Xenophon On the Art of Horsemanship 7

Edgar Carew Marchant (Translator)

On the Art of Horsemanship. Xenophon. Edgar Carew Marchant (Translator). Cambridge, MA. 1925.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB Project.

Current edition Perseus

On the Art of Horsemanship (English) (Xenophon in Seven Volumes, Vol. 7. Marchant, Edgar Cardew, editor, translator; Cambridge, MA: Harvard University Press; London: William Heinemann Ltd., 1925.)

Editions (1)
Περὶ ἱππικῆς Perseus (Xenophon. Opera omnia, Vol. 5. Marchant, Edgar Cardew, editor. Oxford: Clarendon Press, 1920.) — 7 focus

Notes on the current edition

On the Art of Horsemanship

1. cavesson. See Anderson in J.H.S. 80.3-6.
2. In the jockey mode. I think that those critics are in error who understand that X. meant that the rider should take the extreme fork seat; for not only would such a position be very insecure upon the simple saddles of the Greeks, but it is inconsistent with the graceful and firm position exhibited by the marbles. E. L. Anderson in Riding (Badminton series).
3. The left lead comes natural to the horse. The Parthenon figures show the right lead; but the Greeks approved of many things in art that they did not practise.
4. A remarkable proof of X’s. power of observation. When the trotting horse treads with the right fore-leg, the hind-legs are in the position that the horse assumes when galloping on the left lead, and the horse will strike off with the left fore-leg.
5. Literally fetter. The old English term is ring, now volte. Of course the horse was exercised first in one direction, then in the other.
6. i.e., ride on the other hand; this is not part of the volte.
7. i.e., may have both jaws equally sensitive on whichever hand he is ridden.
8. I have ventured to use this term since X. means precisely what Gervase Markham calls the manage in the strict sense, i.e., two straight treads with a semicircle at either end.