1-127.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-1
1-127: Prologue
(πρόλογος).
88-127.
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88-127. Second Scene. Pro- metheus alone. With this invocation of the elements cp. Il. iii. 277
ἠέλιός
θ'
ὃς
πάντ᾽
ἐφορᾶς
καὶ
πάντ᾽
ἐπακούεις,
καὶ
ποταμοὶ
καὶ
γαῖα, Soph. Phil. 936&
λιμένες,
ὦ
προβλῆτες,
ὦ
ξυνουσίαι
θηρῶν
ὀρείων,
ὦ
καταρρῶγες
πέτραι,
ὑμῖν
τάδ',
οὐ
γὰρ
ἄλλον
οἶδ᾽
ὅτῳ
λέγω,
ἀνακλαίομαι. Apsines (Rhet. Gr. ed. Spengel I. p. 400) says:
κινεῖ
δὲ
ἔλεον
καὶ
λόγος
πρὸς
τόπον
τινὰ
γινόμενος.
101.
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101.
καίτοι
τί
φημι: 'se ipsum obiurgat Prometheus; et paulisper ob malorum magnitudinem naturae suae oblitus iam ad se redit' (Schütz).
θνητοῖς
γὰρ
γέρα –
προυξεπίσταμαι : as son of Themis. Ср. 209, 873.
102.
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102.
ποταίνιον: predicative; shall not come unexpected.
105.
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105.
ἀδήριτον: Il. xvii. 41
ἀλλ᾽
οὐ
μὰν
ἔτι
δηρὸν
ἀπείρητος
πόνος
ἔσται
λong
οὐδέ
τ᾽
ἀδήριτος. Here =
ἄμαχος
(ἀδή-
ριτον·
ἄμαχον,
ἀκατάμαχον, Hesych.). Cp.
ἀνίκητος,
ίnvictus. For the thought cp. Simon. Frg.
5,21 (Plat.
Prot.
345d)
ἀνάγκᾳ
δ᾽
οὐδὲ
θεοὶ
μάχονται, Soph. Ant. 1106
ἀνάγκῃ
δ᾽
οὐχὶ
δυσμαχητέον,
Ο.
C. 191
καὶ
μὴ
χρείᾳ
πολεμῶμεν, Eur. Iph.
Τ. 1486
τὸ
γὰρ
χρεὼν
σοῦ
τε
καὶ
θεῶν
κρατεῖ.
106.
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106.
οὔτε
σιγᾶν
οὔτε
μὴ
σιγᾶν : ex- plained by 197, whence we see that the motive for silence is the pain of speaking (not caution as in Ag. 548,
πάλαι
τὸ
σιγᾶν
φάρμακον
βλάβης
ἔχω). The scholiast wrongly explains,
ἀλλ᾽
οὔτε
σιγᾶν
δύναμαι
(ἀλγῶ
γὰρ)
οὔτε
ἐλέγ-
χειν·
εὐλαβοῦμαι
γὰρ
τὸν
Δία. Cp.Soph. Phil. 329
ὦ
παῖ
Ποίαντος,
ἐξερῶ,
μόλις
δ᾽
ἐρῶ,
ἅγωγ᾽
ὑπ᾿
αὐτῶν
ἐξελωβήθην
μολών.
107.
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107.
γέρα: see on
τιμάς, 30. — Here and in 821 we find the thesis of the fifth foot formed by the long final syllable of a word of more than one
syllable
(θνη-τοῖς). This is very rare in tragedy (H.
1091,5). It is excusa- ble when, as here, a distinct pause, in connexion with the caesura of the fourth foot (hephthemimeris), imme- diately precedes. See also on 648. ...
108.
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108.
ἀνάγκαις : said like
αἰκίαι 93. –
ἐνέζευγμαι : a favorite metaphor of Aeschylus. Cp. 578, 1009; Ag. 1639
τὸν
δὲ
μὴ
πειθάνορα
ζεύξω
βαρείαις (sc.
