Homer Odyssey 19.386

Samuel Butler (Translator)

Odyssey. Homer. Samuel Butler (Translator). London. 1900 (?).

Current edition Perseus

Odyssey (English) (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 19.405 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 19.405 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 19.405 focus
“Son-in-law and daughter,” replied Autolykos, “call the child thus: I am highly displeased with a large number of people in one place and another, both men and women; so name the child ‘Odysseus,’ or the child of anger. When he grows up [410] and comes to visit his mother’s family on Mount Parnassus, where my possessions lie, I will make him a present and will send him on his way rejoicing.”
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 19.405 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 19.405 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 19.405 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 19.405 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 19.405 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 19 focus

New Alexandria Commentaries

Gregory Nagy

Rhapsody 19 is best known for a scene where Odysseus is recognized by his old nurse Eurykleia. She notices a tell-tale scar on his leg—the result of a wound that marks the moment in his youth when he was gored in a boar hunt. This scar can be seen as a sēma or ‘sign’ of the hero’s identity.

draft js image error“Euryclea Discovers Ulysses” (1805). John Flaxman (English, 1755–1826). Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996. Image via the Tate.

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Eurykleia recognizes Odysseus when she is washing his feet. The sign for her recognition is the scar that she notices on his leg—a wound that marks the time when he went on a boar hunt to Parnassus with his mother’s father, Autolykos. The word that signals the recognition is gignōskein ‘recognize’ at O.19.392 and at O.19.468. The scar that Eurykleia recognizes here turns out to be a sēma ‘sign, signal’ of the hero’s true identity, as we see from the use of that word at O.21.217 and at O.23.073. See the comments at O.21.217–224 and at O.23.073–077 respectively. This word sēma ‘sign, signal’ does not occur here at O.19.388–507, but the occurrences at O.21.217 and O.23.073 and O.24.329 indicate clearly that the scar as a sēma is a subtext, as it were, for the recognition scene that frames the narrative about the boar hunt at Parnassus.

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