Lucian, Contemplantes, ed. Austin Morris Harmon, 5

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Ἑρμῆς

παπαῖ, κάτω ἔτι ἐσμὲν ἐν ὑπωρείᾳ τοῦ οὐρανοῦ· ἀπὸ μὲν γὰρ τῶν ἑῴων μόγις Ἰωνία καὶ Λυδία φαίνεται, ἀπὸ δὲ τῆς ἑσπέρας οὐ πλέον Ἰταλίας καὶ Σικελίας, ἀπὸ δὲ τῶν ἀρκτῴων τὰ ἐπὶ τάδε τοῦ Ἴστρου μόνον, κἀκεῖθεν ἡ Κρήτη οὐ πάνυ σαφῶς. μετακινητέα ἡμῖν, ὦ πορθμεῦ, καὶ ἡ Οἴτη, ὡς ἔοικεν, εἶτα ὁ Παρνασσὸς ἐπὶ πᾶσιν.

Χάρων

οὕτω ποιῶμεν. ὅρα μόνον μὴ λεπτότερον ἐξεργασώμεθα τὸ ἔργον ἀπομηκύναντες πέρα τοῦ πιθανοῦ, εἶτα συγκαταρριφέντες αὐτῷ πικρᾶς τῆς Ὁμήρου οἰκοδομικῆς πειραθῶμεν συντριβέντες τῶν κρανίων.

Ἑρμῆς

θάρρει· ἀσφαλῶς γὰρ ἕξει ἅπαντα. μετατίθει τὴν Οἴτην· ἐπικυλινδείσθω ὁ Παρνασσός. ἰδοὺ δή, ἐπάνειμι αὖθις· εὖ ἔχει· πάντα ὁρῶ· ἀνάβαινε ἤδη καὶ σύ.

Χάρων

ὄρεξον, ὦ Ἑρμῆ, τὴν χεῖρα· οὐ γὰρ ἐπὶ μικράν με ταύτην μηχανὴν ἀναβιβάζεις.

Ἑρμῆς

εἴ γε καὶ ἰδεῖν ἐθέλεις, ὦ Χάρων, ἅπαντα· οὐκ ἔνι δὲ ἄμφω καὶ ἀσφαλῆ καὶ φιλοθεάμονα εἶναι. ἀλλʼ ἔχου μου τῆς δεξιᾶς καὶ φείδου μὴ κατὰ τοῦ ὀλισθηροῦ πατεῖν. εὖ γε, ἀνελήλυθας καὶ σύ· καὶ ἐπείπερ δικόρυμβος ὁ Παρνασσός ἐστι, μίαν ἑκάτερος ἄκραν ἀπολαβόμενοι καθεζώμεθα· σὺ δέ μοι ἤδη ἐν κύκλῳ περιβλέπων ἐπισκόπει ἅπαντα.

Contemplantes. Lucian. ed. Austin Morris Harmon. Medford, MA. Perseus 4.0.

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Funding provided by The National Endowment for the Humanities; Harvard Library Arcadia Fund; Google Digital Humanities Awards Program.

Current edition Perseus

Χάρων ἢ Ἐπισκοποῦντες (Greek) (Lucian, Vol. 2. Harmon, Austin Morris, editor. London: William Heinemann, Ltd.; Cambridge, MA: Harvard University Press, 1915.)

Translations (2)

Charon, or the Inspectors Perseus (Lucian, Vol. 2. Harmon, Austin Morris, editor. London: William Heinemann, Ltd.; Cambridge, MA: Harvard University Press, 1915.) — 5 focus

HERMES

Upon my word, we are still away down among the foot-hills of Heaven! Toward the east I can only just. see Ionia and Lydia, toward the west not beyond Italy and Sicily, toward the north only the country on this side the Danube, and in that direction Crete, but not very plainly. Apparently we must move up Oeta too, ferryman, and then Parnassus to top them all.

CHARON

Let’s do so. But take care that we don’t make the structure too slender by heightening it beyond all reason, and so tumble down with it and pay bitterly for our experiment in Homeric building by breaking our heads.

HERMES

Never fear; everything will be secure. Move Oeta over. Roll Parnassus this way. There now, I am going up again. — It is all right, I see everything: now come up yourself.

CHARON

Put out your hand, Hermes. This is an uncommonly big piece of stage-machinery that you are mounting me on.

HERMES

Must be done, if you are bound to see everything, Charon. One can’t see sights without taking chances. Come, take hold of my right hand and look out you don’t step where it is slippery. Good, you are up too, As Parnassus has two peaks, let us each take a suminit for himself and sit on it. Now, then, look round about you and inspect everything.

