Homer Odyssey 13.47

ed. A. T. Murray

View: By Card

Odyssey. Homer. ed. A. T. Murray. London. 1919.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Ὀδύσσεια (Greek) (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.)

Translations (9)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 13.47 focus
Odyssey Perseus (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.) — 13.47 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 13.47 focus
Thus did he speak. His hearers all of them approved his saying and agreed that he should have his escort inasmuch as he had spoken reasonably. Alkinoos therefore said to his servant, [50] “Pontonoos, mix some wine and hand it round to everybody, that we may offer a prayer to father Zeus, and speed our guest upon his way.”
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 13.47 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 13.47 focus
'O thou, the first in merit and command!
'And you the peers and princes of the land!
'May every joy be yours! nor this the least,
'When due libation shall have crown'd the feast,
50
'Safe to my home to send your happy guest.
'Complete are now the bounties you have given,
'Be all those bounties but confirm'd by Heaven!
'So may I find, when all my wanderings cease,
'My consort blameless, and my friends in peace.
55
'On you be every bliss; and every day,
'In home-felt joys, delighted roll away:
'Yourselves, your wives, your long-descending race,
'May every god enrich with every grace!
'Sure fix'd on virtue may your nation stand,
60
'And public evil never touch the land!'
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 13.47 focus
This said, they prais'd him all, and counsel gave
The stranger to conduct safe o'er the seas.
Alcinous then call'd for wine, and bad
45
Pontonous present it to each one,
Until unto the Gods all offer'd had,
That so Ulysses the sooner might be gone.
Pontonous brought wine, and carried it
From man to man, and each man drank his cup,
50
Blessing the Gods in order as they sit.
When all had drunk, Ulysses standeth up,
And speaking to queen Arete, he said:
Happy for ever may you be, O queen.
I take my leave. Be you for ever joy'd
55
In king Alcinous as you have been,
And in your children and your people all.
And when he this had said, away he went.
Alcinous did then a squire call,
Whom with Ulysses to the ship he sent.
60
Arete to her women sent. One brought
Fine bread and store of black wine of the best;
Another brought with her a cloak and coat;
Another brought, to lay them in, a chest,
Which by the mariners were quickly stow'd
65
Aboard the good ship, with the wine and bread.
And for Ulysses many rugs they strew'd
0' th' deck, astern, with linen at his head.
And then aboard lie went. When he was lain,
Their seats they take, and parted from the strand,
70
Reclining dash d with oars the liquid plain,
While sleep Ulysses bound had foot and hand.
As when four horses gallop o'er a plain,
The way runs swiftly by the coach's side;
So did the good ship mount upon the main,
75
And to the stem the water swiftly glide,
A hawk could hardly with it have kept pace,
A hawk that of all fowl the swiftest flies;
So swiftly ran the ship on th' ocean's face,
And with her breast the rising water slice;
80
Bearing a man for wisdom like a God,
That pass'd had fearful billows on the deep,
And many bloody paths of war had trod,
The thought whereof was now removed by sleep.
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 13.47 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 13.47 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 13 focus

New Alexandria Commentaries

Gregory Nagy

The storytelling of Odysseus has come to an end, and he will now be sent home to Ithaca by his hosts, Alkinoos and the Phaeacians. Sailing through the night in a ship provided by king Alkinoos, Odysseus is in a deep sleep, which is compared to death itself. At the precise moment when the ship reaches the shores of his homeland, Ithaca, Odysseus will ‘come to’, experiencing a mystical return to light and life.

draft js image error“Ulysses Asleep Laid on his Own Coast by the Phaeacian Sailors” (1805). John Flaxman (English, 1755–1826). Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996. Image via the Tate.