ζεύγλαις), 841
μόνος
δ᾽
Ὀδυσσεὺς
ζευχθεὶς
ἕτοιμος
ἦν
ἐμοὶ
σειραφόρος, Cho. 795
ζυγέντ᾽
ἐν
ἅρμασιν
πημάτων, also Ag. 218
ἀνάγκας
ἔδυ
λέπαδνον. Figures and comparisons drawn from husbandry and rural life are frequent in the tra- gedians. With our passage cp. Eur.
Οr. 1330
ἀνάγκης
εἰς
ζυγὸν
καθέσταμεν, Hipp. 1389
οἵαις
συμφοραῖς
συνεζύγης.
109.
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109.
ναρθηκοπλήρωτον:
τὴν
ἐν
νάρ-
θηκι
θησαυρισθεῖσαν,
παρόσον
τῷ
νάρθηκι
ἐχρῶντο
πρὸς
τὰς
ἐκζωπυρώσεις
τοῦ
πυρός, Hesych. The
νάρθηξ (ferula communis, in modern Greek
ἀνάρθη- kas) is an umbelliferous
reed-like plant, about four feet high; its stalk is filled with an acrid milky juice (habent fungosam intus me- dullam ut sambuci: Plin.). When dried it readily catches and preserves a spark of fire; the peas- ants of southern Italy use it as tinder. Cp. Phanias, Anthol. vi. 294
νάρθηξ
πυρικοίτας, also Theophr. Hist. Pl. vi. 2, 7, Plin. H. N. xiii. 22. 42. On the mythical significance of the narthex, see Introduction, p. 2. - This clause is properly explanatory of what goes before, nevertheless it is introduced by de as if it were a new and distinct statement. The scholiasts often ren- der this dé by
yap; an example is Cho. 239
προσαυδᾶν
δ᾽
ἔστ᾽
ἀναγκαίως
ἔχον, which is explanatory of the foregoing words
τέσσαρας
μοίρας
ἔχον
ἐμοί. –
θηρῶμαι: historical present. Krüger I. § 53, 1, 11; GMT. 33.
110.
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110 f.
διδάσκαλος
τέχνης
πάσης : see on 7. -
πόρος : absolute, as in 477.
112.
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112.
τοιώνδε
ποινὰς
ἀμπλακημάτων: ср. 564, 620.
113.
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113.
ὑπαιθρίοις: explains
προυσε-
λούμενος; the insult of the punish- ment consists in its publicity, See also 158. Prometheus lays stress on the ignominious nature of his punish- ment, 97, 177, 195, 227, 256, 438, 525. For the connexion of
ὑπαιθρίοις and
δεσμοῖσι, see on
ἀφεγγής 115. –
πρου-
σελούμενος: this word recurs 438; it is found elsewhere only in Ar. Ran. 730
(προυσελοῦμεν). Cp. Etym. Mag. p. 690, 11
προυσελεῖν
λέγουσι
τὸ
ὑβρί-
ζειν. It is therefore equivalent to
αἰκίζομαι, the word employed in most of the similar passages of this play (cp. Hesych.
προυγελεῖν·
προπηλακί-
ζειν,
ὑβρίζειν). The etymology of the word is unknown: it has been proposed to derive it from
προσεέλ-
λειν, on the supposition that the digamma, falling out after o, has lengthened the preceding syllable, as in
θεουδής
(θεοδρής).
114-127 announce the approach of the chorus and accompany (from 120 on) the movements of the winged chariot. Similarly in the Electra of Sophocles anapaests of Electra ac- company the entrance of the chorus.
114.
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114. A rush or whir is heard in the air. -ad:
ἐκπλήξεως
ἐπιρρήματα, Schol. Ce mélange de douleur et d'effroi, de faiblesse et de fermeté me paraît tout à fait admirable' (Patin).
115.
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115. The bacchic rhythms express surprise and amazement.
·ὀδμά: an odor of the sea is supposed to pre- cede the nymphs, in whose costume seaweed, shells, etc., may well have been prominent. Cp. Eur. Hipp. 1391
ἔα·
ὦ
θεῖον
ὀδμῆς
πνεῦμα·...
