Homer Odyssey 7.37

ed. A. T. Murray

View: By Card

Odyssey. Homer. ed. A. T. Murray. London. 1919.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Ὀδύσσεια (Greek) (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.)

Translations (9)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 7.37 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 7.37 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 7.37 focus
Then she led the way, and Odysseus followed in her steps; but not one of the Phaeacians could see him [40] as he passed through the city in the midst of them; for the great goddess Athena in her good will towards him had hidden him in a thick cloud of darkness. He admired their harbors, ships, places of assembly, and the lofty [45] walls of the city, which, with the palisade on top of them, were very striking, and when they reached the king’s house Athena, the owl-vision goddess, said:
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 7.37 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 7.37 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 7.37 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 7.37 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 7.37 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 7 focus

New Alexandria Commentaries

Gregory Nagy

Odysseus arrives at the palace and garden of Alkinoos (Alcinous), king of the Phaeacians, whose island was equated in ancient times with Kerkyra/Corcyra, the modern Corfù.

draft js image errorView of Garitsa, region right outside the northern walls of the city of Corfu, and according to the legend the site of Alcinous’s gardens (1867). Étienne Rey (French, 1789–1867). Image via the Aikaterini Laskaridis Foundation.

Following the instructions of Nausicaa, Odysseus approaches the palace of her father Alkinoos (latinized as Alcinous), king of the Phaeacians. This palace and the adjacent garden of Alkinoos are not only enchanting but even enchanted, as will be argued in the comments for Rhapsody 7 here. And, as we will see later in the comments for Rhapsody 13, the garden of Alkinoos was thought to have survived on the island of Kerkyra, known in Roman sources as Corcyra and in modern times as Corfù. In ancient times, the people of Kerkyra claimed that their island was in fact the fabled realm of the Phaeacians.

source

The mythical Gigantes 'Giants' are relevant to Athenian mythology.

source