Aristophanes Peace 797

ed. Eugene O'Neill, Jr.

Peace. Aristophanes. ed. Eugene O'Neill, Jr.. New York. 1938.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

Peace (OCR draft) (English) (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Εἰρήνη Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 819-921a focus
Translations (1)
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 797 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

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Line 807

τὸν χορὸν εἶχον ἁδελφός
The manuscript tradition preserves the reading ἁδελφός ('brother') here, but this creates an insurmountable grammatical and semantic difficulty: the verb ἔχω ('had') requires an accusative object, yet ἁδελφός is nominative, and the notion of 'holding a brother' as a choreographer holds no sense in the context of the play's plot. The consensus among scholars is that ἁδελφός is a corruption of ἁδελφός in the sense of 'the chorus' (a rare metonymy) or, more likely, a dittography or corruption of ἁπλοῦς ('simple') or a specific technical term for a chorus leader, though the exact restoration remains a crux. Some editors have conjectured ἁδελφός for ἁδελφός, but the most compelling solution, supported by the context of the play's satire on the chorus's role, is to read the text as a corruption of ἁπλοῦς or a similar term, with the current reading representing a scribal error that has persisted in the transmission.

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Line 811

γραοσόβαι μιαροὶ τραγομάσχαλοι ἰχθυολῦμαι·
The adjective τραγομάσχαλοι ('goat-axillary' or 'goat-ribbed') is a rare, Aristophanic coinage describing the coarse, hairy underarms of the rustic chorus members, evoking the satyr-like appearance of the 'goat-men' associated with rural festivals and Dionysiac rites. The compound's novelty underscores the grotesque, comic dehumanization of the farmers in this scene.