Lucian of Samosata, Anacharsis, Austin Morris Harmon (Translator), 23

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[23]

ANACHARSIS

I have seen the tragedians and comedians that you are speaking of, Solon, if I am not mistaken; they¹ had on heavy, high footgear, clothing that was gay with gold stripes, and very ludicrous head- pieces with great, gaping mouths; they shouted loudly from out of these, and strode about in the footgear, managing somehow or other to do it safely. The city was then holding a feast, in honour, I think, of Dionysus. The comedians were shorter, nearer to the common level, more human, and less given to shouting, but their headpieces were far more ludicrous. In fact the whole audience laughed at them; but they all wore long faces while they listened to the tall fellows, pitying them, I suppose, because they were dragging such clogs about!

SOLON

It was not the actors that they pitied, my dear fellow. No doubt the poet was presenting some calamity of old to the spectators and declaiming mournful passages to the audience by which his hearers were moved to tears. Probably you also saw flute-players at that time, and others who sang in concert, standing in a circle. Even singing and flute-playing is not without value, Anacharsis. By all these means, then, and others like them, we whet their souls and make them better.

Anacharsis. Lucian of Samosata. Austin Morris Harmon (Translator). United States. Perseus 5.0.

Funding provided by National Endowment for the Humanities.

Current edition Perseus

Anacharsis, or Athletics (English) (Lucian, Vol. 4. Harmon, Austin Morris, editor. London: William Heinemann, Ltd.; Cambridge, MA: Harvard University Press, 1925 (printing).)

Editions (1)

Ἀνάχαρσις ἢ Περὶ Γυμνασίων Perseus (Lucian, Vol. 4. Harmon, Austin Morris, editor. London: William Heinemann, Ltd.; Cambridge, MA: Harvard University Press, 1925 (printing).) — 23 focus

Ἀνάχαρσις

εἶδον, ὦ Σόλων, οὓς φὴς τοὺς τραγῳδοὺς καὶ κωμῳδούς, εἴ γε ἐκεῖνοί εἰσιν, ὑποδήματα μὲν βαρέα καὶ ὑψηλὰ ὑποδεδεμένοι, χρυσαῖς δὲ ταινίαις τὴν ἐσθῆτα πεποικιλμένοι, κράνη δὲ ἐπικείμενοι παγγέλοια κεχηνότα παμμέγεθες· αὐτοὶ δὲ ἔνδοθεν μεγάλα τε ἐκεκράγεσαν καὶ διέβαινον οὐκ οἶδʼ ὅπως ἀσφαλῶς ἐν τοῖς ὑποδήμασιν. Διονύσῳ δὲ οἶμαι τότε ἡ πόλις ἑώρταζεν. οἱ δὲ κωμῳδοὶ βραχύτεροι μὲν ἐκείνων καὶ πεζοὶ καὶ ἀνθρωπινώτεροι καὶ ἧττον ἐβόων, κράνη δὲ πολὺ γελοιότερα. καὶ τὸ θέατρον γοῦν ἅπαν ἐγέλα ἐπʼ αὐτοῖς· ἐκείνων δὲ τῶν ὑψηλῶν σκυθρωποὶ ἅπαντες ἤκουον, οἰκτείροντες, οἶμαι, αὐτοὺς πέδας τηλικαύτας ἐπισυρομένους.

Σόλων

οὐκ ἐκείνους, ὦγαθέ, ᾤκτειρον, ἀλλὰ ποιητὴς ἴσως ἀρχαίαν τινὰ συμφορὰν ἐπεδείκνυτο τοῖς θεαταῖς καὶ ῥήσεις οἰκτρὰς ἐτραγῴδει πρὸς τὸ θέατρον ὑφʼ ὧν εἰς δάκρυα κατεσπῶντο οἱ ἀκούοντες. εἰκὸς δέ σε καὶ αὐλοῦντας ἑωρακέναι τινὰς τότε καὶ ἄλλους συνᾴδοντας ἐν κύκλῳ συνεστῶτας. οὐδʼ αὐτά, ὦ Ἀνάχαρσι, ἀχρεῖα ᾄσματα καὶ αὐλήματα.

τούτοις δʼ οὖν ἅπασι καὶ τοῖς τοιούτοις παραθηγόμενοι τὰς ψυχὰς ἀμείνους ἡμῖν γίγνονται.

Translations (1)

Anacharsis, a Discussion of Physical Training Perseus (The Works of Lucian of Samosata, Vol. 3. Fowler, Henry Watson and Fowler, Francis George, translators. Oxford: Clarendon Press, 1905.) — 23 focus

[23] Ah, I have seen the tragedians and comedians you speak of, at least if the former are men in heavy stilted shoes, and clothes all picked out with gold bands; they have absurd headpieces with vast open mouths, from inside which comes an enormous voice, while they take great strides which it seems to me must be dangerous in those shoes, I think there was a festival to Dionysus going on at the time. ‘Then the comedians are shorter, go on their own feet, are more human, and smaller-voiced; but their head-pieces are still more ridiculous, so much so that the audience was laughing at them like one man. But to the others, the tall ones, every one listened with a dismal face;. I suppose they were sorry for them, having to drag about those great clogs.

Solon

Oh no, it was not for the actors that they were sorry. The poet was probably setting forth some sad tale of long ago, with fine speeches that appealed to the audience’s feelings and drew tears from them. I dare say you observed also some flute-players, with other persons who stood in a circle and sang in chorus. These too are things that have their uses. Well, our youths’ souls are made susceptible and developed by these and similar influences.

Notes on the current edition

Anacharsis, or Athletics

The tragedians. There may be a lacuna in the text.

Lucian of Samosata Anacharsis 23

Austin Morris Harmon (Translator)