Lucian, Pro imaginibus, ed. Austin Morris Harmon, 21

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Λυκῖνος

οὐ μόνον δὲ τοῦτο ἑκατέρου αὐτῶν γνώρισμά ἐστιν, τὸ τοὺς μὲν κόλακας οὐκ ὀκνεῖν καὶ ψεύδεσθαι τοῦ χαρίσασθαι ἕνεκα τοῖς ἐπαινουμένοις, ἐξαίρειν δὲ τοὺς ἐπαινοῦντας τὰ ὑπάρχοντα πειρᾶσθαι· ἀλλὰ κἀκείνῳ οὐ μικρῷ διαλλάττουσιν, ὅτι οἱ μὲν κόλακες, ἐφʼ ὅσον οἷόν τε αὐτοῖς, χρῶνται ταῖς ὑπερβολαῖς, οἱ ἐπαινοῦντες δὲ καὶ ἐν αὐταῖς ταύταις σωφρονοῦσιν καὶ ἐντὸς τῶν ὅρων μένουσιν.

ταῦτά σοι ἀπὸ πολλῶν ὀλίγα κολακείας καὶ ἐπαίνου ἀληθοῦς δείγματα, ὡς μὴ πάντας ὑποπτεύσῃς τοὺς ἐπαινοῦντας, ἀλλὰ διακρίνῃς καὶ παραμετρῇς τῷ οἰκείῳ μέτρῳ ἑκάτερον.

Pro imaginibus. Lucian. ed. Austin Morris Harmon. Medford, MA. Perseus 4.0.

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Ὑπὲρ τῶν Εἰκόνων (Greek) (Lucian, Vol. 4. Harmon, Austin Morris, editor. London: William Heinemann, Ltd.; Cambridge, MA: Harvard University Press, 1925 (printing).)

Translations (2)

Essays in Portraiture Defended Perseus (Lucian, Vol. 4. Harmon, Austin Morris, editor. London: William Heinemann, Ltd.; Cambridge, MA: Harvard University Press, 1925 (printing).) — 21 focus

[21] That flatterers do not hesitate to lie for the sake of pleasing the objects of their praise, whereas those who really praise try to magnify what actually exists, is not the only distinguishing mark of each. They differ in a further point, and not a trivial one, that flatterers use hyperbole to the full extent of their powers, while those who really praise are discreet in precisely that particular and remain within their bounds.

These are a few out of many earmarks of flattery and of genuine praise which I give you so that you may not suspect all who praise you, but may distinguish between them and gauge each by his proper standard.

Defence of the ‘portrait-study’ Perseus (The Works of Lucian of Samosata, Vol. 3. Fowler, Henry Watson and Fowler, Francis George, translators. Oxford: Clarendon Press, 1905.) — 21 focus

[21] There you have one criterion: flatterers do not draw the line at a lie if it will please their patrons; panegyrists aim merely at bringing into relief what really exists. But there is another great difference: the flatterers exaggerate as much as ever they can; the panegyrists in the midst of exaggeration observe the limitations of decency. And now that you have one or two of the many tests for flattery and panegyric proper, I hope you will not treat all praise as suspect, but make distinctions and assign each specimen to its true class.

Lucian Pro imaginibus 21

ed. Austin Morris Harmon

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