μή τι γένος ἀϊστωθείη
. Aesch.
Prom. 232
ἀϊστώσας γένος ;
ibid. 668
κεραυνὸν ὃς πᾶν ἐξαϊστώσοι γένος . Note the emphasis with which Protagoras asserts the permanence of the
genus : cf. below,
321B
σωτηρίαν τῷ γένει πορίζων .
εὐμαρίαν
. So Schanz with BT: the editors generally read
εὐμάρειαν . The older form is intentionally used here: see above on l. 12.
ὑποδῶν
is Cobet's correction for
ὑπὸ ποδῶν of B and T. See below on
321C
γυμνόν τε καὶ ἀνυπόδητον κτλ.
τὰ δὲ δέρμασιν στερεοῖς καὶ ἀναίμοις
. After
τὰ δέ the MSS. read
θριξὶν καί . The words seem to have been wrongly introduced from l. 20. This (the suggestion of Ast, adopted by Schanz and others) seems better than to read for
θριξὶν καί the words
ὄνυξιν καί .
οὐ πάνυ τι
=
non satis : cf. note on
Euthyphr. 2B
οὐδ’ αὐτὸς πάνυ τι γιγνώσκω. οὐ πάνυis the English ‘not quite’, sometimes equivalent to ‘not at all’ by
meiosis : the addition of
τι makes the phrase a little less emphatic.
πάνυ οὐ is quite a different phrase and means ‘altogether not’.
καταναλώσας τὰς δυνάμεις
. After
τὰς δυνάμεις , the words
εἰς τὰ ἄλογα are found in T, but not in B.
ἐμμελῶς πάντων ἔχοντα
: like
ἱκανῶς τοῦ βάθους ἔχοντα in
Theaet. 194D
and the genitive after
καλῶς ἔχειν and the like.
γυμνόν τε καὶ ἀνυπόδητονκαὶ ἄστρωτονκαὶ ἄοπλον
. Cf. the description of
Ἔρως in
Symp. 203C
:
ἀνυπόδητος καὶ ἄοικος, χαμαιπετὴς ἀεὶ ὢν καὶ ἄστρωτος. ἀνυπόδητον contrasts with
ὑποδῶν in
321B
(l. 23), and justifies Cobet's emendation for
ὑπὸ
ποδῶν . Aristotle (
περὶ ζῴων μορίων , IV. 10, p. 687
a . 23) alludes to this passage of the
Protagoras :
ἀλλ’ οἱ λέγοντες ὡς συνέστηκεν οὐ καλῶς ὁ ἄνθρωπος, ἀλλὰ χείριστα τῶν ζῴων (
ἀνυπόδητόν τε γὰρ αὐτὸν εἶναί φασι καὶ γυμνὸν καὶ οὐκ ἔχοντα ὄπλον πρὸς τὴν ἀλκήν ),
οὐκ ὀρθῶς λέγουσιν .
ἐν ᾖ
. See above on
ἐν τῇ ὑστεραίᾳ (
318A
. All the
θνητὰ γένη then according to Protagoras issued forth on the same day. Plato thought otherwise: see on
320D
l. 1.
ἐχόμενος
: so T: ‘
σχόμενος B, sed in marg. vitii nota’ (Schanz).
σχόμενος is occasionally found in this passive sense, especially in compounds (Sauppe quotes
Soph. 250D
συνεσχόμεθαand Isocr. XIX. II
φθόῃ σχόμενον ), but the present participle is at least equally well attested here and suits the meaning better: cf. (with Kroschel)
Laws, VI. 780B
ὑπὸ πολλῆς ἀπορίας ἐχομένοις.
τὴν ἔντεχνον σοφίαν σὺν πυρί
. Aesch.
Prom. 252-4
πρὸς τοῖσδε μέντοι πῦρ ἐγώ σφιν ὤπασα. καὶ νῦν φλογωπὸν πῦρ ἔχουσ’ ἐφήμεροι, ἀφ’ οὗ γε πολλὰς ἐκμαθήσονται τέχνας —which is the usual form of the story. In
Polit. 274C Plato attributes fire to Prometheus, and the arts to Hephaestus and Athena.
