Knights. Aristophanes. . 2026-09-08.
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English (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)
Provisional text from uncorrected OCR; expect errors.
Editions (1)
Ἱππῆς Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 507 focus
Χορός
εἰ μέν τις ἀνὴρ τῶν ἀρχαίων κωμῳδοδιδάσκαλος ἡμᾶς
ἠνάγκαζεν λέξοντας ἔπη πρὸς τὸ θέατρον παραβῆναι,
οὐκ ἂν φαύλως ἔτυχεν τούτου· νῦν δʼ ἄξιός ἐσθʼ ὁ ποιητής,
ὅτι τοὺς αὐτοὺς ἡμῖν μισεῖ τολμᾷ τε λέγειν τὰ δίκαια,
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καὶ γενναίως πρὸς τὸν τυφῶ χωρεῖ καὶ τὴν ἐριώλην.
ἃ δὲ θαυμάζειν ὑμῶν φησιν πολλοὺς αὐτῷ προσιόντας
καὶ βασανίζειν ὡς οὐχὶ πάλαι χορὸν αἰτοίη καθʼ ἑαυτόν,
ἡμᾶς ὑμῖν ἐκέλευε φράσαι περὶ τούτου. φησὶ γὰρ ἁνὴρ
οὐχ ὑπʼ ἀνοίας τοῦτο πεπονθὼς διατρίβειν, ἀλλὰ νομίζων
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κωμῳδοδιδασκαλίαν εἶναι χαλεπώτατον ἔργον ἁπάντων·
πολλῶν γὰρ δὴ πειρασάντων αὐτὴν ὀλίγοις χαρίσασθαι·
ὑμᾶς τε πάλαι διαγιγνώσκων ἐπετείους τὴν φύσιν ὄντας
καὶ τοὺς προτέρους τῶν ποιητῶν ἅμα τῷ γήρᾳ προδιδόντας·
τοῦτο μὲν εἰδὼς ἅπαθε Μάγνης ἅμα ταῖς πολιαῖς κατιούσαις,
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ὃς πλεῖστα χορῶν τῶν ἀντιπάλων νίκης ἔστησε τροπαῖα·
πάσας δʼ ὑμῖν φωνὰς ἱεὶς καὶ ψάλλων καὶ πτερυγίζων
καὶ λυδίζων καὶ ψηνίζων καὶ βαπτόμενος βατραχείοις
οὐκ ἐξήρκεσεν, ἀλλὰ τελευτῶν ἐπὶ γήρως, οὐ γὰρ ἐφʼ ἥβης,
ἐξεβλήθη πρεσβύτης ὤν, ὅτι τοῦ σκώπτειν ἀπελείφθη·
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εἶτα Κρατίνου μεμνημένος, ὃς πολλῷ ῥεύσας ποτʼ ἐπαίνῳ
διὰ τῶν ἀφελῶν πεδίων ἔρρει, καὶ τῆς στάσεως παρασύρων
ἐφόρει τὰς δρῦς καὶ τὰς πλατάνους καὶ τοὺς ἐχθροὺς προθελύμνους·
ᾆσαι δʼ οὐκ ἦν ἐν ξυμποσίῳ πλὴν
Δωροῖ συκοπέδιλε,
καὶ
τέκτονες εὐπαλάμων ὕμνων· οὕτως ἤνθησεν ἐκεῖνος.
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νυνὶ δʼ ὑμεῖς αὐτὸν ὁρῶντες παραληροῦντʼ οὐκ ἐλεεῖτε,
ἐκπιπτουσῶν τῶν ἠλέκτρων καὶ τοῦ τόνου οὐκέτʼ ἐνόντος
τῶν θʼ ἁρμονιῶν διαχασκουσῶν· ἀλλὰ γέρων ὢν περιέρρει,
ὥσπερ Κοννᾶς, στέφανον μὲν ἔχων αὖον δίψῃ δʼ ἀπολωλώς,
ὃν χρῆν διὰ τὰς προτέρας νίκας πίνειν ἐν τῷ πρυτανείῳ,
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καὶ μὴ ληρεῖν ἀλλὰ θεᾶσθαι λιπαρὸν παρὰ τῷ Διονύσῳ.
