Aristophanes Birds 989

Anonymous (Translator), ed. Eugene O'Neill, Jr., ed. Whitney J. Oates, ed. Eugene O'Neill, Jr.

Birds. Aristophanes. Anonymous (Translator), ed. Eugene O'Neill, Jr., ed. Whitney J. Oates, ed. Eugene O'Neill, Jr.. New York. 1938.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Birds (English) (Aristophanes. The Complete Greek Drama, Vol. 2. Anonymous, translator. O'Neill, Eugene; Oates, Whitney Jennings, editors. New York: Random House, 1938 (printing).)

Editions (1)
Ὄρνιθες Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 989 focus
Translations (2)
Birds (OCR draft) Experimental (Anonymous translation, 1938 compilation; legacy Perseus source migration. Preserved separately from the revised canonical perseus-eng2 at the project owner's request.) — 989 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 989 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1010. mvp-tlg0019-tlg006-sanjaya-com-eng1-63

Line 1010

Μέτων —
This fragment represents the opening of a stichomythia (line-by-line dialogue) between Meton and the Birds. The character Meton is introduced here as a specific type of 'professor' (sophist) specializing in astronomy and geometry, whose later lines (e.g., claiming he can measure the sky with a surveyor's rod) serve as Aristophanes' satire of the new scientific empiricism and the pretensions of intellectual elites in late 5th-century Athens. The abruptness of the single name functions as a dramatic cue for the entrance of a new speaker in a rapid-fire exchange, a structural device common in the parabasis or early dialogue scenes of the play.