Homer Odyssey 18.422

Samuel Butler (Translator)

Odyssey. Homer. Samuel Butler (Translator). London. 1900 (?).

Current edition Perseus

Odyssey (English) (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 18.394 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 18.394 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 18.394 focus
With this he caught hold of a footstool, but Odysseus [395] sought protection at the knees of Amphinomos of Doulikhion, for he was afraid. The stool hit the cupbearer on his right hand and knocked him down: the man fell with a cry flat on his back, and his wine-jug fell ringing to the ground. The suitors in the covered hall were now in an uproar, [400] and one would turn towards his neighbor, saying, “I wish the stranger had gone somewhere else, bad luck to hide, for all the trouble he gives us. We cannot permit such disturbance about a beggar; if such ill counsels are to prevail we shall have no more pleasure at our banquet.”
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 18.394 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 18.394 focus
He said, and with full force a footstool threw :
Whirl'd from his arm, with erring rage it flew :
Ulysses, cautious of the vengeful foe,
Stoops to the ground, and disappoints the blow.
Not so a youth who deals the goblet round;
440
Full on his shoulder it inflicts a wound:
Dash'd from his hand the sounding goblet flies,
He shrieks, he reels, he falls, and breathless lies.
Then wild uproar and clamour mount the sky,
Till mutual thus the peers indignant cry :
445
'Oh had this stranger sunk to realms beneath,
'To the black realms of darkness and of death,
'Ere yet he trod these shores! to strife he draws
'Peer against peer; and what the weighty cause ?
'A vagabond! for him the great destroy,
450
'In vile ignoble jars, the feast of joy.'
To whom the stern Telemachus uprose:
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 18.394 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 18.394 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 18.394 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 18 focus

New Alexandria Commentaries

Gregory Nagy

In Rhapsody 18, Odysseus as a make-believe beggar is challenged by a most questionable character named Iros, who figures as a real beggar. What makes Iros so questionable is his similarity to characters who figure in a poetic form that can best be described as mock epic.

draft js image error“Ulysses Preparing to Fight with Irus” (1805). John Flaxman (English, 1755–1826) Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996. Image via the Tate.

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In the immediate context, here at O.18.424, only the surface meaning of therapōn as ‘attendant’ is evident.

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