source

|78 εὖθ’ οἳ ἀνακλινθέντες ἀνερρίπτουν ἅλα πηδῷ, |79 καὶ τῷ νήδυμος ὕπνος ἐπὶ βλεφάροισιν ἔπιπτε, |80 νήγρετος ἥδιστος, θανάτῳ ἄγχιστα ἐοικώς. |81 ἡ δ’, ὥς τ’ ἐν πεδίῳ τετράοροι ἄρσενες ἵπποι, |82 πάντες ἅμ’ ὁρμηθέντες ὑπὸ πληγῇσιν ἱμάσθλης |83 ὑψόσ’ ἀειρόμενοι ῥίμφα πρήσσουσι κέλευθον, |84 ὣς ἄρα τῆς πρύμνη μὲν ἀείρετο, κῦμα δ’ ὄπισθεν |85 πορφύρεον μέγα θῦε πολυφλοίσβοιο θαλάσσης. |86 ἡ δὲ μάλ’ ἀσφαλέως θέεν ἔμπεδον· οὐδέ κεν ἴρηξ |87 κίρκος ὁμαρτήσειεν, ἐλαφρότατος πετεηνῶν· |88 ὣς ἡ ῥίμφα θέουσα θαλάσσης κύματ’ ἔταμνεν, |89 ἄνδρα φέρουσα θεοῖσ’ ἐναλίγκια μήδε’ ἔχοντα, |90 ὃς πρὶν μὲν μάλα πολλὰ πάθ’ ἄλγεα ὃν κατὰ θυμόν, |91 ἀνδρῶν τε πτολέμους ἀλεγεινά τε κύματα πείρων· |92 δὴ τότε γ’ ἀτρέμας εὗδε, λελασμένος ὅσσ’ ἐπεπόνθει. |93 εὖτ’ ἀστὴρ ὑπερέσχε φαάντατος, ὅς τε μάλιστα |94 ἔρχεται ἀγγέλλων φάος Ἠοῦς ἠριγενείης, |95 τῆμος δὴ νήσῳ προσεπίλνατο ποντοπόρος νηῦς.

|78 When they [= the Phaeacian seafarers] began rowing out to sea, |79 he [= Odysseus] felt a sweet sleep falling upon his eyelids. |80 It was a deep sleep, the sweetest, and most similar to death. |81 Meanwhile, the ship was speeding ahead, just as a team of four stallions drawing a chariot over a plain |82 speeds ahead in unison as they all feel the stroke of the whip, |83 gallopping along smoothly, with feet raised high as they make their way forward, |84 so also the prow of the ship kept curving upward as if it were the neck of a stallion, and, behind the ship, waves that were |85 huge and seething raged in the waters of the roaring sea. |86 The ship held steadily on its course, and not even a falcon, |87 raptor that he is, swiftest of all winged creatures, could have kept pace with it. |88 So did the ship cut its way smoothly through the waves, |89 carrying a man who was like the gods in his knowledge of clever ways, |90 who had beforehand suffered very many pains [algea] in his heart [thūmos], |91 taking part in wars among men and forging through so many waves that cause pain, |92 but now he was sleeping peacefully, forgetful of all he had suffered. |93 And when the brightest of all stars began to show, the one that, more than any other star, |94 comes to announce the light of the Dawn born in her earliness, |95 that is when the ship, famed for its travels over the seas, drew near to the island.

(The following is epitomized from H24H 10§§11–12.) The very idea of consciousness as conveyed by nóos is derived from the metaphor of returning to light from darkness, as encapsulated in the moment of waking up from sleep, or of regaining consciousness after losing consciousness, that is, of ‘coming to’. See the comment on O.01.003; also on O.09.082–104. This metaphor of coming to is at work not only in the meaning of nóos in the sense of consciousness but also in the meaning of nostos in the sense of returning from darkness and death to light and life. See the comment on O.01.005. Remarkably, these two meanings converge at one single point in the master myth of the Odyssey. It happens here at O.13.078-095, when Odysseus finally reaches his homeland of Ithaca. Odysseus has been sailing home on a ship provided by the Phaeacians, against the will of the god Poseidon, and the hero falls into a deep sleep that most resembles death itself, O.13.079–080. This sleep makes him momentarily unconscious: he ‘forgets’, as expressed by the verb lēth-, O.13.092, all the algea, ‘pains’, of his past journeys through so many different cities of so many different people, O.13.090-091. Then, at the very moment when the ship reaches the shore of Ithaca, the hero’s homeland, the morning star appears, heralding the coming of dawn, O.13.093–095. The Phaeacians hurriedly leave Odysseus on the beach where they placed him, still asleep, when they landed, O.13.119, and, once they sail away, he wakes up there, O.13.187. So, the moment of the hero’s homecoming, which is synchronized with the moment of sunrise, is now further synchronized with a moment of awakening from a sleep that most resembles death.

source

Homeric references to four-horse chariots are confined to contexts having to do with chariot racing. For chariot fighting, two-horse chariots are the Homeric norm. For exceptions, see the comments on I.05.263–273 and on I.08.185.

source
Leonard Muellner

analysis of the formulas with the three places where eukhesthai + dative has the shape eukh ˘ ˘ – [=short short long], as in this verse

source

in a list of examples of eukhesthai + dative (formulas which report prayers)

source