Homer Odyssey 6.324

Samuel Butler (Translator)

Odyssey. Homer. Samuel Butler (Translator). London. 1900 (?).

Current edition Perseus

Odyssey (English) (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 6.251 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 6.288 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 6.288 focus
If, therefore, [290] you want my father to give you an escort and to help you to your homecoming [ nostos], do as I bid you; you will see a beautiful grove of poplars by the roadside dedicated to Athena; it has a well in it and a meadow all round it. Here my father has a field of rich garden ground, about as far from the town as a man’s voice will carry. [295] Sit down there and wait for a while till the rest of us can get into the town and reach my father’s house. Then, when you think we must have done this, come into the town and ask the way to the house of my father, great-hearted Alkinoos. [300] You will have no difficulty in finding it; any child will point it out to you, for no one else in the whole town has anything like such a fine house as he has. When you have got past the gates and through the outer court, go right across the inner court till you come to [305] my mother. You will find her sitting by the fire and spinning her purple wool by firelight. It is a fine sight to see her as she leans back against one of the bearing-posts with her maids all ranged behind her. Close to her seat stands that of my father, on which he sits and drinks wine like an immortal god. [310] Never mind him, but go up to my mother, and lay your hands upon her knees if you would get home quickly. If you can win her over, you may hope to see your own country again, [315] no matter how distant it may be.”
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 6.288 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 6.288 focus
But wouldst thou soon review thy native plain?
Attend, and speedy thou shalt pass the main.
Nigh where a grove with verdant poplars crown'd,
To Pallas sacred, shades the holy ground,
350
We bend our way; a bubbling fount distils
A lucid lake, and thence descends in rills;
Around the grove, a mead with lively green
Falls by degrees, and forms a beauteous scene;
Here a rich juice the royal vineyard pours;
355
And there the garden yields a waste of flowers.
Hence lies the town, as far as to the ear
Floats a strong shout along the waves of air.
There wait embower'd, while I ascend alone
To great Alcinoüs on his royal throne.
360
Arriv'd, advance, impatient of delay,
And to the lofty palace bend thy way:
The lofty palace overlooks the town,
From every dome by pomp superior known:
A child may point the way. With earnest gait
365
Seek thou the queen along the rooms of state:
Her royal hand a wondrous work designs,
Around a circle of bright damsels shines,
Part twist the threads, and part the wool dispose,
While with the purple orb the spindle glows.
370
High on a throne, amid the Scherian powers,
My royal father shares the genial hours;
But to the queen thy mournful tale disclose,
With the prevailing eloquence of woes:
So shalt thou view with joy thy natal shore,
375
Though mountains rise between, and oceans roar."
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 6.288 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 6.288 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 6.288 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 6 focus

New Alexandria Commentaries

Gregory Nagy

Nausicaa, princess of the Phaeacians, makes her appearance as a potential but unattainable love-interest for Odysseus—and as a delight for all who find themselves irresistibly drawn into the story of her girlish but principled encounter with the enthralled hero.

draft js image error“Nausicaa” (1878), Frederick Leighton (English, 1830–1896). Image via Wikimedia Commons.

This Rhapsody belongs to Nausicaa. I spell her name in its familiar latinized form, with a c, since her fame extends far beyond the ancient Greek world, where she appears as Ναυσικάα. In any case, the name has a certain primacy of place. I have no idea who said it first, but I first heard it from the long-departed Sterling Dow in the early 1960s: if you look up all surviving ancient Greek names in reverse alphabetical order, the first one you see is Nausicaa = Ναυσικάα, while the very last of them all is Calypso = Καλυψώ. Surely we see here a coincidence, not some mysterious signal emanating from some grand cosmic plan, but the coincidence itself seems just as lovely as Nausicaa is lovely. Some critics view her as a youthful love-interest for Odysseus, matching Calypso as the hero’s divine love-interest. But such a view detracts from the loveliness: Nausicaa is meant to be a love-interest for all who hear her story—just as Calypso is a universal love-interest in her own story as told in Rhapsody 5. In the story of Nausicaa as told in Rhapsody 6, she is pictured as the perfect bride for any man fortunate enough to succeed in marrying her—and she knows it. The self-awareness of Nausicaa is shaped by the poetry that idealizes her eligibility by animating her beauty and her charm to the point where she becomes comparable to the goddess Artemis. Odysseus himself initiates the comparison and, by comparing the girl to the goddess, he is signaling to himself that Nausicaa, even if she does not know it yet, is for him enticingly unattainable.

source