Charon Perseus (The Works of Lucian of Samosata, Vol. 1. Fowler, Henry Watson and Fowler, Francis George, translators. Oxford: Clarendon Press, 1905.) — 5 focus

Hermes

I must run up, and see whether we shall want another storey. Oh dear, we are no way up as yet. On the East, it is all I can do to make out Ionia and Lydia; on the West is nothing but Italy and Sicily; on the North, nothing to be seen beyond the Danube; and on the South, Crete, none too clear. It looks to me as if we should want Oeta, my nautical friend; and Parnassus into the bargain

Charon

So be it; but take care not to make the height too great for the width; or down we shall come, ladder and all, and pay our footing in the Homeric school of architecture with a cracked crown apiece.

Hermes

No fear; all will be safe enough. Pass Oeta along. Now trundle Parnassus up. There; I'll go up again. ... That’s better! A fine view. You can come now.

Charon

Give me a hand up, Hermes. This is an erection, and no mistake!

Hermes

Well, you know, you would see everything. Safety is one thing, my friend, and sight-seeing is another. Here is my hand; hang on, and keep clear of the slippery bits. There, now you are up. Let us sit down; here are two peaks, one for each of us. Now take a general look round at the prospect.

Lucian Contemplantes 5

ed. Austin Morris Harmon

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Χάρων

ὄρεξον, ὦ Ἑρμῆ, τὴν χεῖρα· οὐ γὰρ ἐπὶ μικράν με ταύτην μηχανὴν ἀναβιβάζεις.

Current edition Perseus

CHARON

Let’s do so. But take care that we don’t make the structure too slender by heightening it beyond all reason, and so tumble down with it and pay bitterly for our experiment in Homeric building by breaking our heads.

HERMES

Never fear; everything will be secure. Move Oeta over. Roll Parnassus this way. There now, I am going up again. — It is all right, I see everything: now come up yourself.

CHARON

Put out your hand, Hermes. This is an uncommonly big piece of stage-machinery that you are mounting me on.

Charon

So be it; but take care not to make the height too great for the width; or down we shall come, ladder and all, and pay our footing in the Homeric school of architecture with a cracked crown apiece.

Hermes

No fear; all will be safe enough. Pass Oeta along. Now trundle Parnassus up. There; I'll go up again. ... That’s better! A fine view. You can come now.

Charon

Give me a hand up, Hermes. This is an erection, and no mistake!

Hermes

Well, you know, you would see everything. Safety is one thing, my friend, and sight-seeing is another. Here is my hand; hang on, and keep clear of the slippery bits. There, now you are up. Let us sit down; here are two peaks, one for each of us. Now take a general look round at the prospect.

Stable identifiers

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Search the Perseus Catalog for:

Χάρων ὄρεξον, ὦ Ἑρμῆ, τὴν χεῖρα· οὐ γὰρ ἐπὶ μικράν με ταύτην μηχανὴν ἀναβιβάζεις.

Current edition Perseus

CHARON Let’s do so. But take care that we don’t make the structure too slender by heightening it beyond all reason, and so tumble down with it and pay bitterly for our experiment in Homeric building by breaking our heads.

HERMES Never fear; everything will be secure. Move Oeta over. Roll Parnassus this way. There now, I am going up again. — It is all right, I see everything: now come up yourself.

CHARON Put out your hand, Hermes. This is an uncommonly big piece of stage-machinery that you are mounting me on.

Charon So be it; but take care not to make the height too great for the width; or down we shall come, ladder and all, and pay our footing in the Homeric school of architecture with a cracked crown apiece.

Hermes No fear; all will be safe enough. Pass Oeta along. Now trundle Parnassus up. There; I'll go up again. ... That’s better! A fine view. You can come now.

Charon Give me a hand up, Hermes. This is an erection, and no mistake!

Hermes Well, you know, you would see everything. Safety is one thing, my friend, and sight-seeing is another. Here is my hand; hang on, and keep clear of the slippery bits. There, now you are up. Let us sit down; here are two peaks, one for each of us. Now take a general look round at the prospect.

Stable identifiers

Χάρων

ὄρεξον, ὦ Ἑρμῆ, τὴν χεῖρα· οὐ γὰρ ἐπὶ μικράν με ταύτην μηχανὴν ἀναβιβάζεις.

CHARON

Let’s do so. But take care that we don’t make the structure too slender by heightening it beyond all reason, and so tumble down with it and pay bitterly for our experiment in Homeric building by breaking our heads.

HERMES

Never fear; everything will be secure. Move Oeta over. Roll Parnassus this way. There now, I am going up again. — It is all right, I see everything: now come up yourself.

CHARON

Put out your hand, Hermes. This is an uncommonly big piece of stage-machinery that you are mounting me on.

Charon

So be it; but take care not to make the height too great for the width; or down we shall come, ladder and all, and pay our footing in the Homeric school of architecture with a cracked crown apiece.

Hermes

No fear; all will be safe enough. Pass Oeta along. Now trundle Parnassus up. There; I'll go up again. ... That’s better! A fine view. You can come now.

Charon

Give me a hand up, Hermes. This is an erection, and no mistake!