[23] Therefore, you amazing fellow, take care that it isn’t impious to denounce a practice at once divine and mystic, cultivated by so many gods, performed in their honour, and affording at once amusement and profitable instruction in such degree!
Another thing surprises me in you, since I know that you are a great lover of Homer and Hesiod—I am going back, you see, to the poets once more— how you dare contradict them when they praise dancing above all things else. When Homer enumerated all that is sweetest and best—sleep, love, song, and dance
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—it was this alone that he called “blameless,” and what is more, he ascribes sweetness to song; but both these things pertain to the dancer’s art, both dulcet song and blameless dancing—which you now take it into your head to blame! And again, in another part of his poetry:
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The Theogony.
Singing combined with dancing does in truth stir the heart-strings, and it is the choicest gift of the gods. Also, it appears that in classifying all activities under two heads, war and peace, Homer has set off against those of war these, and: these only, as peerless.
One man getteth from God the gift of achievement in warfare,
One, the art of the dance, and song that stirreth the heart-strings.
De saltatione. Lucian of Samosata. Austin Morris Harmon (Translator). United States. Perseus 5.0.
Funding provided by National Endowment for the Humanities.