Aristophanes Ecclesiazusae 924

Ecclesiazusae. Aristophanes. . 2026-09-08.

Current edition Experimental

English (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἐκκλησιάζουσαι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 924 focus
Translations (1)
Ecclesiazusae (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 924 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

929. mvp-tlg0019-tlg010-sanjaya-com-eng1-37

Line 929

ἥγχουσα μᾶλλον καὶ τὸ σὸν ψιμύθιον;
The verb ἥγχουσα is the first person singular aorist indicative active of ἄγχω (to choke, strangle, or throttle). In this context, the speaker (Praxagora) uses the verb metaphorically to mean 'I have choked' or 'I have been strangled,' likely in reference to the physical exertion of the upcoming assembly or a rhetorical hyperbole regarding the difficulty of the task. The aorist tense here denotes a completed action with present relevance, a usage common in comic dialogue to emphasize immediate consequence. The phrase 'more than your white lead' (τὸ σὸν ψιμύθιον) is a specific comic comparison: the speaker claims to be so exhausted or 'choked' that it exceeds the suffocating dustiness of cosmetic white lead (psimythion), a substance often associated with the heavy makeup worn by women and potentially the choking dust of the assembly hall itself. This juxtaposition of a violent physical verb with a trivial cosmetic item is characteristic of Aristophanic comic hyperbole and the specific vocabulary of the play's focus on women's roles and domestic items being repurposed for political discourse.