Aeschylus Eumenides 149

Paul Mazon (Editor)

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Ah! fils de Zeus, tu n'es qu'un larron. Tu es jeune, et tu écrases d'antiques divinités! Et tu gardes tes respects pour le suppliant, l'impie cruel à sa mère! Tu es dieu, et tu nous veux dérober un parricide ! Qui trouverait là ombre de justice?

Eumenides. Aeschylus. Paul Mazon (Editor). Paris. 1920-1925.

Sponsored by Perseus Project, Tufts University.

Funding provided by Schmidt Sciences.

Current edition Experimental

LES EUMÉNIDES (OCR draft) (fra) (LES EUMÉNIDES. Paul Mazon, 1920-1925.)

Provisional text from uncorrected OCR; expect errors.

Editions (12)
Εὐμενίδες First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 143-177 focus
Εὐμενίδες Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1926.) — 143-177 focus
Εὐμενίδες (1518 edition; OCR draft) Experimental (Aeschylus, Eumenides, 1518 edition. VLM-assisted OCR with native lineation and automated correspondence to the Smyth edition.) — 149 focus
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Guilielmus Dindorfius, 1882.) — 149 focus
ἰὼ παῖ Διὸς, ἐπίκλοπος πέλει,
νέος δὲ γραίας δαίμονας καθιππάσω,
150
τὸν ἱκέταν σέβων, ἄθεον ἄνδρα καὶ τοκεῦσιν πι-
κρὸν,
τὸν μητραλοίαν δ᾽ ἐξέκλεψας ὢν θεός.
τί τῶνδ᾽ ἐρεῖ τις δικαίως ἔχειν;
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Gottfried Hermann, 1852.) — 149 focus
ἰὼ παῖ Διός, ἐπίκλοπος πέλει,
ΕΥΜΕΝΙΔΕΣ (OCR draft) Experimental (ΕΥΜΕΝΙΔΕΣ. Paul Mazon, 1920-1925.) — 149 focus
Ἰὼ παῖ Διός, ἐπίκλοπος πέλῃ,
νέος δὲ γραίας δαίμονας γραίας δὲ δαίμονας νέος καθιππάσω
150
τὸν ἱκέταν σέβων, ἄθεον ἄνδρα καὶ
τοκεῦσιν πικρόν,
τὸν μητραλοίαν δ' ἐξέκλεψας ὢν θεός·
τί τῶνδ᾽ ἐρεῖ τίς τις δικαίως ἔχειν ;
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Arthur Sidgwick, 1887.) — 149 focus
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. N. Wecklein, 1885.) — 149 focus
Ἰὼ παῖ Διός, ἐπίκλοπος πέλῃ,
Νέος δὲ γραίας δαίμονας καθιππάσω·
150
Τὸν ἱκέταν σέβων ἄθεον ἄνδρα καὶ
τοκεῦσιν πικρόν,
τὸν μητραλοίαν δ᾽ ἐξέκλεψας ὢν θεός.
Τί τῶνδ᾽ ἐρεῖ τις δικαίως ἔχειν;
2
Εὐμενίδες (OCR draft) Experimental (Εὐμενίδες. Martin L. West, 1990.) — 149 focus
ἰὼ παῖ Διός·
150
ἐπίκλοπος πέληι,
νέος δὲ γραίας δαίμονας καθιππάσω,
τὸν ἱκέταν σέβων, ἄθεον ἄνδρα καὶ
τοκεῦσιν πικρόν·
τὸν μητραλοίαν δ᾽ ἐξέκλεψας ὢν θεός,
155
τί τῶνδ᾽ ἐρεῖ τις δικαίως ἔχειν;
Aeschyli Eumenides (OCR draft) Experimental (Aeschyli Eumenides. Ulrich von Wilamowitz-Moellendorff, 1914.) — 149 focus
ἰὼ παῖ Διός
150
ἐπίκλοπος πέληι
νέος δὲ γραίας δαίμονας καθιππάσω.
τὸν ἱκέταν σέβων,
ἄθεον ἄνδρα καὶ
τοκεῦσιν πικρόν.
155
τὸν μητραλοίαν δ᾽ ἐξέκλεψας ὢν θεός.
τί τῶνδ᾽ ἐρεῖ τις δικαίως ἔχειν; =
Εὐμενίδες (OCR draft) Experimental (Greek text of Aeschylus' Eumenides, edited by F. A. Paley, 1885.) — 149 focus
ἰὼ, παῖ Διὸς, ἐπίκλοπος πέλει
νέος δὲ γραίας δαίμονας καθιππάσω,-
145
τὸν ἱκέταν σέβων, ἄθεον ἄνδρα καὶ
τοκεῦσιν πικρόν.
τὸν μητραλοίαν δ᾽ ἐξέκλεψας ὢν θεός.
τί τῶνδ᾽ ἐρεῖ τις δικαίως ἔχειν;
Εὐμενίδες (OCR draft) Experimental (Greek text of Aeschylus' Eumenides, edited by Friedrich Blass, 1907.) — 149 focus
ἰὼ παῖ Διός, ἐπίκλοπος πέληι,
ἀντ. α
νέος δὲ γραίας δαίμονας καθιππάσω,
150
τὸν ἱκέταν σέβων, ἄθεον ἄνδρα καὶ τοκεῦσιν πικρόν,
τὸν μητραλοίαν δ᾽ ἐξέκλεψας ὢν θεός.
τί τῶνδ᾽ ἐρεῖ τις δικαίως ἔχειν;