ἔστ᾽
ἐν
τόποισι
τοισίδ᾽
῎Αρτεμις
θεά, Verg. Aen. i. 403 ambrosiaeque comae di- vinum vertice odorem spira- vere. -
προσέπτα: cp. Plaut. Amphitr. 325 vox mi ad auris advo- lavit. The verb, in a somewhat different sense, is joined with the da- tive in 555 and 644. –
ἀφεγγής: (here nearly =
ἀφανής) is, by a figure com- mon in the poets, connected with
ἀχώ and
ὀδμά, whereas it is properly an epithet of the object from which they emanate. - For the situation cp. Soph. Phil. 203
προυφάνη
κτύπος
βάλλει
μ᾽
ἐτύμα
φθογγά
του.
116.
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116.
θεόσυτος: the tribrach in the first foot generally, in Aeschylus, con- sists of a single word of three sylla- bles, as in 666. Here and 817 it is the first part of a longer word: the remaining cases of this are Sept. 272
πεδιονόμοις,
Eum. 806
λιπαροθρόνοισιν, Frg. 195, 2
βορεάδας. - Compounds in
-συτος and in -puros either double the medial o or p, or do not double it, according to the requirements of the verse: cp. 643. With
θεόσυτος
ή
βρότειος cp. 765. –
κεκραμένη :
ἡμιθέων, Schol. Demigods according to the later conception are not meant, but beings who, like the Oceanids, stand midway between the higher (celestial) gods and the human race: cp. 529 f., 902. For the expression cp. Eur. Cycl. 218
μήλειον
ἢ
βόειον
ἢ
μεμιγμένον ;
117.
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117. The rhythm (dochmius and cretic) indicates painful emotion. The question "Who can it be" (115, 116) is followed by the conjecture that the person in question comes as an unwel- come spectator of his sufferings. The reason of this conjecture is suggested by the opening words,
ἵκετο
τερμόνιον
ἐπὶ
πάγον (“a cliff at the end of the world"). –
ἵκετο : is he come; the sub- ject is the unknown newcomer; not
θεωρός, which expresses the motive of the coming. -
τερμόνιον: this adjective occurs only here: it is formed from
τέρμων, while
τέρμιος is from
τέρμα.
118.
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118.
ἢ
τί
δὴ
θέλων : cp. Soph. Trach. 390
ἡμεῖς
δὲ
προσμένωμεν;
ἢ
τί
χρὴ
ποιεῖν;
119.
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119.
ετάρο: said with reference to
<ε
θεωρός. The imperative has the sense of
ὁρᾶν
πάρα.
120.
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120 f. The iambi again give place to anapaests; see on 93. The speaker is outraged at the thought of becom- ing a spectacle for others; cp. 156. -
πᾶσι
θεοῖς
δι᾽
ἀπεχθείας
ἐλθόντα: cp. Eur. Hipp. 1164
δι᾽
ἔχθρας
μῶν
τις
ἦν
ἀφιγμένος, Phoen. 479
καὶ
μὴ
δι᾽
ἔχθρας
τῷδε
καὶ
φόνου
μολών,
Η. F. 220
Μι-
νύαισι
πᾶσι
διὰ
μάχης
μολών, Iph.
Α. 1392 similarly, Androm. 416
πατρὶ
τῷ
σῷ
διὰ
φιλημάτων
ἰών, Soph. Ant. 742
διὰ
δίκης
ἰὼν
πατρί, Ar. Ran. 1412
οὐ
γὰρ
δι᾽
ἔχθρας
οὐδετέρῳ
γενήσομαι, [Plato] Theag. 130 b
μοι
δι᾽
ἀπεχθείας
ἐν
λόγοις
τισὶν
ἐγεγόνει. These com- binations of a verb of motion with
διά arose from the local meaning of the preposition. Krüger I. § 68, 22, 2.
122.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-96
122.
