Homer Odyssey 18.302

Samuel Butler (Translator)

Odyssey. Homer. Samuel Butler (Translator). London. 1900 (?).

Current edition Perseus

Odyssey (English) (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 18.290 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 18.290 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 18.290 focus
The others applauded what Antinoos had said, and each one sent his servant to bring his present. Antinoos’ man returned with a large and lovely dress most exquisitely pattern-woven. It had twelve beautifully made brooch pins of pure gold with which to fasten it. [295] Eurymakhos immediately brought her a magnificent chain of gold and amber beads that gleamed like sunlight. Eurydamas’ two men returned with some earrings fashioned into three radiant pendants which glistened in beauty [ kharis]; while King Peisandros, [300] son of Polyktor, gave her a necklace of the rarest workmanship, and every one else brought her a beautiful present of some kind.
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 18.290 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 18.290 focus
The peers despatch'd their heralds to convey
335
The gifts of love; with speed they take the way.
A robe Antinoüs gives of shining dyes;
The varying hues in gay confusion rise
Rich from the artist's hand! twelve clasps of gold
Close to the lessening waist the vest infold;
340
Down from the swelling loins the vest unbound
Floats in bright waves redundant o'er the ground.
A bracelet rich with gold, with amber gay,
That shot effulgence like the solar ray,
Eurymachus presents: and ear-rings bright,
345
With triple stars, that cast a trembling light.
Pisander bears a necklace wrought with art:
And every peer, expressive of his heart,
A gift bestows: this done, the queen ascends,
And slow behind her damsel train attends.
350
Then to the dance they form the vocal strain,
Till Hesperus leads forth the starry train;
And now he raises, as the daylight fades,
His golden circlet in the deepening shades:
Three vases heap'd with copious fires display
355
O'er all the palace a fictitious day;
From space to space the torch wide-beaming burns,
And sprightly damsels trim the rays by turns.
To whom the king: 'Ill suits your sex to stay
'Alone with men! ye modest maids, away!
360
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 18.290 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 18.290 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 18.290 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 18 focus

New Alexandria Commentaries

Gregory Nagy

In Rhapsody 18, Odysseus as a make-believe beggar is challenged by a most questionable character named Iros, who figures as a real beggar. What makes Iros so questionable is his similarity to characters who figure in a poetic form that can best be described as mock epic.

draft js image error“Ulysses Preparing to Fight with Irus” (1805). John Flaxman (English, 1755–1826) Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996. Image via the Tate.

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The insults hurled by Melantho at the disguised Odysseus are replete with words indicating the language of blame poetry. For aiskhro- ‘disgraceful, shameful’, see the comments at I.02.216, I.03.038, I.06.325. For oneideio- ‘insulting’, see the comments on oneidos (plural oneidea) ‘words of insult’ at I.01.291, I.02.222, I.03.242, I.20.244–256. As for eniptein ‘scold’ at O.18.321 and O.18.326, it applies not only to unrighteous blame, as here, but also to righteous blame, as when Penelope scolds Antinoos at O.16.417.

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