Translations (10)
Eumenides Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1926. (Modernized by Perseus.)) — 143-175 focus
The Eumenides (OCR draft) Experimental (The Eumenides. Theodore Alois Buckley, 1849.) — 149 focus
O son of Jove, thou art thievish, and thou a young god hast ridden down aged deities, reverencing [this] suppliant, an impious man and bitter to his parents, and, god though you be, you have stolen away the matricide. Which of these things will one say is just?
The Furies (OCR draft) Experimental (The Furies. Robert Potter, 1779.) — 149 focus
Great triumph, treach'rous ſon of Jove,
180
In youth's freſh prime to mock my age!
Thee cou'd this impious ſuppliant move
(And thou a God) whoſe cruel rage
Plung'd in his mother's breast his ſword?
Yet thou hast ſcreen'd the wretch abhorr'd.
185
Eschilo, Le Eumenidi: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Le Eumenidi: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 149 focus
Figlio di Giove, ben tu sei furace.
Aeschylus, Eumenides: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Eumenides: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 149 focus
O fili Iouis furax es,
Iuuenis uerò uetulas deas debellaſti,
Supplicem colens impium uirum,
Parentibus acerbum,
155
Parricidam furatus es Deus exiſtens.
Quid horum dicet aliquis iuſtè habere?
Aeschylus, Die Eumeniden: German translation (OCR draft) Experimental (Aeschylus, Die Eumeniden: German translation. Ulrich von Wilamowitz-Moellendorff, 1919–1923.) — 149 focus
Hallo, du Dieb.
Ja,
ein Dieb bist du, Apollon.
Eumenides (OCR draft) Experimental (Eumenides. Anna Swanwick, 1886.) — 149 focus
ATHENA
Ye city-guardians do ye hear aright
What thus she promises. For great the might
910
Erinys wields-dread brood of night-
Alike with Hades and the Olympian Powers;
O'er men confessed and absolute her reign,
To some she giveth song, and some she dowers
With life, tear-blinded, marred by pain.
English (E. D. A. Morshead, 1889, second edition) (OCR draft) Experimental (Aeschylus, The Furies — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 149 focus
Thou, child of the high God Zeus, Apollo, hast robbed us and wronged;
Thou, a youth, hast down-trodden the right that to godship more ancient belonged;
Thou hast cherished thy suppliant man; the slayer, the God-forsaken,
The bane of a parent, by craft from out of our grasp thou hast taken;
A god, thou hast stolen from us the avengers a matricide son—
175
And who shall consider thy deed and say It is rightfully done?
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 149 focus
O Graun! Sohn des Zeus, du spinnst arge List.
Ein Jüngling, tratst du greise Götterfrau'n in Staub,
145
Da du den Flüchtling hegst, den schuldvollen Mann,
Den herzlosen Sohn.
Du stahlst den Muttermörder uns und bist ein Gott!
Wer priese je solches Thun als gerecht?
Zweite Strophe.
English (Smyth; revised Bannon and Nagy, CHS) (OCR draft) Experimental (CHS Primary Sources revision of Herbert Weir Smyth’s translation by Cynthia Bannon and Gregory Nagy, with transliterated Greek terms tagged and aligned to the Smyth edition.)

No corresponding passage available

Commentary

Commentary on Aeschylus: Eumenides (Aeschylus. Eumenides. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1887.)

