Lucian, De parasito sive artem esse parasiticam, ed. Austin Morris Harmon, 23

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Σίμων

ὅτι γε μὴν ἡ βασιλικωτάτη τῶν τεχνῶν ἔστιν αὕτη, μάθοις ἂν καὶ ἐκ τοῦδε οὐχ ἥκιστα· τὰς μὲν γὰρ λοιπὰς τέχνας οὐ μόνον κακοπαθοῦντες καὶ ἱδροῦντες, ἀλλὰ νὴ Δία καθήμενοι καὶ ἑστῶτες ἐργάζονται ὥσπερ ἀμέλει δοῦλοι τῶν τεχνῶν, ὁ δὲ παράσιτος μεταχειρίζεται τὴν αὑτοῦ τέχνην ὡς βασιλεὺς κατακείμενος.

De parasito sive artem esse parasiticam. Lucian. ed. Austin Morris Harmon. Medford, MA. Perseus 4.0.

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Current edition Perseus

Περὶ τοῦ Παρασίτου ὅτι Τέχνη ἡ Παρασιτική (Greek) (Lucian, Vol. 3. Harmon, Austin Morris, editor. London: William Heinemann, Ltd.; Cambridge, MA: Harvard University Press, 1921.)

Translations (2)

The Parasite Tychiades Perseus (Lucian, Vol. 3. Harmon, Austin Morris, editor. London: William Heinemann, Ltd.; Cambridge, MA: Harvard University Press, 1921.) — 23 focus

[23] That in truth it is the most royal of the arts, you can infer from this fact above all: men work at the rest of them not only with discomfort and sweat but actually sitting or standing, just as if they were slaves to the arts, while the parasite plies his art lying down, like a king!

The Parasite: a Demonstration that Sponging is a Profession Perseus (The Works of Lucian of Samosata, Vol. 3. Fowler, Henry Watson and Fowler, Francis George, translators. Oxford: Clarendon Press, 1905.) — 23 focus

[23] Next take a sound proof, though not the only one, that it is the most royal of the arts: at the rest of them men have to work (not to mention toil and sweat) in the sitting or standing posture, which marks them for the absolute slaves of their art, whereas the sponger is free to recline like a king.

Lucian De parasito sive artem esse parasiticam 23

ed. Austin Morris Harmon

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