Lucian, De saltatione, ed. Austin Morris Harmon, 64

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Λυκῖνος

ἐπεὶ δὲ κατὰ τὸν Νέρωνά ἐσμεν τῷ λόγῳ, βούλομαι καὶ βαρβάρου ἀνδρὸς τὸ ἐπὶ τοῦ αὐτοῦ ὀρχηστοῦ γενόμενον εἰπεῖν, ὅπερ μέγιστος ἔπαινος ὀρχηστικῆς γένοιτʼ ἄν. τῶν γὰρ ἐκ τοῦ Πόντου βαρβάρων βασιλικός τις ἄνθρωπος κατά τι χρέος ἥκων ὡς τὸν Νέρωνα ἐθεᾶτο μετὰ τῶν ἄλλων τὸν ὀρχηστὴν ἐκεῖνον οὕτω σαφῶς ὀρχούμενον ὡς καίτοι μὴ ἐπακούοντα τῶν ᾀδομένων — ἡμιέλλην γάρ τις ὢν ἐτύγχανεν — συνεῖναι ἁπάντων. καὶ δὴ ἀπιὼν ἤδη ἐς τὴν οἰκείαν,¹ τοῦ Νέρωνος δεξιουμένου καὶ ὅ τι βούλοιτο αἰτεῖν κελεύοντος καὶ δώσειν ὑπισχνουμένου, τὸν ὀρχηστήν, ἔφη, δοὺς τὰ μέγιστα εὐφρανεῖς. τοῦ δὲ Νέρωνος ἐρομένου, τί ἄν σοι χρήσιμος γένοιτο ἐκεῖ; προσοίκους, ἔφη, βαρβάρους ἔχω, οὐχ ὁμογλώττους, καὶ ἑρμηνέων οὐ ῥᾴδιον εὐπορεῖν πρὸς αὐτούς. ἢν οὖν τινος δέωμαι, διανεύων οὗτος ἕκαστά μοι ἑρμηνεύσει. τοσοῦτον ἄρα καθίκετο αὐτοῦ ἡ μίμησις τῆς ὀρχήσεως ἐπίσημός τε καὶ σαφὴς φανεῖσα.

De saltatione. Lucian. ed. Austin Morris Harmon. Medford, MA. Perseus 4.0.

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Current edition Perseus

Περὶ Ὀρχήσεως (Greek) (Lucian, Vol. 5. Harmon, Austin Morris, editor. London: William Heinemann, Ltd.; Cambridge, MA: Harvard University Press, 1936 (printing).)

Translations (2)

The Dance Perseus (Lucian, Vol. 5. Harmon, Austin Morris, editor. London: William Heinemann, Ltd.; Cambridge, MA: Harvard University Press, 1936 (printing).) — 64 focus

[64] Since we are under Nero in fancy, I wish to tell the remark of a barbarian concerning the same dancer, which may be considered a very great tribute to his art. One of the barbarians from Pontus, a man of royal blood, came to Nero on some business or other, and among other entertainments saw that dancer perform so vividly that although he could not follow what was being sung—he was but half Hellenised, as it happened—he understood every- thing. So when it came to be time for him to go back to his own country, Nero, in saying good-bye, urged him to ask for anything that he wanted, and promised to give it him. “If you give me the dancer,’ said he, “you will please me mightily!” When Nero asked, “What good would he be to you there?”, he replied, “I have barbarian neighbours who do not speak the same language, and it is not easy to keep supplied with interpreters for them. If I am in want of one, therefore, this man will interpret everything for me by signs.” So deeply had he been impressed by that disclosure of the distinctness and lucidity of the mimicry of the dance.

Of Pantomime Perseus (The Works of Lucian of Samosata, Vol. 2. Fowler, Henry Watson and Fowler, Francis George, translators. Oxford: Clarendon Press, 1905.) — 64 focus

[64] And before we leave Nero’s times, I must tell you of the high tribute paid to the art by a foreigner of the royal family of Pontus, who was visiting the Emperor on business, and had been among the spectators of this same pantomime. So convincing were the artist’s gestures, as to render the subject intelligible even to one who (being half a Greek) could not follow the vocal accompaniment. When he was about to return to his country, Nero, in taking leave of him, bade him choose what present he would have, assuring him that his request should not be refused. ‘Give me,’ said the Pontian, ‘your great pantomime; no gift could delight me more.’ ‘And of what use can he be to you in Pontus?’ asked the Emperor. ‘I have foreign neighbours, who do not speak our language; and it is not easy to procure interpreters. Your pantomime could discharge that office perfectly, as often as required, by means of his gesticulations.? So profoundly had he been impressed with the extraordinary clearness of pantomimic representation.

Notes on the current edition

Περὶ Ὀρχήσεως

1. οἰκίαν MSS, corrected by Jacobitz.

Lucian De saltatione 64

ed. Austin Morris Harmon

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