142. ἰδέσθαι , the middle, is an Epic use, common in Tragg. Note the loose but natural grammar κἀπολακτίσασ᾽ (sing.), ἰδώμεθ᾽ (plur.). So exactly Aristoph. Aves 203, ἐμβὰς ἐς τὴν λόχμην καλοῦμεν. ...

146. ὁ θήρ , ‘our prey.'

150. νέος γραίας , simply young and old. This complaint that Apollo as one of the younger race has overridden the Furies who are elder goddesses constantly recurs through the play, 163, 731, 778, 838, 845; see Introduction. καθιππάζομαι, a bold picturesque word for trample down, so 731, 779.

151. τοκεῦσιν , generalising plural, to his mother, as the sense requires.

154. τῶνδε , your acts, insulting the old goddesses, and protecting the impious suppliant.

169. μάντις ὤν , i. e. ‘though a seer,' and thus the last who should have allowed pollution.

174. τόν , Orestes: for Epic form cp. 137, 357.

Critical apparatus to Eumenides (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Eumenides.) focus

mvp-comment-99-1 σὺ δ᾽ αἱματηρὸν πνεῦμ᾽ ἐπουρίσασα τῷδ', ἕπου, μάραινε δευτέροις διώγμασιν, ἀτμῷ κατισχναίνουσα, νηδύος πυρί.: Libri οὐδ᾽ αἱματηρὸν πνεῦμ᾽ ἐπουρίσασα τῷ, ἀτμῷ κατισχναίνουσα νηδύος πυρί, ὅπου, μάραινε δευτέροις διώγμασιν, nisi quod Turn. ἐπουρήσασα dedit, ut in lemmate scholiorum Robortelli . scriptum est, versu autem altero G. Ven. Flor. Farn. Par. Ald. κατισχαίμουσα habent, de qua verbi forma dictum est ad Prom, v. 271. In primo versu Stanleii sive potius Pearsoni emendationem, σὺ δ' pro οὐδ᾽, merito recepit Porsonus. Cetera neque ego olim expedivi, neque expediverunt alii. To enim de Oreste intellectum, sic in fine versus, praesertim sequente alio dativo, ἀτμῷ, prorsus putidum est. Nec Wakefieldii ἐπουρίσασα τῳ, de Oreste dictum, hic aptum est. Scripsi, mutato versuum ordine, σὺ δ᾽ αἱματηρὸν πνεῦμ᾽ ἐπουρίσασα τῷδ᾽ ἕπου, μάραινε δευτέροις διώγμασιν, ἀτμῷ κατισχναίνουσα, νηδύος πυρί. Tod' abiecta in fine versus vocali, quum post nov incisio sit, non magis offendere debet quam quod in Suppl. v. 739. scripsi, praegressa ibi incisione, φιλεῖ δ' ὠδῖνα τίκτειν νὺξ κυβερνήτῃ σοφῷ, ubi videnda sunt quae adnotavi. Haec locuta umbra Clytaemnestrae descendit per ἀναπίεσμα.

mvp-comment-100-1 ἔγειρ᾽: χορὸς ἐρινύων (ἐριννύων Ald.) M. Ald. χορὸς ἐριννύων, ἐξ ὧν μία G. χορὸς εὐμενίδων Flor. χο. Ven. Rob. Turn. Quae inde ab hoc versu usque ad v. 177. sequuntur, inter quindecim Furias ita distribui, ut distribuenda esse indicavi in Opusc. VI. 2. p. 37. seqq.

mvp-comment-101-1 κἀπολακτίσασ᾽: κἀπολακτίσας G. Ald.

mvp-comment-102-1 ἰδώμεθ᾽: ιδώμεθ' Turn. εἰδώμεθ' M.G. Par. Ven. Flor. Farn. Ald. Rob.

mvp-comment-103-1 πόπαξ: πόπαξ Ald. Rob. Τurn. πύπαξ M. G. Farn. πυπάς Ven. Flor.

mvp-comment-104-1 δυςαχές: δυςαχές Μ. Rob. In G. ambiguum est utrum hoc an δυσαχθὲς scriptum sit. δυσαχθὲς Ven. Flor. Ald. Turn.

mvp-comment-105-1 οἴχεταí θ' ὁ θήρ: Libri οίχεται δ' ὁ θήρ. Correxit Abreschius.

