Aristophanes Acharnians 1047

Acharnians. Aristophanes. . 2026-09-08.

Current edition Experimental

English (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἀχαρνῆς Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 1069-1173 focus
Translations (1)
Acharnians (OCR draft) Experimental (English (Anonymous; Liveright, 192?). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1047 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1053. mvp-tlg0019-tlg001-sanjaya-com-eng1-62

Line 1053

ἐς τὸν ἀλάβαστον κύαθον εἰρήνης ἕνα.
The phrase presents a striking and potentially ironic synchysis of the prepositional phrase ἐς τὸν ἀλάβαστον κύαθον (into the alabaster cup) and the genitive of quality or material ἕνα εἰρήνης (one of peace). The specific reference to a 'cup of peace' (κύαθον εἰρήνης) is a unique Aristophanic coinage or allusion. While the κύαθος was a standard shallow drinking cup used for mixing wine with water, here it is metaphorically transformed into a vessel containing the 'peace' itself, likely satirizing the absurdity of the peace negotiations or the trivialization of the treaty as a mere drink. The use of ἀλάβαστον (alabaster) further elevates the cup to a luxury item, contrasting the preciousness of the vessel with the potential fragility or fleeting nature of the peace it holds. This construction functions as a specific rhetorical device (metaphor) within the comic context of the play, where the peace with Sparta is being mocked as a trivial or deceptive offering.