οἵας δὲ Κράτης ὀργὰς ὑμῶν ἠνέσχετο καὶ στυφελιγμούς,
ὃς ἀπὸ σμικρᾶς δαπάνης ὑμᾶς ἀριστίζων ἀπέπεμπεν,
ἀπὸ κραμβοτάτου στόματος μάττων ἀστειοτάτας ἐπινοίας·
χοὖτος μέντοι μόνος ἀντήρκει, τοτὲ μὲν πίπτων τοτὲ δʼ οὐχί.
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ταῦτʼ ὀρρωδῶν διέτριβεν ἀεί, καὶ πρὸς τούτοισιν ἔφασκεν
ἐρέτην χρῆναι πρῶτα γενέσθαι πρὶν πηδαλίοις ἐπιχειρεῖν,
κᾆτʼ ἐντεῦθεν πρῳρατεῦσαι καὶ τοὺς ἀνέμους διαθρῆσαι,
κᾆτα κυβερνᾶν αὐτὸν ἑαυτῷ. τούτων οὖν οὕνεκα πάντων,
ὅτι σωφρονικῶς κοὐκ ἀνοήτως ἐσπηδήσας ἐφλυάρει,
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αἴρεσθʼ αὐτῷ πολὺ τὸ ῥόθιον, παραπέμψατʼ ἐφʼ ἕνδεκα κώπαις
Translations (1)
Knights (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 507 focus
Chorus
The Chorus moves forward and faces the audience.
Had one of the old authors asked me to mount this stage to recite his verses, he would not have found it hard to persuade me. But our poet of to-day is likewise worthy of this favour;
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he shares our hatred, he dares to tell the truth, he boldly braves both waterspouts and hurricanes. Many among you, he tells us, have expressed wonder, that he has not long since had a piece presented in his own name, and have asked the reason why. This is what he bids us say in reply to your questions;
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it is not without grounds that he has courted the shade, for, in his opinion, nothing is more difficult than to cultivate the comic Muse; many court her, but very few secure her favours. Moreover, he knows that you are fickle by nature and betray your poets when they grow old.
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What fate befell Magnes, when his hair went white? Often enough had he triumphed over his rivals; he had sung in all keys, played the lyre and fluttered wings; he turned into a Lydian and even into a gnat, daubed himself with green to become a frog. All in vain! When young, you applauded him;
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in his old age you hooted and mocked him, because his genius for raillery had gone. Cratinus again was like a torrent of glory rushing across the plain, up-rooting oak, plane tree and rivals and bearing them pell-mell in his wake. The only songs at the banquet were,
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“Doro, shod with lying tales” and “Adepts of the Lyric Muse,” so great was his renown. Look at him now! he drivels, his lyre has neither strings nor keys, his voice quivers, but you have no pity for him, and you let him wander about as he can, like Connas, his temples circled with a withered chaplet; the poor old fellow is dying of thirst;
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he who, in honor of his glorious past, should be in the Prytaneum drinking at his ease, and instead of trudging the country should be sitting amongst the first row of the spectators, close to the statue of Dionysus and loaded with perfumes. Crates, again, have you done hounding him with your rage and your hisses? True, it was but meagre fare that his sterile Muse could offer you; a few ingenious fancies formed the sole ingredients,
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but nevertheless he knew how to stand firm and to recover from his falls It is such examples that frighten our poet; in addition, he would tell himself, that before being a pilot, he must first know how to row, then to keep watch at the prow, after that how to gauge the winds, and that only then would he be able to command his vessel. If then you approve
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this wise caution and his resolve that he would not bore you with foolish nonsense,
Commentary
Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus
529.
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