Aristophanes Birds 1553

ed. Eugene O'Neill, Jr.

Birds. Aristophanes. ed. Eugene O'Neill, Jr.. New York. 1938.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

Birds (OCR draft) (English) (Anonymous translation, 1938 compilation; legacy Perseus source migration. Preserved separately from the revised canonical perseus-eng2 at the project owner's request.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὄρνιθες Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 1553 focus
Translations (2)
Birds Perseus (Aristophanes. The Complete Greek Drama, Vol. 2. Anonymous, translator. O'Neill, Eugene; Oates, Whitney Jennings, editors. New York: Random House, 1938 (printing).)

No corresponding passage available

English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1553 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1564. mvp-tlg0019-tlg006-sanjaya-com-eng1-94

Line 1564

Χαιρεφῶν ἡ νυκτερίς.
The phrase ἡ νυκτερίς (the night-raven/nightjar) is a specific designation for the character Chaerephon, a known associate of Socrates famous for his extreme poverty and asceticism. Aristophanes exploits the etymological ambiguity of the name 'Chaerephon' (which sounds like 'chara' [joy] and 'phonos' [murder/death] or 'phōnē' [voice]) by pairing it with a bird that was often associated with omens of death or madness in Greek folklore. The choice of νυκτερίς specifically, rather than a generic bird, alludes to the character's nocturnal habits and his reputation as a 'night-bird' of the Athenian agora, highlighting his role as a gadfly who operates in the shadows of the city's intellectual life. This is a pointed biographical and literary allusion rather than a simple description.