mvp-comment-106-1 κρατηθεῖσ᾽ ἄγραν: κρατηθεῖσα plene M. G. Ald. Rob. άγραν, non ἄτων, etiam Ald.

mvp-comment-107-1 πέλει: Ζω bis Farn. Deinde ἐπιλογος Flor. Deinde libri πέλῃ. In G. tamen antea fuerat πέλει.

mvp-comment-108-1 νέος δὲ γραίας δαίμονας καθιππάσω: γραίας δὲ δαίμονας νέος Farn. καθισπάσω Par.

mvp-comment-109-1 ἱκέταν: ἱκέτην Farn.

mvp-comment-110-1 τοκεῦσιν: τοκεῦσιν M. G. Ald. Rob. τοκεῦσι Ven. Flor. Turn.

mvp-comment-111-1 δ᾽: δ' omittit Ven.

mvp-comment-112-1 ἐρεῖ τις: ἐρᾶ Flor. τις Farn. Ald. τὶς Rob.

mvp-comment-113-1 ὄνειδος ... μολὸν: ὄνειρος Par. μολών G. Ald.

Commentary on the Eumenides (OCR draft) (Brief English notes on Aeschylus' Eumenides by F. A. Paley, 1885.) focus

mvp-comment-53-1 κατισχναίνουσα] Schol.

ἐκλεπτύνουσα.
So Prom. 388
καὶ μὴ σφυδῶντα θυμὸν ἰσχναίνῃ βίᾳ,
 a medical term. Cf. 257. –ἀτμῷ, Αg. 1282 , ‘hot breath.' Gl. Med. πυρετῷ ἀναλίσκουσα, ὡς δοκεῖν ἀτμοὺς ἀνιέναι ἀπὸ γαστρὸς αὐτοῦ. But the breath meant must be that of the pursuers, who scorch and wither their victim as a hot wind blights tender leaves.

mvp-comment-54-1 ἰδώμεθα] The plural follows a participle in the singular, as in Herc. F. 858

ἡλίῳ μαρτυρόμεσθα δρῶσ᾽ ἃ δρᾶν οὐ βούλομαι.
-ματᾷ, Schol.
μάταιον γίγνεται.
 See Prom. 57 . Theb. 37 .

mvp-comment-55-1 πόπαξ] Our word pish! an exclamation of peevishness and dissatisfaction, as ποποῖ is pooh-pooh, Cho. 397 , Αg. 1043 . ὀτοτοῖ οι τοτοῖ ( Pers. 562 ) is tut-tut. But ὦ πόποι (so accented) means ໖ θεοὶ, Pers. 727 , Hesych.

ὦ δαίμονες.
The sentences following appear to be spoken by different choreutae in succession. So the Schol. seems to say, one wakes first, so that the chorus do not speak all at once. He adds, ἕκαστον κατ᾿ ἰδίαν προσενεκτέον, ‘each speech is to come on separately.'

mvp-comment-56-1 καθιππάσω] you override, a military term. Schol.

κατεπολέμησας.
Cf. 701, 741.

Selected scholia accompanying Blass's Eumenides (OCR draft) (The mixed Greek, Latin, and German scholia register printed with Friedrich Blass's 1907 edition, aligned to O. L. Smith's later recensional editions.) focus

mvp-comment-64-1 ἐκλεπτύνουσα. πυρετῶι αὐτὸν ἀναλίσκουσα, ὡς δοκεῖν ἀτμοὺς ἀνιέναι ἀπὸ τῆς γαστρὸς αὐτοῦ.

mvp-comment-65-1 ἀναστήσει (vgl. Schol. 117); ἀνίστησιν Kchh.) αὐτὰς οὐκ ἀθρόως, μιμούμενος ἐμφατικῶς τὴν ἀλήθειαν, ἀλλ᾽ ἐγείρεταί τις πρώτη, ὥστε μὴ ἀθρόως τὸν χορὸν φθέγξασθαι.

mvp-comment-66-1 μάταιον γίνεται.

mvp-comment-67-1 λείπει δεινά (δεινά auch f).

mvp-comment-68-1 κατεπο-

mvp-comment-69-1 κομματικῶς καστον κατ᾿ ἰδίαν προενεκτέον. αἱ γὰρ φοροι τοῖς πάθεσιν.

mvp-comment-70-1 ἀφόρητον κακὸν ἐπάθομεν. λέμησας.