σύν denotes a much closer connection than
μετά : it is seldom used by Plato except in a few adverbial phrases, or in religious uses (like
ξύν τισι Χάρισι καὶ Μούσαις
Laws, III. 682A
), or in semi-poetic passages like the present: see on
οὐδενὶ ξὺν νῷ in
Crito, 48C
.
ἔσχεν
is ‘obtained’: see on
ἔσχετε in
Apol. 19A
.
ἦν γὰρ παρὰ τῷ Διί reminds one of Sophocles'
Δίκη ξύνεδρος Ζηνός ,
O.C. 1382.
οὐκέτι
means that Prometheus had to draw the line there; he had been able to steal the fire, but farther he could not go—no doubt because time pressed. The same idiomatic use of
οὐκέτι )(
ἤδη occurs above in
312E
μὰ Δί’, ἔφη, οὐκέτι ἔχω σοι λέγειν : it is extremely common in Plato and in Greek generally: see note on
Euthyphr. 3E
and Cope on Arist.
Rhet. A, 1. 1354
b . 7 referred to there.
Διὸς φυλακαί
are no doubt
Κράτος and
Βία , as in the
Prometheus. Cf. Hesiod,
Theog. 385 ff. (quoted by Heindorf)
καὶ Κράτος ἠδὲ Βίην ἀριδείκετα γείνατο τέκνα (sc.
Στύξ )
τῶν οὐκ ἔστ’
ἀπάνευθε Διὸς δόμος οὐδέ τις ἕδρη οὐδ’ ὁδὸς ὅππῃ μὴ κείνοις θεὸς ἡγεμονεύει· ἀλλ’ αἰεὶ πὰρ Ζηνὶ βαρυκτύπῳ ἑδριόωνται .
εἰς δὲ τὸ τῆς Ἀθηνᾶς κτλ.
Protagoras reverts to the story of the theft. Similarly in
346D
below Socrates reverts to a part of the poem which he has quoted some time before in
345C
ἔμπυρον τέχνην
is
τέχνη which works by
πῦρ , as
ἔντεχνος σοφία in line 40 is
σοφία working by
τέχνη .
τοῦ βίου—δῑ Ἐπιμηθέα.
βίουis ‘means of living’ as in l. 43. The words
δῑ Ἐπιμηθέα mean ‘thanks to Epimetheus’: cf.
Ar.
Clouds, 12-14
ἀλλ’ οὐ δύναμαι δείλαιος εὕδειν δακνόμενος ὑπὸ τῆς δαπάνης καὶ τῆς φάτνης καὶ τῶν χρεῶν, διὰ τουτονὶ τὸν υἱόν, and in
Rep. I. 354A
οὐ μέντοι καλῶς γε εἱστίαμαι, δῑ ἐμαυτόν, ἀλλ’ οὐ διὰ σέ. The words are rejected by Schanz (after Sauppe), but without reason: the jingle (
Προ‐μηθέα δὲ δῑ Ἐπι‐μηθέα ) is quite in Protagoras' style.
ᾗπερ λέγεται
. Aeschylus relates the punishment but not the trial: cf.
Prom. 7-9
τὸ σὸν γὰρ ἄνθος, παντέχνου πυρὸς σέλας, θνητοῖσι κλέψας ὤπασεν· τοιᾶσδέτοι ἁμαρτίας σφε δεῖθεοῖς δοῦναι δίκην .
ἀπώλλυντο οὖν ὑπὸ τῶν θηρίων
. Cf.
Polit. 274B
τῆς γὰπ τοῦ κεκτημένου καὶ νέμοντος ἡμᾶς δαίμονος ἀρεπημωθέντες ἐριμελείας, τῶν ρολλῶν αὖ θηπίων, ὄσα χαλερὰ τὰς φύσεις ἦν, ἀραγπιωθέντων, αὐτοὶ δὲ ἀσθενεῖς ἄνθπωτοι καὶ ἀφύλακτοι γεγονότες διηρπάζοντο ὑπ’ αὐτῶν .