αὐλήν: cp. Od. iv. 74
Ζηνός
που
τοιήδε
γ᾽
Ὀλυμπίου
ἔνδοθεν
αὐλή.
εἰσοιχνεῦσιν : Ionic contraction, like
πωλεύμεναι 645; used because
οἰχνέω and
πωλέομαι are epic words. Cp. Eur. Med. 422
ὑμνεῦσαι, Hipp. 167
ἀΰτευν,
Ιph.
Α. 789
μυθεῦσαι. Cp. also Ag. 942
δήριος (from the Ionic
δῆρις).
124.
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124 ff.
κινάθισμα:
κίνημα
πλήθους, Hesych. –
οἰωνῶν : the chorus is now so near that Prometheus can distin- guish the sound of wings. -
ἐλαφραῖς
πτερύγων
ῥιπαῖς:
cp. Eur. Frg. 597
ταῖς
ὠκυπλάνοις
πτερύγων
ῥιπαῖς. –
ὑπο-
συρίζει: this does not mean leniter stridet (Blomfield), but
ὑπο- ex- presses the idea of accompaniment, as in
ὑπάδειν,
ὑποστεναχίζειν,
ὑπορχεῖ-
σθαι,
ὑπηχεῖν, succinere.
127.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-98
128-192.
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128-192. Parodos. It is com- matic, that is, divided between actor and chorus. The chorus enter in a winged car
(ὄχῳ
πτερωτῷ 135,
κραι-
πνόσυτον
θᾶκον 279), moved by the- atrical machinery. The car, advancing from the right side, has gradually approached Prometheus. It is seen by the spectators while still invisible to Prometheus, who can only look straight before him. At 124 the chorus are already very near, and they hear the words of 127
(φοβερόν). - The
᾿Ωκεανίδες are daughters of Oceanus and Tethys; see Hesiod Theog. 362. Hesiod (ibid. 346) enum- erates
forty-one by name, and adds
πολλαί
γε
μέν
εἶσι
καὶ
ἄλλαι,
τρὶς
γὰρ
χίλιαί
εἰσι
τανύσφυροι
Ωκεανῖναι. Aes- chylus's chorus consisted of twelve persons. The first strophe gives the motive of the chorus for coming; this is what an unknown grammarian (in the hypothesis to the Persians) calls '
παροδικά,
ὅτε
λέγει (sc.
ὁ
χορός)
δι᾽
ἣν
αἰτίαν
πάρεστιν.' - The rhythms (
ῥυθμὸς
᾿Ανακρεόντειός
ἐστι
κεκλασμένος
πρὸς
τὸ
θρηνητικόν, Schol.) are in keeping with the sorrowful tone of the composition (see 144 ff.); they
are furthermore especially appropri- ate to a female chorus.
128.
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128.
τάξις: said like
στάσις
Εum. 311
ὡς
ἐπινωμᾷ
στάσις
ἁμά, Cho. 458
στάσις
δὲ
πάγκοινος
ἅδ᾽
ἐπιρροθεῖ.
129.
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129.
πτερύγων
ἁμίλλαις : =
πτέρυξιν
ἁμιλλωμέναις. Cp. 147. The emula- tion is between the wings of the right and left sides of the car, which are imagined as striving to outdo one another. Cp. Soph. Ant. 1065
τροχοὺς
ἁμιλλητῆρας
ἡλίου.
131.
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131.
