128-192.
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128-192. Parodos. It is com- matic, that is, divided between actor and chorus. The chorus enter in a winged car
(ὄχῳ
πτερωτῷ 135,
κραι-
πνόσυτον
θᾶκον 279), moved by the- atrical machinery. The car, advancing from the right side, has gradually approached Prometheus. It is seen by the spectators while still invisible to Prometheus, who can only look straight before him. At 124 the chorus are already very near, and they hear the words of 127
(φοβερόν). - The
᾿Ωκεανίδες are daughters of Oceanus and Tethys; see Hesiod Theog. 362. Hesiod (ibid. 346) enum- erates
forty-one by name, and adds
πολλαί
γε
μέν
εἶσι
καὶ
ἄλλαι,
τρὶς
γὰρ
χίλιαί
εἰσι
τανύσφυροι
Ωκεανῖναι. Aes- chylus's chorus consisted of twelve persons. The first strophe gives the motive of the chorus for coming; this is what an unknown grammarian (in the hypothesis to the Persians) calls '
παροδικά,
ὅτε
λέγει (sc.
ὁ
χορός)
δι᾽
ἣν
αἰτίαν
πάρεστιν.' - The rhythms (
ῥυθμὸς
᾿Ανακρεόντειός
ἐστι
κεκλασμένος
πρὸς
τὸ
θρηνητικόν, Schol.) are in keeping with the sorrowful tone of the composition (see 144 ff.); they
are furthermore especially appropri- ate to a female chorus.
145.
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145.
πλήρης
δακρύων: like a rain- cloud. Cp. Sept. 228
χαλεπᾶς
δύας
ὕπερθ᾽
ὀμμάτων
κρημναμενᾶν
νεφελᾶν,
Soph. Ant. 528
νεφέλη
δ᾽
ὀφρύων
ὕπερ
αἱματόεν
ῥέθος
αἰσχύνει
τέγγουσ᾽
εὐῶπα
παρειάν, Eur. Hipp. 173
στυγνὸν
δ᾽
ὀφρύων
νέφος
αὐξάνεται, Antiphanes in Meineke Com. iii. p. 197
τὸ
προσὸν
νῦν
νέφος
ἐπὶ
τοῦ
μετώπου, Hor. Epist. i. 18,94 deme supercilio nubem. The figure was used by Homer Il. xvii. 591
τὸν
δ' (Hector)
ἄχεος
νεφέλη
ἐκάλυψε
μέλαινα. —
εἰσιδοῦσαν : the accusative follows the dative
ἐμοῖσιν
ὄσσοις as Cho. 410
πέπαλται
δ᾽
αὐτέ
μοι
φίλον
κέαρ
τόνδε
κλύουσαν
οἶκτον, Pers. 913
λέλυται
γὰρ
ἐμῶν
γνίων
ῥώμη
τήνδ'
ἡλικίαν
ἔσιδόντα, Soph.
Εl. 479
ὕπεστί
μοι
θράσος
ἁδυπνόων
κλύουσαν
ἀρτίως
ὀνειράτων,
Αἰ. 1006
ποῖ
γὰρ
μολεῖν
μοι
δυνατὸν
τοῖς
σοῖς
ἀρήξαντ᾽
ἐν
πόνοισι
μηδαμοῦ. The reverse change (from acc. to dat.) in Eur. Med. 57
ὥσθ᾽
ἵμερός
μ᾽
ὑπῆλθε...
λέξαι
μολούσῃ.
146.
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146.
πέτρα
προσαυαινόμενον : =
πρὸς
πέτρᾳ
αὐαινόμενον. Cp. Soph. Phil. 954
αὐανοῦμαι
τῷδ᾽
ἐν
αὐλίῳ
μόνος,
Εl. 819
αὐανῶ
βίον. – With
αὐαινόμενον
λύμαις ср. 93.
147.
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147.
ἀδαμαντοδέτοισι
λύμαις: nearly equivalent to
ἀδαμαντίνοις
δεσμοῖς
λυ-
μαντηρίοις (991). Cp. 580
οἰστρηλάτῳ
δείματι, Theocr. Epigr. xiii. 4
κηροδέτῳ
πνεύματι.
148.
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148.
γάρ: the chorus explains to itself the reason of Prometheus's
155 maltreatment. —
οἰακονόμοι : Zeus is meant. Sic et nos: denn jetzt sitzen neue Herrn am Ruder, quamvis de uno tantum sermo sit' (Schütz). For the figure cp. Sept. 2
ὅστις
φυλάσ-
σει
πρᾶγος
ἐν
πρύμνῃ
πόλεως
οἴακα
νωμῶν, ibid. 62, Pers. 767; also 515 below.
150.
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150.
νόμοις :
νόμοι are changeable laws, made by temporal authorities (cp. Sept. 1070
πόλις
ἄλλως
ἄλλοτ᾽
ἐπαινεῖ
τὰ
δίκαια), in distinction to
θεσμοί, immutable statutes, based upon eternal right. —
ἀθέτως·
ἀθέσμως,
οὐ
συγκατατεθειμένως, Hesych. That is, Zeus issues ordinances in his own right (186), without acknowledging the authority of a higher law. Cp. 324
οὐδ᾽
ὑπεύθυνος
κρατεῖ.
151.
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151.
τὰ
πρὶν
πελώρια : in a general sense; the
former powers
(τοὺς
Τιτάνας
καὶ
τοὺς
τούτων
νόμους, Schol.). The word
πελώρια is appropriate in refer- ence to the reign of the Titans. For the thought, cp. Ag. 168
οὐδ᾽
ὅστις
πάροιθεν
ἦν
μέγας,
παμμάχῳ
θράσει
βρύων,
οὐδὲ
λέξεται
πρὶν
ὤν. –
ἀιστοῖ :
the verb denotes absolute annihila- tion, so that a thing is neither seen nor heard of more: from
ἄϊστος, out of sight and mind.