Aristophanes Ecclesiazusae 317

Ecclesiazusae. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἐκκλησιάζουσαι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 311 focus
Translations (2)
Ecclesiazusae (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 311 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 311 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

317. mvp-tlg0019-tlg010-sanjaya-com-eng1-1

Line 317

ἐπεῖχε κρούων ὁ κοπρεαῖος, λαμβάνω
The vocative κοπρεαῖος (kopreios, 'the dung-seller') is a specific reference to a stock character of the Athenian comic stage, often associated with the disposal of night-soil and the unsavory aspects of urban life. Its presence here, likely addressing a character named in the preceding dialogue or implied by the action, highlights the play's characteristic use of low-born, working-class figures to disrupt the high-flown political discourse of the assembly scene. The term is not merely a generic descriptor for a laborer but a specific designation that would evoke immediate recognition and potential disgust or humor in the audience regarding the social stratification of Athens.