'intolérable peine! La bête hors des rets a sauté et disparu. A céder au sommeil j'ai perdu ma proie
The Furies (OCR draft) Experimental (The Furies. Robert Potter, 1779.) — 143 focus
Whilſt overpow'r'd with ſleep I lay,
Burſt from the net eſcapes the prey.
Eschilo, Le Eumenidi: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Le Eumenidi: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 143 focus
FURIA III
Ahimè, travaglio che invano ho durato!
FURIA IV
Ahi quale affronto, che male insoffribile
dobbiamo plorare!
1
FURIA V
Da le reti balzò, fugge la fiera!
170
FURIA VI
Vinta dal sonno, perduta ho la preda.
1
1
FURIA II
Aeschylus, Eumenides: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Eumenides: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 143 focus
Aeschylus, Die Eumeniden: German translation (OCR draft) Experimental (Aeschylus, Die Eumeniden: German translation. Ulrich von Wilamowitz-Moellendorff, 1919–1923.) — 143 focus
Chorführerin.
145
Geschlagen bin ich, ja, und bin betrogen.
Chor.
Geschlagen sind wir, weh, wie schmerzt,
wie bitter brennt die Wunde.
Entsprungen, aus dem Netz gebrochen ist das Wild.
Chorführerin.
Schlafübermannt verlor ich meinen Fang.
Chor.
Eumenides (OCR draft) Experimental (Eumenides. Anna Swanwick, 1886.) — 138 focus
Chorus
This wilt thou do? endow me with such might?
English (E. D. A. Morshead, 1889, second edition) (OCR draft) Experimental (Aeschylus, The Furies — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 143 focus
Alack, alack, sisters, we have toiled,
165
O much and vainly have we toiled and borne!
Vainly! and all we wrought the gods have foiled,
And turnèd us to scorn!
He hath slipped from the net, whom we chased: he hath 'scaped us who should be our prey—
O'ermastered by slumber we sank, and our quarry hath stolen away!
170
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 143 focus
Graun, Graun, o Schmach! Ein Leid, Schwestern, traf-
1
Ja, viel des Leides und umsonst erduldet' ich!
Uns traf, Götter, ach! ein graunvolles Leid,
140
Ein unnennbar Weh!
Aus unserm Neze schlich sich, uns entrann das Wild.
Vom Schlaf besiegt, gab ich hin solchen Fang!
Erste Gegenstrophe.
English (Smyth; revised Bannon and Nagy, CHS) (OCR draft) Experimental (CHS Primary Sources revision of Herbert Weir Smyth’s translation by Cynthia Bannon and Gregory Nagy, with transliterated Greek terms tagged and aligned to the Smyth edition.)
No corresponding passage available
Commentary
Commentary on Aeschylus: Eumenides (Aeschylus. Eumenides. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1887.)
169. μάντις ὤν , i. e. ‘though a seer,' and thus the last who should have allowed pollution.
174. τόν , Orestes: for Epic form cp. 137, 357.
Critical apparatus to Eumenides (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Eumenides.) focus
mvp-comment-99-1 σὺ δ᾽ αἱματηρὸν πνεῦμ᾽ ἐπουρίσασα τῷδ', ἕπου, μάραινε δευτέροις διώγμασιν, ἀτμῷ κατισχναίνουσα, νηδύος πυρί.: Libri οὐδ᾽ αἱματηρὸν πνεῦμ᾽ ἐπουρίσασα τῷ, ἀτμῷ κατισχναίνουσα νηδύος πυρί, ὅπου, μάραινε δευτέροις διώγμασιν, nisi quod Turn. ἐπουρήσασα dedit, ut in lemmate scholiorum Robortelli . scriptum est, versu autem altero G. Ven. Flor. Farn. Par. Ald. κατισχαίμουσα habent, de qua verbi forma dictum est ad Prom, v. 271. In primo versu Stanleii sive potius Pearsoni emendationem, σὺ δ' pro οὐδ᾽, merito recepit Porsonus. Cetera neque ego olim expedivi, neque expediverunt alii. To enim de Oreste intellectum, sic in fine versus, praesertim sequente alio dativo, ἀτμῷ, prorsus putidum est. Nec Wakefieldii ἐπουρίσασα τῳ, de Oreste dictum, hic aptum est. Scripsi, mutato versuum ordine, σὺ δ᾽ αἱματηρὸν πνεῦμ᾽ ἐπουρίσασα τῷδ᾽ ἕπου, μάραινε δευτέροις διώγμασιν, ἀτμῷ κατισχναίνουσα, νηδύος πυρί. Tod' abiecta in fine versus vocali, quum post nov incisio sit, non magis offendere debet quam quod in Suppl. v. 739. scripsi, praegressa ibi incisione, φιλεῖ δ' ὠδῖνα τίκτειν νὺξ κυβερνήτῃ σοφῷ, ubi videnda sunt quae adnotavi. Haec locuta umbra Clytaemnestrae descendit per ἀναπίεσμα.
Commentary on the Eumenides (OCR draft) (Brief English notes on Aeschylus' Eumenides by F. A. Paley, 1885.) focus
mvp-comment-53-1
κατισχναίνουσα]
Schol.
Selected scholia accompanying Blass's Eumenides (OCR draft) (The mixed Greek, Latin, and German scholia register printed with Friedrich Blass's 1907 edition, aligned to O. L. Smith's later recensional editions.) focus
mvp-comment-64-1 ἐκλεπτύνουσα. πυρετῶι αὐτὸν ἀναλίσκουσα, ὡς δοκεῖν ἀτμοὺς ἀνιέναι ἀπὸ τῆς γαστρὸς αὐτοῦ.
Wecklein’s commentary on Eumenides (1888; German; OCR draft) (Explanatory commentary, pp. 251–322; HW42J8 and HXJHA8 OCR collated, with missing comparison pages 294–295 explicitly marked. Unresolved OCR and provisional reference mappings are explicitly marked.) focus
mvp-comment-1-1 Wecklein 1888, p. 251
mvp-comment-1-2
Prolog, wenn man das Erwachen der Erinyen 140-178 als Parodos und das zweite Erscheinen derselben 244-275 als Epiparodos gelten läfst. Andernfalls müfste man den Prolog bis zum eigentlichen Auftreten des Chors als der wirklichen Parodos, also 1-243 rechnen. Die Pythia, welche als Greisin (38) sich auf einen Stab stützt, kommt (durch eine Seitenthüre der Hinterwand) aus einem Nebenraume des Tempels zum Haupteingange desselben und verrichtet vor dem Eintritt ein Gebet (30 f.). Sie hat die
χρηστηρία ἐσθής wie Kasandra in Agamemnon (zu
Ag. 774
). Gut bemerkt der
Schol.
:
mvp-comment-82-1 Wecklein 1888, p. 262
mvp-comment-82-2 ἀτμῷ, νηδύος πυρί, dem Atem, der wie Feuer aus deinem Leibe kommt.