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ἐπεὶ οὐδὲ Κλεομένης, ὃς αὐτὴν κατέσχε πρῶτος,
The relative clause ὃς αὐτὴν κατέσχε πρῶτος refers to Cleomenes seizing the Acropolis (αὐτήν) in 404 BCE. The use of the aorist κατέσχε (from καταλαμβάνω) is precise: it denotes the initial, successful seizure of the citadel by the Spartan general under Lysander's command, an event that marks the transition to the rule of the Thirty Tyrants. The adverb πρῶτος emphasizes that this was the first Spartan occupation, distinguishing it from the earlier, failed attempts or the subsequent, more oppressive garrisoning. This specific phrasing relies on the audience's knowledge of the immediate post-war political landscape of Athens.
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The particle ἀλλʼ here introduces a correction or contrast to the preceding clause. While often translated simply as 'but', in this context it signals a shift from the description of the character's arrival ('she came from there without being touched') to the revelation of her actual state or a counter-intuitive fact that follows. The elision of the alpha in 'ἀλλʼ' before the vowel 'α' of the following word is a standard prosodic feature, but the syntactic force of the particle is crucial for understanding the dramatic irony: the speaker's initial claim is immediately qualified or contradicted by what follows.
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The participle ῥυπῶν (stinking, foul-smelling) modifies the subject of the sentence, describing the state of the person drinking. This is a striking and grotesque detail in the context of the play, where Lysistrata and the women are withholding sex from the men as part of their peace protest. The men, in their desperation, are depicted as so desperate and uncouth that they are drinking from a cup while emitting a foul odor, highlighting the absurdity and degradation of their situation.
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τίς ξυλλάβοιτʼ ἂν τοῦ ξύλου τῶν ἐν Σάμῳ στρατη γῶν;
The phrase τῶν ἐν Σάμῳ στρατηγῶν refers to the Athenian generals stationed at Samos following the expedition of 440/439 BCE. While the specific individuals are not named here, the reference relies on the audience's knowledge of the political tension between the democratic faction in Athens and the oligarchic sympathizers among the army at Samos, a context that became explosive during the Peloponnesian War. The genitive construction τῶν στρατηγῶν depends on the implied context of the 'wood' (ξύλου), likely a reference to the timber used for building ships or fortifications, or metaphorically to the 'wooden wall' of the fleet, though the specific crux here is the genitive of the generals as the possessor or subject of the action regarding the wood. The syntax τῶν στρατηγῶν is a genitive of the persons concerned, a construction that requires the reader to infer the relationship between the generals and the 'wood' without an explicit preposition, a nuance that is not immediately obvious without knowledge of the specific historical situation at Samos.