μόγις: 'Quod se patri aegre persuasisse dicunt, ut iis commeatum daret, id e vetere sexus muliebris, vir- ginum inprimis disciplina iudican- dum. Sic paedagogus Antigones apud Euripidem (Phoen. 89) viam circumspicit, verens ne quis in publi- cum prodeuntem regis filiam vitu- peret' (Schütz). Cp. Suppl. 996
ὑμᾶς
δ᾽
ἐπαινῶ
μὴ
καταισχύνειν
ἐμὲ
ὥραν
ἐχούσας
τήνδ᾽
ἐπίστρεπτον
βροτοῖς,
κτἑ. –
παρειποῦσα: cp. Il. vi. 62; vii. 120
ὡς
εἰπὼν
παρέπεισεν
ἀδελφειοῦ
φρένας
ἥρως
αἴσιμα
παρειπών. See also Il. i. 555, vi. 337, Hes. Theog. 90
μαλακοῖσι
παραιφάμενοι
ἐπέεσσιν. Grammatically
παρειποῦσα can be taken with
τάξις,
130. 135.
our
maiden
s
mydeply of
grave
infert but in thought it stands as if
ἐγὼ
προσέβην had preceded. See on 201.
132.
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132.
κραιπνοφόροι
αύραι: that is, "and I came with great haste."
133.
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133.
ἐκ
δ᾽
ἔπληξε:
δέ is often put between preposition and verb (tme- sis). Krüger II. § 68, 48, 1.
ἐξέπληξε, here and 360, is not wholly figurative, but is chosen with reference to the actual nature of the cause (here the blows). Cp. 370; Ag. 480
φλογὸς
παρ-
αγγέλμασιν
νέοις
πυρωθέντα
καρδίαν.
134.
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134.
θεμερώπιν: Empedocles 23
Δῆρις
δ᾽
αἱματόεσσα
καὶ
῾Αρμονίη
θεμε-
ρώπις. Hesychius interprets
θεμερῶπις
(αἰδώς)·
ἐρασμία
αἰσχύνη, but this is inexact, for
θεμερός (from the root
06-) means settled, tranquil, sedate; cp. Hesych.
θεμερή·
βεβαία,
σεμνή,
εὐστα-
θής; also the words
θέμα,
θέμεθλον,
θεμοῦν. Accordingly
θεμερῶπις
αἰδώς is the modesty which makes maidens quiet and sedate. Its opposite is im- plied in
σύθην
ἀπέδιλος.
135.
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135.
σύθην: the tragedians omit the syllabic augment not infrequently in lyric passages and in the narratives
of messengers. The temporal aug- ment is much less often omitted; yet
see
ἐρέθισε 181. –
ἀπέδιλος: the scholi- ast cites Hesiod O. D. 345
γείτονες
ἄζωστοι
ἔκιον. Cp. Soph. El. 871
ὑφ'
ἡδονῆς
τοι,
φιλτάτη,
διώκομαι
τὸ
κόσμιον
μεθεῖσα
σὺν
τάχει
μολεῖν,
Theocr. Id. xix. 36
ἄνστα
μηδὲ
πόδεσσιν
ἐοῖς
ὑπὸ
σάνδαλα
θείης (Bion i. 19 &
δ'
᾿Αφροδίτα
λυσαμένα
πλοκαμίδας
ἀνὰ
δρυμὼς
ἀλά-
ληται
πενθαλέα
νήπαστος
ἀσάνδαλος), Apoll. Rhod. iv. 43
γυμνοῖσιν
δὲ
πό-
δεσσιν
ἀνὰ
στεινοὺς
θέεν
οἴμους (said of Medea). -
ὄχῳ
πτερωτῷ: winged chariots are not rare in ancient art: cp. for instance
Müller-Wieseler, Denkmäler der alten Kunst, Vol. II. Plate ix. n. 110, Plate x.
п. 111, 112, where Triptolemus is seen mounted on a car furnished with swan's wings.
137.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-107
137.
πολυτέκνου: see on 128. Cp. Il. xiv. 201
Ωκεανόν
τε,
θεῶν
γένεσιν,
καὶ
μητέρα
Τηθύν.
138.
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138.
περὶ
πᾶσαν
εἰλισσομένου
χθόνα : cp.
ἀψορρόου
Ὠκεανοῖο Il. xviii. 399, Od. xx. 65. Cp. also
150. Ovid Fast. v. 81 duxerat Oceanus quondam Titanida Tethyn, qui terram liquidis qua patet ambit aquis. For the form
εἱλισσομένου see on 345.
139.