ἧς μέρος πολεμική.
πολεμικήis recognised as a part of
πολιτική in
Rep. II. 373D
ff.
σῴζεσθαι κτίζοντες πόλεις
. The insufficiency of the individual for his own wants is assigned as the cause of city life in
Rep. II. 369B
γίγνεται τοίνυν—πόλις, ὡς ἐγᾦμαι, ἐπειδὴ τυγχάνει ἡμῶν ἕκαστος οὐκ αὐτάπκης ἀλλὰ ρολλῶν ἐνδεής· ἢ τίν’ οἴει ἀρχὴν ἄλλην πόλιν οἰκίζειν; οὐδεμίαν, ἦ δ’ ὄς.
αἰδῶ τε καὶ δίκην
. The editors cite Hesiod (
Works and Days, 192)
δίκη δ’ ἐν χερσὶ καὶ αἰδὼς οὐκ ἔσται (of the
γένος σιδήρεον , where man is corrupt).
αἰδώς is a part of
δέος (
Euthyphr. 12C): it keeps men together by making them fear the censure of their fellows (
Laws, I. 647A
-B); cf.
Hom.
Il. XV. 561
ff.
ὦ φίλοι, ἀνέρες ἔστε, καὶ αἰδῶ θέσθ’ ἐνὶ θυμῷ, ἀλλήλους τ’ αἰδεῖσθε κατὰ
κρατερὰς ὑσμίνας. αἰδομένων δ’ ἀνδρῶν πλέονες σόοι ἠὲ πέφανται· φευγόντων δ’ οὔτ’ ἂρ κλέος ὄρνυται οὔτε τις ἀλκή. δίκη is here the abstract principle ‘law’ like Latin
ius : for the original meaning of the word see Verrall on Eur.
Med. 411.
πόλεων κόσμοι—συναγωγοί
. The phraseology no less than the rhythm is highly poetical.
τίνα οὖν τρόπον
. For
οὖν retained in the indirect the editors cite
Symp. 219D
ὥστε οὔθ’ ὅπως οὖν ὀργιζοίμην εἶχον οὔθ’ ὅπῃ προσαγαγοίμην αὐτὸν ηὐπόρουν. Cobet's
δῶ for
δοίη is attractive but unnecessary.
πότερον ὡς κτλ.
‘Eleganter omissum
ἔφη , ut obliqua oratio statim in rectam transeat’ Heindorf, quoting (
inter alia ) Xen.
Cyrop. I. 4. 28
ἐνταῦθα δὴ τὸν Κῦρον γελάσαι τε ἐκ τῶν ρπόσθεν δακπύων καὶ εἰρεῖν αὐτῷ ἀριόντα θαππεῖν ὅτι ραπέσται αὖθις ὀλίγου χρόνου· ὥστε ὁρᾶν σοι ἐξέσται κἂν βούλῃ ἀσκαρδαμυκτεί . Sauppe quotes an exact parallel in
338B
below
εἶπον οὖν ἐγὼ ὅτι αἰσχρὸν εἴη βραβευτὴν ἑλέσθαι τῶν λόγων. ειτε γὰρ χείρων ἔσται κτλ.
εις ἔχων ἰατρικὴν—ἰδιώταις
. This division of labour takes place as soon as men begin to unite in cities: cf.
Rep. II.
369E
ff.
κτείνειν ὡς νόσον πόλεως.
κτείνεινis poetical for the
ἀποκτείνειν of prose.
Ἀθηναῖοι
: without the article as in
319B
and
324C
οὐκ ἀνέχονται, ὡς σὺ φῄς
:
319C
οὐδέν τι μᾶλλον ἀποδέχονται . The antithesis between
οὐκ ἀνέχονται ὡς σὺ φῄς and
εἰκότως ὡς ἐγώ φημι is a poor one, since
οὐκ ἀνέχονται has to be repeated with
εἰκότως . We should expect some word like
ἀλόγως before
ὡς σὺ φῄς , or perhaps
οὐκ εἰκότως has dropped out after
φῄς .