Aeschylus Agamemnon 167

Anna Swanwick (Translator)

View: By Card
CASSANDRA
Alas ! what fire is this! It seizes me.
Woe! woe! Lykeian god! Apollo! Woe!
The biped lioness, that with the wolf
In absence of the noble lion couched,
Will me, her victim, slaughter, and as one
Poison who mixeth, she my doom will add
To crown her vengeance ; whetting 'gainst her lord
The murderous knife, sho boasteth to exact
His death, as payment for escorting me.
Why longer wear this scorn-provoking gear,
This wand, these wreaths prophetic round my neck ?
Thee I will shatter ere myself am doomed.
Hence to destruction : I will follow soon;
Another, in my place, enrich with woes.
Behold, Apollo’s self doth strip me bare
Of the prophetic robe ; coldly he gazed,
What time, in these adornments vainly tricked,
To friends and enemies, with one consent,
All undeserved, a laughter I became :
Vagrant yclept, poor hunger-stricken wretch,
A strolling mountebank, I bare it all;
And now the seer (his vengeance wreaked on me
The seeress) calls me to this deadly fate.
My father at the altar fell, but me
The slaughter-block awaiteth, smitten down
By stroke relentless, reeking with hot gore.
Yet not unhonoured of the gods we fall;
For other champion of our cause shall come,
Seed matricidal, venger of his sire.
An exiled wanderer, from this land estranged,
Returns, this vengeance for his friends to crown.
For, lo, the gods a mighty oath have sworn,
His father's prostrate form shall lead him home.
But why, an alien here, pour I my wail ?
When that I first have seen my Ilion fare
As fared it hath, and they who won the town
In sorry plight, through judgment of the gods.
I'll do! I'll suffer ! I will dare to die.
These gates, as gates of Hades, I adjure,
One prayer I offer, " mortal be the stroke
Free from convulsive throes, in easy death,
While ebbs my life-blood, may I close mine eyes.

Agamemnon. Aeschylus. Anna Swanwick (Translator). London. 1886.

Sponsored by University of Leipzig.

Funding provided by European Social Fund Saxony.

Current edition Experimental

Agamemnon (OCR draft) (English) (Agamemnon. Anna Swanwick, 1886.)

Provisional text from uncorrected OCR; expect errors.