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139.
ἀκοιμήτῳ
ῥεύματι : cp. Il. xiv. 244
ἄλλον
μέν
κεν
ἔγωγε (the speaker is Sleep)
θεῶν
αἰειγενετάων
ῥεῖα
κατευ-
νήσαιμι
καὶ
ἂν
ποταμοῖο
ῥέεθρα
᾿Ὠκεανοῦ,
ὅς
περ
γένεσις
πάντεσσι
τέτυκται.
141.
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141 f. Synonyma haec vehemen- tiam commoti animi produnt' (Schütz). –
προσπορπατός: cp. 61.
143.
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143.
φρουρὰν
ὀχήσω: see
on
φρου-
ρήσεις, 31.
ὀχεῖν = sustinere, as in Od. vii. 211
ὀχέοντας
ὀιζύν,
xi. 618
κακὸν
μόρον,
ὅν
περ
ἐγὼν
ὀχέεσκον
ὑπ᾿
αὐγὰς
ἠελίοιο, xxi. 302
ἣν
ἄτην
ὀχέων
ἀεσίφρονι
θυμῷ. –
ἄζηλον: cp.
ἀτερπῆ 31,
ἀμέγαρτα 402; and Cho. 1017
ἄζηλα
νίκης
τῆσδ᾽
ἔχων
μιάσματα.
145.
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145.
πλήρης
δακρύων: like a rain- cloud. Cp. Sept. 228
χαλεπᾶς
δύας
ὕπερθ᾽
ὀμμάτων
κρημναμενᾶν
νεφελᾶν,
Soph. Ant. 528
νεφέλη
δ᾽
ὀφρύων
ὕπερ
αἱματόεν
ῥέθος
αἰσχύνει
τέγγουσ᾽
εὐῶπα
παρειάν, Eur. Hipp. 173
στυγνὸν
δ᾽
ὀφρύων
νέφος
αὐξάνεται, Antiphanes in Meineke Com. iii. p. 197
τὸ
προσὸν
νῦν
νέφος
ἐπὶ
τοῦ
μετώπου, Hor. Epist. i. 18,94 deme supercilio nubem. The figure was used by Homer Il. xvii. 591
τὸν
δ' (Hector)
ἄχεος
νεφέλη
ἐκάλυψε
μέλαινα. —
εἰσιδοῦσαν : the accusative follows the dative
ἐμοῖσιν
ὄσσοις as Cho. 410
πέπαλται
δ᾽
αὐτέ
μοι
φίλον
κέαρ
τόνδε
κλύουσαν
οἶκτον, Pers. 913
λέλυται
γὰρ
ἐμῶν
γνίων
ῥώμη
τήνδ'
ἡλικίαν
ἔσιδόντα, Soph.
Εl. 479
ὕπεστί
μοι
θράσος
ἁδυπνόων
κλύουσαν
ἀρτίως
ὀνειράτων,
Αἰ. 1006
ποῖ
γὰρ
μολεῖν
μοι
δυνατὸν
τοῖς
σοῖς
ἀρήξαντ᾽
ἐν
πόνοισι
μηδαμοῦ. The reverse change (from acc. to dat.) in Eur. Med. 57
ὥσθ᾽
ἵμερός
μ᾽
ὑπῆλθε...
λέξαι
μολούσῃ.
146.
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146.
πέτρα
προσαυαινόμενον : =
πρὸς
πέτρᾳ
αὐαινόμενον. Cp. Soph. Phil. 954
αὐανοῦμαι
τῷδ᾽
ἐν
αὐλίῳ
μόνος,
Εl. 819
αὐανῶ
βίον. – With
αὐαινόμενον
λύμαις ср. 93.
147.
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147.
ἀδαμαντοδέτοισι
λύμαις: nearly equivalent to
ἀδαμαντίνοις
δεσμοῖς
λυ-
μαντηρίοις (991). Cp. 580
οἰστρηλάτῳ
δείματι, Theocr. Epigr. xiii. 4
κηροδέτῳ
πνεύματι.
