Homer Odyssey 17.348

Samuel Butler (Translator)

Odyssey. Homer. Samuel Butler (Translator). London. 1900 (?).

Current edition Perseus

Odyssey (English) (Homer. The Odyssey: rendered into English prose for the use of those who cannot read the original. Butler, Samuel, 1835-1902, translator. Revised by Timothy Power and Gregory Nagy. London: A.C. Fifield, 1900.)

Editions (1)
Ὀδύσσεια Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), editor. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 17.336 focus
Translations (8)
Odyssey Perseus (Homer. The Odyssey, Volume 1-2. Murray, A. T. (Augustus Taber), translator. London: William Heinmann; New York: G.P. Putnam's Sons, 1919.) — 17.336 focus
English (Butler, rev. Nagy et al., 2020) (OCR draft) Experimental (English (Butler, rev. Nagy et al., 2020)) — 17.336 focus
Immediately afterwards Odysseus came inside, looking like a poor miserable old beggar, leaning on his staff and with his clothes all in rags. He sat down upon the threshold of ash-wood [340] just inside the doors leading from the outer to the inner court, and against a bearing-post of cypress-wood which the carpenter had skillfully planed, and had made to join truly with rule and line. Telemachus took a whole loaf from the bread-basket, with as much meat as he could hold in his two hands, and said to Eumaios, [345] “Take this to the stranger, and tell him to go the round of the suitors, and beg from them; a beggar must not feel circumspection [ aidōs].”
English (William Cullen Bryant, 1873) (OCR draft) Experimental (English (William Cullen Bryant, 1873)) — 17.336 focus
English (Alexander Pope, 1726, ed. Watson, 1858) (OCR draft) Experimental (English (Alexander Pope, 1726, ed. Watson, 1858)) — 17.336 focus
English (Thomas Hobbes, 1667, ed. Molesworth 1843) (OCR draft) Experimental (English (Thomas Hobbes, 1667, ed. Molesworth 1843)) — 17.336 focus
English (George Chapman, 1667, ed. Hooper 1857) (OCR draft) Experimental (English (George Chapman, 1667, ed. Hooper 1857)) — 17.336 focus
English (William Cowper, 1791, ed. Southey) (OCR draft) Experimental (English (William Cowper, 1791, ed. Southey)) — 17.336 focus
English (H. B. Cotterill, 1911) (OCR draft) Experimental (English (H. B. Cotterill, 1911)) — 17 focus

New Alexandria Commentaries

Gregory Nagy

Back in Rhapsody 16, Eumaios the swineherd had left behind in his shelter an unrecognized Odysseus and had gone off to the palace in order to contact Penelope; in the swineherd’s absence, Telemachus, left alone with Odysseus, could now get to see his father transformed into an idealized godlike hero, made visible through a luminous epiphany produced by the sacred wand of the goddess Athena. This way, Telemachus could recognize the true Odysseus. But this true hero must not yet be recognized by the returning Eumaios. So, before the swineherd had ever made his return from the palace to the shelter, Athena had already produced a reverse transformation of Odysseus, and the hero could thus revert to his disguise as a lowly beggar. Now, at the beginning of Rhapsody 17, Odysseus can ready himself to go off to the palace in order to engage the suitors as a beggar, thus testing them. The testing will clearly reveal that all the suitors, down to the last man, are morally debased on the inside while seeming to be noble on the outside. Odysseus, in his degraded state as an elderly beggar, is matched by the degradation of his beloved hunting dog Argos, who at least lives long enough to recognize the hero.

draft js image error“Ulysses and his Dog” (1805). John Flaxman (English, 1755–1826). Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996. Image via the Tate.

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What the speakers are speaking about here at O.17.336–355 is the ethical imperative of feeding the hungry who cannot afford to feed themselves. Someone who responds to such an ethical imperative will be performing an act of generosity that shows ethical nobility. Such nobility, which comes from within, distinguishes Telemachus from the suitors of Penelope, who are noble only in their exterior appearance. The begging that is about to be performed by the disguised Odysseus here will be a testing of the suitors—whose lack of generosity will fully expose them in all their ethical deficiency.

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Leonard Muellner

in a list of attestations of genos eukhesthai einai and its transformations

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