Editions (8)
Ἀγαμέμνων First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 104-257 focus
Ἀγαμέμνων Perseus (Aeschylus, Volume 2. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1926.) — 104-257 focus
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Guilielmus Dindorfius, 1882.) — 167 focus
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Gottfried Hermann, 1852.) — 167 focus
οὐδ᾽ ὅςτις πάροιθεν ἦν μέγας,
παμμάχῳ θράσει βρύων,
οὐδὲ λέξεται πρὶν ὤν·
ὃς δ᾽ ἔπειτ᾽ ἔφυ, τρια-
κτῆρος οἴχεται τυχών.
160
Ζῆνα δέ τις προφρόνως ἐπινίκια κλάζων
τεύξεται φρενῶν τὸ πᾶν·
στρ. γ'.
ΑΓΑΜΕΜΝΩΝ (OCR draft) Experimental (ΑΓΑΜΕΜΝΩΝ. Paul Mazon, 1920-1925.) — 167 focus
οὐδ' ὅστις πάροιθεν ἦν μέγας,
Ant. 1.
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. N. Wecklein, 1885.) — 167 focus
Ἀγαμέμνων (OCR draft) Experimental (Ἀγαμέμνων. Martin L. West, 1990.) — 167 focus
οὔθ᾽ ὅστις πάροιθεν ἦν μέγας
παμμάχωι θράσει βρύων,
οὐδὲ λέξ εται πρὶν ὤν·
170
ὅς τ᾽ ἔπειτ᾽ ἔφυ. τριακ-
τῆρος οἴχεται τυχών·
Ζῆνα δέ τις προφρόνως ἐπινίκια κλάζων
τεύξεται φρενῶν τὸ πᾶν,
175
Aeschyli Agamemnon (OCR draft) Experimental (Aeschyli Agamemnon. Ulrich von Wilamowitz-Moellendorff, 1914.) — 167 focus
οὐδ᾽ ὅστις πάροιθεν ἦν μέγας
παμμάχωι θράσει βρύων,
οὐδὲ λέξεται πρὶν ὤν·
170
ὃς δ᾽ ἔπειτ᾽ ἔφυ, τρια-
κτῆρος οἴχεται τυχών.
Ζῆνα δέ τις προφρόνως ἐπινίκια κλάζων
τεύξεται φρενῶν τὸ πᾶν· =
Translations (9)
Agamemnon Perseus (Aeschylus. The poetical works of Robert Browning, Volume 13. Browning, Robert, translator; Berdoe, Edward, editor. London: Smith, Elder and Co., 1889.) — 104-257 focus
The Agamemnon (OCR draft) Experimental (The Agamemnon. Theodore Alois Buckley, 1849.) — 167 focus
Nor can he who before was great, flourishing in unconquerable boldness say aught, as one that has passed away 1 ; and he who existed next has passed away, having found his third thrower 2 . But any one that cheerfully celebrates Jove in songs of triumph shall completely attain to understanding;
AGAMEMNON (OCR draft) Experimental (AGAMEMNON. Paul Mazon, 1920-1925.) — 167 focus
celui dont je l'appelle. J'ai tout pesé : je ne reconnais
que Zeus propre à me décharger vraiment du poids de ma stérile angoisse.
Agamemnon (OCR draft) Experimental (Agamemnon. Robert Potter, 1779.) — 167 focus
Feeble and helpleſs to the light
The proudeſt of man’s race aroſe,
Tho’ now, exulting in his might,
Dauntleſs he ruſhes on his foes;
Great as he is, in duſt he lies;
180
He meets a greater, and he dies.
Eschilo, Agamennone: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Agamennone: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 167 focus
Antistrofe II
Chi primo ebbe e possa e gloria,
e fiori d'ardor belligero,
n'è sin persa la memoria:
chi secondo ebbe il dominio,
185
dal piú forte fu sconfitto:
chi preferisce per Giove cantar l'epinicio,
batterà cammin diritto.
Aeschylus, Agamemnon: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Agamemnon: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 167 focus
Bellicosa audacia florens. nihil diceret prius,
Qui uerò deinde fuit,it aßecutus uictum,
175
Iouem uerò quis alacriter epinicia clamans
Mente obtinebit omnirio
Deducentem mortales ut faperent,
Molestie moleftiam propriè facientcm habere,
Stillat uerò intus ſono ad cor labor recordatu tristis,
180
Et ad inuitos uenit ſapere.
Deorum gratia uerò uiolenta.
Aeschylus, Agamemnon: German translation (OCR draft) Experimental (Aeschylus, Agamemnon: German translation. Ulrich von Wilamowitz-Moellendorff, 1919–1923.) — 167 focus
Möge sie nicht den Achäern mit widrig wehenden
Winden
hindern die Fahrt und hemmen die Flotte.
150 Möge sie nicht ein anderes
170
widernatürliches Opfer
fordern, das unüberwindlichen,
Gattenliebe vernichtenden
Hader entfache.
Sonst bleibt nimmer vergessende,
175
155
English (E. D. A. Morshead, 1889, second edition) (OCR draft) Experimental (Aeschylus, Agamemnon — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 167 focus
He that was Lord of old,
In full-blown pride of place and valour bold,
Hath fallen and is gone, even as an old tale told!
And he that next held sway,
210
By stronger grasp o'erthrown
Hath pass'd away! 1
And whoso now shall bid the triumph-chant arise
To Zeus, and Zeus alone,
He shall be found the truly wise.
215
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos, Band I, Agamemnon. Independent Donner line citations, Smyth card correspondence, twelve located textual notes and opening metrical facsimiles. Unfinished OCR proofreading and note attribution are documented in the review inventory.) — 167 focus
Denn der ehedem gewaltig war,
Alles stürmte trozigfrech,
Seiner wird nicht mehr gedacht. 1
Der nach ihm erstand, auch er
160
Fand den Sieger und erlag.
Doch wer fromm im Gesange des Siegs den Kroniden verherrlicht,
Pflückt des Geistes schönsten Kranz.
Zweite Strophe.