Wecklein’s commentary on Eumenides (1888; German; OCR draft) (Explanatory commentary, pp. 251–322; HW42J8 and HXJHA8 OCR collated, with missing comparison pages 294–295 explicitly marked. Unresolved OCR and provisional reference mappings are explicitly marked.) focus

mvp-comment-1-1 Wecklein 1888, p. 251

mvp-comment-1-2 Prolog, wenn man das Erwachen der Erinyen 140-178 als Parodos und das zweite Erscheinen derselben 244-275 als Epiparodos gelten läfst. Andernfalls müfste man den Prolog bis zum eigentlichen Auftreten des Chors als der wirklichen Parodos, also 1-243 rechnen. Die Pythia, welche als Greisin (38) sich auf einen Stab stützt, kommt (durch eine Seitenthüre der Hinterwand) aus einem Nebenraume des Tempels zum Haupteingange desselben und verrichtet vor dem Eintritt ein Gebet (30 f.). Sie hat die χρηστηρία ἐσθής wie Kasandra in Agamemnon (zu Ag. 774 ). Gut bemerkt der Schol. :

φαίνεται ἐπὶ σκηνῆς τὸ μαντεῖον· η δὲ προφῆτις πρόεισιν ἐπικλήσεις, ὡς ἔθος, τῶν θεῶν ποιησομένη, ἀπροόπτως τε ἰδοῦσα τὰς Ἐρινύας κύκλῳ τοῦ Ὀρέστου καθευδούσας πάντα μηνύει τοῖς θεαταῖς, οὐχ ὡς διηγουμένη τὰ ὑπὸ τὴν σκηνήν, τοῦτο γὰρ νεωτερικὸν Εὐριπίδειον, ὑπὸ δὲ τῆς ἐκπλήξεως τὰ θορυβήσαντα αὐτὴν καταμηνύουσα φιλοτέχνως
(d. h. die Exposition ist nicht unvermittelt wie bei Euripides, sondern wohl motiviert). τὰ δὲ πρῶτα εὐχαὶ καὶ ἐπικλήσεις θεῶν, ἵνα ἀπὸ τῶν εὐφημοτέρων ἄρξηται ἡ προφῆτις (in der That breitet das Gebet der Priesterin über den Anfang eine weihevolle Stimmung aus). οἰκονομικῶς δὲ οὐκ ἐν ἀρχῇ διώκεται Ὀρέστης, ἀλλὰ τοῦτο ἐν μέσῳ τοῦ δράματος κατατάττει, ταμιευόμενος τὰ ἀκμαιότατα ἐν μέσῳ.

mvp-comment-82-1 Wecklein 1888, p. 262

mvp-comment-82-2 ἀτμῷ, νηδύος πυρί, dem Atem, der wie Feuer aus deinem Leibe kommt.

mvp-comment-83-1 Wecklein 1888, p. 262

mvp-comment-83-2 δευτέροις διώγμασιν: das erste Mal verfolgten sie ihn von Argos nach Delphi. Der Schatten der Klyt. verschwindet wieder in die Tiefe durch das ἀναπίεσμα).

mvp-comment-84-1 Wecklein 1888, p. 262

mvp-comment-84-2 Parodos (vgl. zu 1). Die Chorführerin erwacht und weckt die nächste Erinye, welche wieder eine andere anstöfst u. s. f. Dann stellen sie sich zu Halbchören zusammen.

mvp-comment-85-1 Wecklein 1888, p. 263

mvp-comment-85-2 ἀπολακτίσασα ἰδώμεθα dem σχῆμα καθ᾿ ὅλον καὶ μέρος entsprechend. Vgl. Aristoph. Vö. 203

ἀνεγείρας τὴν ἐμὴν ἀηδόνα καλοῦμεν αὐτούς
. Krüger I § 56, 9, 1 . τοῦδε φροιμίου, „ob etwas von dem folgenden ( τοῦδε wie ὕμνον τόνδε δέσμιον 306) Vorspiel wirkungslos ist" ( ματᾷ, Schol. μάταιον γίνεται). Der folgende Gesang soll als προοίμιον nur einstweilen eine Ahnung geben, was sie in ihrer Wut leisten können.

mvp-comment-85-3 1

mvp-comment-86-1 Wecklein 1888, p. 263

mvp-comment-86-2 In den zwei ersten Strophenpaaren wechseln, wie sich aus dem Text ergiebt, die Halbchöre (A, B). Im dritten Strophenpaare treten sie zum Gesamtchore zusammen. - In der Aufregung unterbrechen sich im Anfang die Halbehöre: A. ἐπάθομεν, φίλαι, ἐπάθομεν πάθος . . θήρ. B. ἦ πολλὰ δὴ παθοῦσα καὶ μάτην ἐγώ, ὕπνῳ κρατηθεῖσ᾽ ἄγραν ὤλεσα u. s. w.

