Aristophanes Wasps 650

Wasps. Aristophanes. . 2026-09-08.

Current edition Experimental

English (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Σφῆκες Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 729-759 focus
Translations (1)
Wasps (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 650 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

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ἐς τούτους τοὺς οὐχὶ προδώσω τὸν Ἀθηναίων κολοσυρτόν,
The noun κολοσυρτόν (kolosurtón) is a hapax legomenon in Aristophanes, and the only certain attestation of this specific form in extant Greek literature. Derived from κολοσύρτω (to steal or pilfer), it denotes a 'robbery' or 'plunder,' but here functions as a specific metonymy for the Athenian people themselves, whom the speaker treats as a collective loot to be betrayed or protected. The compound structure and its usage here reflect Aristophanes' characteristic coinage of abstract nouns for concrete political entities, a technique used to satirize the perceived vulnerability of the polis during the Peloponnesian War.

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ἐκ κηθαρίον λαγαριζόμενον καὶ τραγαλιζοντα τὸ μηδέν,
The adjectives λαγαριζόμενον and τραγαλιζοντα are coined by Aristophanes to satirize the pretensions of the new 'poetic' diction and the affectations of the Sophistic movement. They are formed from the nouns κηθαρίον (a small lyre) and τραγῳδία (tragedy), functioning as present participles with the suffix -ίζω to denote 'acting like a lyre-player' or 'acting like a tragedian.' The phrase mocks the chorus of the play, the Wasps, for being distracted by trivial, performative distractions ('playing at lyre' and 'playing at tragedy') while neglecting their actual duty of judging the legal cases, a central theme of the satire on the Athenian jury system.

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Line 678

σοὶ δʼ ὧν ἄρχεις, πολλὰ μὲν ἐν γῇ πολλὰ δʼ ἐφʼ ὑγρᾷ πιτυλεύσας,
The participle πιτυλεύσας (from πιτυλεύω) is a hapax legomenon in extant Attic comedy and is almost certainly a coinage by Aristophanes, derived from πίτυς (pine). In this context, it functions as a metaphor for 'picking at' or 'picking over' legal documents or cases, evoking the image of a bird pecking at pine cones, thereby satirizing the jurors' tendency to obsess over trivial procedural details or the minutiae of the law rather than the substance of the case.

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ὅταν εἰσελθὸν μειράκιόν σοι κατάπυγον, Χαιρέου υἱός,
The phrase μειράκιόν σοι κατάπυγον is a rare and vivid example of a 'dative of reference' or 'dative of interest' combined with a compound adjective that literally means 'butt-wearing' or 'having a prominent posterior.' While μειράκιον (youth) is standard, the compound κατάπυγος is exceptionally rare in extant comedy outside of this passage and its immediate scholia, functioning here as a specific insult implying effeminacy or a specific physical type associated with the 'eromenos' (beloved) in pederastic contexts, rather than merely describing a fat youth. The syntax places the dative σοι (to you) between the noun and its modifier, a hypermetric or emphatic arrangement typical of Aristophanic wordplay, where the physical description 'κατάπυγον' serves as a punchline to the legalistic setup of 'Χαιρέου υἱός' (son of Chaereus).

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ἤν τίς τι διδῷ τῶν φευγόντων, ξυνθέντε τὸ πρᾶγμα δύʼ ὄντε
The phrase δύʼ ὄντε is a striking example of the 'dative of the participle' functioning as a predicative dative, agreeing with the dative plural subject of the main clause (implied 'you two' or the addressees). While the participle ὄντε is in the dative plural, the numeral δύʼ is in the accusative neuter dual, creating a syntactic tension where the numeral agrees with the implied number of the subject rather than the case of the participle. This construction, where the numeral stands in the accusative to denote the 'amount' or 'number' of the subject while the participle agrees in case with the subject, is a marked feature of comic Greek that compresses the logic of 'being two' into a dative absolute-like construction without the explicit 'with' preposition, emphasizing the shared state of the two men as the condition for the action.

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ἐσπουδάκατον, κᾆθʼ ὡς πρίονθʼ ὁ μὲν ἕλκει ὁ δʼ ἀντενέδωκε·
The verb ἐσπουδάκατον is a rare, non-standard first-person plural aorist indicative form of σπουδάζω, appearing here with the augment and the specific ending -ατον (parallel to ἐφρόνηκατον in other comic usages) rather than the more common ἐσπουδάσαμεν. This morphological anomaly reflects the comic poet's license to manipulate verbal morphology for metrical convenience or to evoke a colloquial, rustic tone appropriate to the character Philocleon, while simultaneously adhering to the strict quantitative meter of the iambic trimeter.