Commentary

Critical apparatus to Agamemnon (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Agamemnon.) focus

55. mvp-aeschylus-tlg0085-tlg005-hermann1852-appcrit-lat1-33

ἤ τις
ἥτις
G. Ald.
Τίς
cum nomine proprio coniunctum significat talem aliquem qualis est qui nominatur. Explicavit hunc usum Fritzschius in Quaest. Lucian. p. 16. Hic Aeschylus primo agrestes deos, ut proprios in hac re, Apollinem et Panem, tum iracundius assurgens, quippe iam quo tendat similitudo illa in animo habens, supremum deorum Iovem nominat. Mire abutitur doctrina sua Müllerus in Doriens. vol. 1. p. 295. Iovem ut regnatorem mundi, Pana ut concitatorem insaniae, Apollinem ut deum punitorem nominari censens.
55

Wecklein’s commentary on Agamemnon (1888; German; OCR draft) (Explanatory commentary, pp. 30–140; Iowa and Harvard OCR collated conservatively. Unresolved OCR and provisional reference mappings are explicitly marked.) focus

40-269. mvp-aeschylus-tlg0085-tlg005-wecklein1888-com-ger1-26

Parodos, bestehend (wie die Parodos der Perser und der Hiketides) aus drei Teilen, dem Recitativ des Chorführers in Anapästen 40-103, dem Gesang des Chorführers mit ἐπιφθέγματα (124) des Gesamtchores 104-169, dem Chorgesang 170-269. Der erste Teil beginnt mit der Schuld und Sühne der Trojaner, legt die äufseren Verhältnisse dar und giebt mit dem Verlangen zu erfahren, was die überall auf den Altären der Stadt angezündeten Opferfeuer zu bedeuten haben (83-87) die Motivierung für das Auftreten des Chors. Der zweite Teil berichtet eine Weissagung des Kalchas, welche ängstliche Besorgnis in betreff des Heerführers weckt. Der dritte begründet diese Besorgnis mit sittlichen Grundsätzen und erklärt das Leiden, das den siegreichen Agamemnon erwartet, als Sühne für eine Schuld, für die unerhörte Opferung der eigenen Tochter.

55. mvp-aeschylus-tlg0085-tlg005-wecklein1888-com-ger1-38

ὕπατος zeigt durch seine Stellung die Beziehung auf ὕπατοι 50 an: weil die Vögel in der Höhe bei den Göttern sich angesiedelt haben ( μετοίκων 57), hört sie ein Gott in der Höhe. τις ᾿Απόλλων, etwa Apollo ( τὶς cum nomine proprio coniunctum significat talem aliquem qualis est qui nominatur. Explicavit hunc usum Fritzschius in Quaest. Lucian. p. 16). Apollon, Pan, Zeus sind Götter, die auf hohen Bergen verehrt wurden, wie Pausanias VIII 38, 2 ff. auf dem Lykaion in Arkadien Heiligtümer des Zeus, Apollon und Pan angiebt (vgl. Ahrens Philol. Suppl. S. 234 ff.). Sie sind προστάται ihren μέτοικοι, den Geiern, die auf ihren Bergen horsten. τῶνδε μετοίκων, dieser, die ihre μέτοικοι sind, wie Soph. ΕΙ. 790 πρὸς τῆσδ᾽ ὑβρίζῃ μητρός ( νοη dieser, die deine Mutter sein will). .
1