148.
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148.
γάρ: the chorus explains to itself the reason of Prometheus's
155 maltreatment. —
οἰακονόμοι : Zeus is meant. Sic et nos: denn jetzt sitzen neue Herrn am Ruder, quamvis de uno tantum sermo sit' (Schütz). For the figure cp. Sept. 2
ὅστις
φυλάσ-
σει
πρᾶγος
ἐν
πρύμνῃ
πόλεως
οἴακα
νωμῶν, ibid. 62, Pers. 767; also 515 below.
150.
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150.
νόμοις :
νόμοι are changeable laws, made by temporal authorities (cp. Sept. 1070
πόλις
ἄλλως
ἄλλοτ᾽
ἐπαινεῖ
τὰ
δίκαια), in distinction to
θεσμοί, immutable statutes, based upon eternal right. —
ἀθέτως·
ἀθέσμως,
οὐ
συγκατατεθειμένως, Hesych. That is, Zeus issues ordinances in his own right (186), without acknowledging the authority of a higher law. Cp. 324
οὐδ᾽
ὑπεύθυνος
κρατεῖ.
151.
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151.
τὰ
πρὶν
πελώρια : in a general sense; the
former powers
(τοὺς
Τιτάνας
καὶ
τοὺς
τούτων
νόμους, Schol.). The word
πελώρια is appropriate in refer- ence to the reign of the Titans. For the thought, cp. Ag. 168
οὐδ᾽
ὅστις
πάροιθεν
ἦν
μέγας,
παμμάχῳ
θράσει
βρύων,
οὐδὲ
λέξεται
πρὶν
ὤν. –
ἀιστοῖ :
the verb denotes absolute annihila- tion, so that a thing is neither seen nor heard of more: from
ἄϊστος, out of sight and mind.
152.
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152.
νέρθεν
"Αιδου: with emphasis, nay, under very Hades. That is, into
Tartarus, following the conception of
11. viii. 13
ἤ
μιν
ἑλὼν
ῥίψω
ἐς
Τάρτα-
ρον
ἠερόεντα, ...
τόσσον
ἔνερθ᾽
᾿Αίδεω
ὅσον
οὐρανός
ἐστ᾿
ἀπὸ
γαίης (whereas in Eum. 72
Τάρταρόν
θ᾽
ὑπὸ
χθονός, Tar- tarus is equivalent to Hades). Into Tartarus the other Titans had been thrown: Il. viii. 481; Hesiod Theog. 719
τόσσον
ἔνερθ᾽
ὑπὸ
γῆς
ὅσον
οὐρανός
ἐστ᾿
ἀπὸ
γαίης·
ἶσον
γάρ
τ᾽
ἀπὸ
γῆς
ἐς
Τάρταρον
ἠερόεντα.
153.
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153 f.
τοῦ
νεκροδέγμονος : cp. Sept. 860
πάνδοκον
εἰς
ἀφανῆ
τε
χέρσον, Suppl. 157
τὸν
πολυξενώτατον
Ζῆνα
τῶν
κεκμηκότων. In Hom. Hymn v. 9, 17, 430, Hades is called
Πολυδέκτης and
Πολυδέγμων. Cp.
οἰστοδέγμονα
θησαυρόν Pers. 1020. –
ἀπέραντον : see 1078.
δεσμοῖς
πελάσας : " and had put me in bonds there as here." For the expression
δεσμοῖς
πελάσας cp. Eur. Alc. 229
βρόχῳ
δέρην
οὐρανίῳ
πελάσσαι, also
ΙΙ.
ν. 766
κακῆς
ὀδύνῃσι
πελάζειν.
156.
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156.
μήτε
τις
ἄλλος: Prometheus shrinks from the mention of man- kind. For the position of ris see on
165. 21.- Nothing, to the unfortunate, is so hard to bear as the malicious exultation of their enemies.
Ср. Il. iii. 51; vi. 82; x. 193; Hesiod O. D. 701, Aesch. Pers. 1034, Soph. Ai. 382, Ant. 647, Eur. Med. 383.
