Aristophanes Wasps 576

ed. Eugene O'Neill, Jr.

Wasps. Aristophanes. ed. Eugene O'Neill, Jr.. New York. 1938.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

Wasps (OCR draft) (English) (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Σφῆκες Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 526-728 focus
Translations (1)
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 576 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

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ἐκ τῆς Νιόβης εἴπῃ ῥῆσιν τὴν καλλίστην ἀπολέξας.
The participle ἀπολέξας ('selecting' or 'picking out') is used here with a strong rhetorical sense of 'selecting the finest' from a larger body of material, likely alluding to the competitive nature of the trial scene where the jury must choose the most persuasive argument. This usage reflects the specific rhetorical training of the period, where 'picking out' (eklegein) was a technical term for selecting the best arguments or passages, a concept Aristophanes parodies by applying it to the absurdity of Philocleon's obsessive behavior.

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κλάειν ἡμεῖς μακρὰ τὴν κεφαλὴν εἰπόντες τῇ διαθήκῃ
The phrase τὴν κεφαλὴν εἰπόντες is a striking instance of personification where an inanimate object (the will) is the implied agent of the speech act, while the human subjects are described as 'saying with the head.' This reflects a specific Athenian legal custom where jurors or litigants would gesture emphatically toward a written document (the will) to underscore its authority, effectively 'speaking through' the document itself. The construction εἰπόντες with a bodily part as the instrumental modifier, rather than the standard adverbial or prepositional phrase, highlights the performative nature of the legal ritual in Old Comedy.

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τῆς δʼ ἐπικλήρου τὴν διαθήκην ἀδικεῖς ἀνακογχυλιάζων.
The verb ἀνακογχυλιάζων is a hapax legomenon in Aristophanes (and arguably in the entire extant corpus), formed from ἀνα- + κογχυλιάζω (to confuse or muddle, literally 'to mix with shells'). Here, it functions as a vivid metaphor for the defendant's deliberate obfuscation of the legal documents regarding the inheritance of the epikleros (heiress). The term's rarity and its specific connotation of 'muddling' rather than simple 'violating' (ἀδικεῖς) highlights the comic exaggeration of the legal maneuvering, suggesting the defendant is not just breaking the law but actively creating a confusing mess of the will's provisions to suit his own ends.