Aristophanes Acharnians 241

Anonymous (Translator)

Acharnians. Aristophanes. Anonymous (Translator). New York. 192?.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

Acharnians (OCR draft) (English) (English (Anonymous; Liveright, 192?). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἀχαρνῆς Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 241-279 focus
Translations (1)
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 241 focus

Notes on the current edition

Acharnians

1. The maiden who carried the basket filled with fruits at the Dionysia in honour of Bacchus.
2. The emblem of the fecundity of nature; it consisted of a representation, generally grotesquely exaggerated, of the male genital organs; the phallophori crowned with violets and ivy and their faces shaded with green foliage, sang improvised airs, call Phallics, full of obscenity and suggestive double entendres.
3. The most propitious moment for Love's gambols, observes the scholiast.
4. Married women did not join in the processions.

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

259. mvp-tlg0019-tlg001-sanjaya-com-eng1-3

Line 259

ὦ Ξανθία, σφῷν δʼ ἐστὶν ὀρθὸς ἑκτέος
The form ἑκτέος is a rare Doric (or Boeotian) variant of the Attic ἑκτός, meaning 'sixth' (specifically here, the sixth day of the month, likely referring to the deadline for the *symmoria* or a specific tax payment, though the exact civic context is debated). The use of the Doric form in a character's speech (Xanthias is a slave) is a marker of his rustic or non-Attic background, a common Aristophanic device, but the morphological form itself is exceptionally rare in Attic comedy outside of this specific metrical and dialectal context.