Homer Odyssey 21.136

Samuel Butler (Translator)

Odyssey. Homer. Samuel Butler (Translator). London. 1900 (?).

Current edition Perseus

Odyssey (English) (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 21.118 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 21.118 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 21.118 focus
As he spoke he sprang from his seat, threw his crimson cloak from him, and took his sword from his shoulder. [120] First he set the axes in a row, in a long groove which he had dug for them, and had made straight by line. Then he stamped the earth tight round them, and everyone was surprised when they saw him set up so orderly, though he had never seen anything of the kind before. This done, he went on to the pavement to make trial of the bow; [125] three times did he tug at it, trying with all his might to draw the string, and three times he had to rest his strength [ biē], though he had hoped to string the bow and shoot through the iron. He was trying, with all his strength [ biē], for the fourth time, and would have strung it had not Odysseus made a sign to check him in spite of all his eagerness. [130] So he said:
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 21.118 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 21.118 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 21.118 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 21.118 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 21.118 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 21 focus

New Alexandria Commentaries

Gregory Nagy

Toward the end of Rhapsody 21, Odysseus will pass an all-important test set by Penelope: he will string his famous bow—which none of the suitors could string, no matter how hard they tried—and he will shoot an arrow straight through all the holes of twelve axe-heads lined up in a row for this one-time occasion, designed to be viewed as the contest to end all contests in the skills of archery. This contest will determine, once and for all, who is really eligible, among all the Achaeans, to be recognized as the husband of the queen. But the winning of this ultimate contest by Odysseus is not enough: the king must now kill, with the same bow, all the would-be husbands of the queen. So, once Odysseus passes the test set by Penelope, as narrated toward the end of Rhapsody 21, the killing of the rival Achaeans can begin in Rhapsody 22. And the overall occasion for both the passing of Penelope’s test and the killing of the suitors is the beginning of a grand festival celebrating the god Apollo and the arrival of spring.

draft js image errorHēraklēs stringing a bow. Silver stater, c. 450–440 BCE, Thebes (Boeotia). Image via Wikimedia Commons.

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Leonard Muellner

analysis of thuoskoos as not a particularly prestigious occupation, in the context of analyzing Odysseus’ response to Leodes in O.22.321

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