Aristophanes Clouds 1452

Clouds. Aristophanes. . 2026-09-08.

Current edition Experimental

English (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Νεφέλαι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 1452-1509 focus
Translations (1)
Clouds Perseus (Aristophanes. The Comedies of Aristophanes, Vol. I. Hickie, William James, translator. Bohn: London, 1853.) — 1452 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

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Line 1466

ἀπολεῖς μετʼ ἐμοῦ ʼλθών, οἳ σὲ κἄμʼ ἐξηπάτων.
The pronoun οἳ functions as a relative pronoun with an antecedent that is not explicitly stated in the immediate clause but is supplied from the context of the preceding dialogue (likely referring to the 'Clouds' or the 'New Learning' personified). This usage of οἳ to refer to an abstract or personified collective entity, rather than a concrete plural noun, is a characteristic feature of Aristophanic personification that requires the reader to infer the antecedent from the dramatic context rather than the syntax of the isolated sentence.

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Δῖνος βασιλεύει τὸν Δίʼ ἐξεληλακώς.
The participle ἐξεληλακώς (perfect active) modifies Δῖνος (Dinos, the personification of the Whirlwind), creating a striking paradox: Dinos, who has forcibly expelled Zeus, now claims the throne. This construction relies on the reader recognizing Dinos not merely as a meteorological force but as the protagonist of the play's 'New Learning' who has successfully usurped the divine order, replacing Zeus with the 'Clouds' (Νεφέλαι) and their new theology. The perfect tense emphasizes the completed, irreversible nature of this coup, a central thematic pivot in the parabasis and the subsequent trial of Socrates.