157.
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157.
ὡς . . .
ἐπεγήθει: cp. 749; Cho. 195
εἴθ᾽
εἶχε
φωνὴν ...
ὅπως
δίφροντις
οὖσα
μὴ
᾿κινυσσόμην. GMT. 333.
ἐπι-
γηθεῖν, like
ἐπιχαίρειν (cp. 158
ἐπί-
χαρτα, 160
ἐπιχαρῆ) signifies
τὸ
συν-
επιγελᾶν
τοῖς
ἀλλοτρίοις
κακοῖς.
158.
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158.
κίνυγμα: Eustathius on Il. iv. 281 says,
τοῦ
δὲ
κινύω
αὖθις
παράγω-
γον
τὸ
κινύσσω·
ἐξ
οὗ
παρ᾿
Αἰσχύλῳ
αἰθέριον
κίνυγμα,
τὸ
ἀέριον
εἴδωλον. It is formed like
αἴθυγμα from
αἰθύσσω,
αἴνιγμα from
αἰνίττομαι. Cp. Cho. 196
ἐκινυσσόμην, might be driven this way and that, might waver.
αἰθέριον
κίνυγμα (oscillum) is a thing waving in
mid-air. It applies to Prometheus in that he hangs in the open air with nothing for his feet to rest on.
161.
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161.
συνασχαλᾷ: from
συνασχα-
λάω, whereas
συνασχαλῶν 303 is future of
συνασχάλλω. Cp. Isocr. Iv. 181
συνοργισθῆναι
τοῖς
ἀδικηθεῖσιν, also
συμ-
πονεῖν 274 below, and
συγχαίρειν,
συνή-
δεσθαι. In all these,
συν- denotes sympathy with grief or joy.
162.
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162. The ancient form
τεός for
σός occurs now and then in the lyric por- tions of tragedy. In Aeschylus twice besides this place, Sept. 105, Frg. 66. Only the melic trimeter (162 = 181) admits, in Aeschylus, three resolutions in a single verse. Cp. Suppl. 111 = 123, Ag. 485, Cho. 44 = 55. A tribrach in the second foot is found in only one other verse of this play (715), and there in a proper name.
163.
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163.
θέμενος: cp. Il. ix. 629
ἄγριον
ἐν
στήθεσσι
θέτο
μεγαλήτορα
θυμόν, Tyrtaeus Frg. 11, 5
ἐχθρὰν
μὲν
ψυ-
χὴν
θέμενος, Theogn. 89
ἀλλὰ
φίλει
καθαρὸν
θέμενος
νόον
ἤ
μ᾿
ἀποειπὼν
ἔχθαιρε. –
ἄγναμπτον: instead of this, the metre demands a word which shall form two iambi. Cp. the anti- strophe 182. Probably H. L. Ahrens's conjecture,
ἀκνάμπετον, is to be received (cp.
ἄπευκτος and
ἀπεύχετος,
καμψίπους and
καμπεσίγουνος,
παναρκής and
πανάρκετος). With
ἄγναμπτον
νόον cp. Il. xxiv. 41
οὐδὲ
νόημα
γναμπτὸν
ἐνὶ
στήθεσσι. 170.
175
164.
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164 f.
δάμναται : an epic word; ac- tive in sense here and Od. xiv. 487
ἀλλά
με
χεῖμα
δάμναται, passive Suppl. 904, as in the Iliad. –
Οὐρα-
νίαν
γένναν : the race of Uranus. Cp. 205, and Frg. III. of the
Προμηθεὺς
λυόμενος below, Titanum suboles generata Caelo; also Il. v. 898
Οὐρανιώνων.
Οὐρανίαν is said like Ag. 83
Τυνδαρέα
θύγατερ, ibid. 1499
᾿Αγα-
μεμνονίαν
ἄλοχον,
Il.
xiv. 317
Ιξιονίης
ἀλόχοιο. See also 590 below.