Aristophanes Acharnians 665

Anonymous (Translator)

Acharnians. Aristophanes. Anonymous (Translator). New York. 192?.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

Acharnians (OCR draft) (English) (English (Anonymous; Liveright, 192?). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἀχαρνῆς Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 626-718 focus
Translations (1)
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 665 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

668. mvp-tlg0019-tlg001-sanjaya-com-eng1-22

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οἷον ἐξ ἀνθράκων πρινίνων φέψαλος ἀνήλατʼ ἐρεθιζόμενος οὐρίᾳ ῥιπίδι,
The phrase ἄνθρακας πρινίνους (here in the genitive plural ἄνθρακων πρινίνων) refers to 'birch coals' or, more likely in this context, coals made from the wood of the birch tree (Betula), which were notoriously used in ancient comedy to represent the burning of a specific, often absurd, fuel source for magical or ritualistic purposes. The word φέψαλος is a hapax legomenon in the extant corpus of Aristophanes, appearing only here, and is generally understood as a type of small bird (perhaps a wren or a thrush) or, more plausibly in the context of the bird's frantic movement, a metaphorical or onomatopoeic term for a bird fluttering or twitching violently. The verb ἀνήλατ' (aorist of ἀνάλλω) is rare and specifically denotes the act of 'shaking off' or 'shaking oneself free' (often with a connotation of vigorous, almost convulsive movement), which is crucial for the comic imagery of the bird being goaded by the wind (οὐρίᾳ ῥιπίδι) into a frenzied state. The combination of these elements creates a vivid, albeit obscure, metaphor for the frantic, wind-driven movement of the character (or the chorus) that follows, relying on the specific, almost grotesque, imagery of a bird agitated by a birch-coal fire and a gust of wind.