mvp-comment-87-1 Wecklein 1888, p. 263

mvp-comment-87-2 δυσαχές (schwer zu beklagen) nur hier.

mvp-comment-88-1 2

mvp-comment-88-2 Wecklein 1888, p. 263

mvp-comment-88-3 πέπτωκεν, er ist herausgeraten.

mvp-comment-89-1 3

mvp-comment-89-2 Wecklein 1888, p. 263

mvp-comment-89-3 παῖ Διός: über die syllaba anceps am Ende des Dochmius bei einem Vokativ s. Seidler de vers. dochm. p. 85, Christ Metr. § 466. Vgl. Soph. Ai. 375

σκότος, ἐμὸν φάος, | ἔρεβος κτἑ.

mvp-comment-90-1 Wecklein 1888, p. 263

mvp-comment-90-2 Apollon gehört dem jungen Göttergeschlechte des Zeus an, die Erinyen dem alten des Kronos. Prom. 156

νέοι γὰρ οἰακονόμοι κρατ τοῦσ᾽ Ὀλύμπου, νεοχμοῖς δὲ δὴ νόμοις Ζεὺς ἀθέτως κρατύνει· τὰ πρὶν δὲ πελώρια νῦν ἀιστοῦ. καθιππάσω
wie 734, 782. Schol. κατεπολέμησας, τα 734 κατατρέχεις. Es bedeutet,, mit Hohn und Übermut überrennen, niedertreten“, vgl. λৠπατεῖν 110.

mvp-comment-91-1 Wecklein 1888, p. 263

mvp-comment-91-2 τοκεύσιν allgemein (von der Mutter).

mvp-comment-92-1 Wecklein 1888, p. 263

mvp-comment-92-2 Cho. 337

τί τῶνδ᾽ εὖ, τί δ᾽ ἄτερ κακῶν
; Ag. 221
τί τῶνδ᾽ ἄνευ κακῶν
; Eur. Suppl. 527
τί τούτων οὐ καλῶς ἔχον
;

mvp-comment-93-1 Wecklein 1888, p. 264

mvp-comment-93-2 ὄνειδος - ὀνειράτων gesuch ter Gleichklang. ἐξ ὀνειράτων μου λόν, in Träumen mir zugerufen (von den Vorwürfen der Klytämestra). Vgl. Soph. Oed. T. 523 ἀλλ᾽ ἦλθε μὲν δὴ τοῦτο τοὔνειδος.

Commentary (Arthur Sidgwick, 1887) (OCR draft) (Arthur Sidgwick's commentary on the Eumenides, aligned to the canonical Greek text.) focus

mvp-sidgwick-81-1-1 Let us see if this prelude is vain, rather obscure, but φροίμιον τύδε most naturally refers to the song they are going to sing, a song of lament at the escape, and chiding and reproach to Apollo.

ἰδέσθαι , the middle, is an Epic use, common in Tragg. Note the loose but natural grammar κἀπολακτίσασ᾽ (sing.), ἰδώμεθ᾽ (plur.). So exactly Aristoph. Aves 203, ἐμβὰς ἐς τὴν λόχμην καλοῦμεν. ...

mvp-sidgwick-82-1-1 This line is out of agreement; and generally the character of the first stanzas is that the lines are very disjointed: the true explanation being no doubt that the song is alternately taken up by one and another of the Furies, to give the dramatic effect of their excitement and anger. So the Schol. says κομματικῶς ἕκαστον κατ᾿ ἰδίαν προφερετέον· each bit must be delivered separately by a single voice. It is not worth while to attempt (as Herm. does) to distribute the parts exactly, as there is no evidence.

ὁ θήρ , our prey.

νέος γραίας , simply young and old. This complaint that Apollo as one of the younger race has overridden the Furies who are elder goddesses constantly recurs through the play, 163, 731, 778, 838, 845; see Introduction. καθιππάζομαι, a bold picturesque word for trample down, so 731, 779.

τοκεῦσιν , generalising plural, to his mother, as the sense requires.

τῶνδε , your acts, insulting the old goddesses, and protecting the impious suppliant.