Homer Odyssey 21.42

ed. A. T. Murray

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Odyssey. Homer. ed. A. T. Murray. London. 1919.

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Ὀδύσσεια (Greek) (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.)

Translations (9)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 21.42 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 21.1 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 21.42 focus
Penelope presently reached the oak threshold of the store room; the carpenter had planed this duly, [45] and had drawn a line on it so as to get it quite straight; he had then set the door posts into it and hung the doors. She loosed the strap from the handle of the door, put in the key, and drove it straight home to shoot back the bolts that held the doors; these flew open with a noise [50] like a bull bellowing in a meadow, and Penelope stepped upon the raised platform, where the chests stood in which the fair linen and clothes were laid by along with fragrant herbs: reaching thence, she took down the bow with its bow case from the peg on which it hung. [55] She sat down with it on her knees, weeping bitterly as she took the bow out of its case, and when her tears had relieved her, she went to the hall where the suitors were, carrying the bow and the quiver, [60] with the many deadly arrows that were inside it. Along with her came her maidens, bearing a chest that contained much iron and bronze that her husband had won as prizes. When she reached the suitors, she stood by one of the bearing-posts supporting the roof of the hall, [65] holding a veil before her face, and with a maid on either side of her. Then she said:
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 21.42 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 21.42 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 21.42 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 21.42 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 21.42 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 21 focus

New Alexandria Commentaries

Anita Nikkanen

Compare O.19.576-581, where these same lines occur when Penelope proposes the contest of the bow. As noted there, Penelope’s memory and mindfulness of her marriage to Odysseus are exceptional in the Odyssey: other women, we are told (O.15.20-23), tend to forget their previous marriage and children when remarrying, but Penelope, as she issues the challenge of the bow to the suitors here, presents herself as doing the opposite (these lines are also found at O.19.576-581 where Penelope proposes the contest of the bow to determine the successful suitor). Compare O.24.194-198, where Agamemnon singles out Penelope’s memory of Odysseus as that which deserves commemorating as a kleos. Penelope stands out as an example of socially ethical behavior.

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Gregory Nagy

Toward the end of Rhapsody 21, Odysseus will pass an all-important test set by Penelope: he will string his famous bow—which none of the suitors could string, no matter how hard they tried—and he will shoot an arrow straight through all the holes of twelve axe-heads lined up in a row for this one-time occasion, designed to be viewed as the contest to end all contests in the skills of archery. This contest will determine, once and for all, who is really eligible, among all the Achaeans, to be recognized as the husband of the queen. But the winning of this ultimate contest by Odysseus is not enough: the king must now kill, with the same bow, all the would-be husbands of the queen. So, once Odysseus passes the test set by Penelope, as narrated toward the end of Rhapsody 21, the killing of the rival Achaeans can begin in Rhapsody 22. And the overall occasion for both the passing of Penelope’s test and the killing of the suitors is the beginning of a grand festival celebrating the god Apollo and the arrival of spring.

draft js image errorHēraklēs stringing a bow. Silver stater, c. 450–440 BCE, Thebes (Boeotia). Image via Wikimedia Commons.

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